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Guys, do NOT vote for this canidate if you value Ao3 being anti-censorship and a friendly space for LGBTQ+ creators.
We don't want another wattpad. Or fanfiction.net. Ao3 is great because it does not censor creations or allow harassment of creators.
I'm sure you can imagine how someone like this gaining a position of power in a queer-friendly space is going to go.
Tell me, what is the number one false flag that republicans hide behind when pushing agendas that are designed to target and oppress LGBTQ+ people and minorities? tHiNk oF tHe cHiLdReN!
“At our #AskTheExperts webinar on relationships, @MeganKMaas noted how the prevalence of media with romanticized abuse and sexual content la
The above is their policy lead, which screams pro-censorship and anti-kink.
She answered the OTW Q and A's like any republican who is hiding pro-censorship and evangelical agendas would.
And how many republican candidates have you seen do a complete 180 and go back on their promises to NOT target and oppress minorities and the most vulnerable groups?
Pretty much fucking ALL of them.
Guys, we cannot let her get into our safe space. The archive is one of the last frontiers we have where we are not monetized by corporations, and we can be safely queer and create without judgement.
Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.
In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.
When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.
And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.
It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.
Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!
Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.
Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.
And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.
Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.
And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.
And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.
And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.
I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.
I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.
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fantasy kavetham AU idea i had: witch haitham and cursed prince kaveh hiring him for his services (despite being broke but haitham stays with him out of personal interest in his curse and in him as a person) to help him break the curse or he will die; he soon learns that haitham is as lazy as he is wise and powerful and they both catch feelings along their journey
ft dehya, tighnari, cyno etc as the rest of the party (they will get their own post)
(i wanted their design to still be kind of their og but with a few fantasy twists; also sorry for the mess i was quite lit drawing like a madman to get this out of my head akjcbk)
Fuck genshin for making all characters look so young i have a mental image of diluc thats so different to the canon version that the moment i see him in game i wanna buy that mfer a lollypop
Thats not the face of a man who had to kill his father at eighteen years old and then inherited half a country's economy from him, fucked up the kid he was raised alongside, quit his job, and left to commit mass murder for four years before returning to roleplay spring heeled jack and lament his solitude on public boards
Hmmm… I’m thinking about Lucius’ cars. Because Lucius definitely has cars. Fancy ass ones.
Like? I have NO doubt this silly wealthy man has a twelve car garage with only six cars or what have you. A Rolls Royce. A Ferrari. An Aston Martin. And several others.
It’s SO clear to me that this is Malfoy’s Muggle Achilles heel. How could he see an uberexpensive classic car and not want it for himself? He’s practically the human version of J. Thaddeus Toad from The Wind in the Willows. “Egads, what have I been missing?” I mean???
So anyway. Man’s got several cars, but he certainly does not take care for them himself. He’s definitely got a car nanny to do the gritty internal servicing; gas and oil and windshield wiper fluid are NOT in Lucius’ wheelhouse. I doubt he can even drive them himself—I bet he’s got them charmed so they can drive with magic and all he has to do is wave his wand at the steering wheel once and then just will it to move. Like a broom.
I’m sure he’s also spelled them to travel very fast and remain outside the notice of other Muggles, similar to the Knight Bus but with more… tact and smoothness. More debonair, if you will. I bet he could drive up to Hogwarts from Wiltshire in 45 minutes maximum.
Now of course Lucius’ archenemy is Arthur Weasley, who famously owns a poorly charmed and rusty Ford Anglia with a mind of its own. If you’ve ever heard two Car Guys arguing, this will make perfect sense to you.
Anyway, all this to say that I think at some point Lucius should really send Severus an owl note at around 9 pm some night, telling him to be outside the Hogwarts delivery docks in an hour with a weekend bag. And not five minutes after Severus steps out onto the dock, why there’s a gleaming silver ‘83 Rolls Royce Camargue with the lights off, sneaking near-silently across the gravel drive, with Lucius at the wheel.
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You know, this scene is really special and interesting to watch bc I’m certain that no matter how extrovert you are you must have felt what Sherlock is feeling right there at some point in your life.
I'm talking about that the feeling of being surrounded by people but when you look around you are so painfully alone
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gamechangershow
origamiaround
