Hardy and Miller are on the case! across different police divisions 🚓
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Sweet Seals For You, Always
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he wasn't even looking at me and he found me
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@dionnhardy
Hardy and Miller are on the case! across different police divisions 🚓

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that post that's like. fans have got too used to acting as stakeholders. media analysis is about the narrative intentions not a checklist of what fans want. i think criticism of the finale because it didn't include specific elements we wanted to see is separate (if sometimes intertwined) from whether the narrative worked overall. because as an overall arc it makes sense. from the start they wanted an earth where humans could live their lives free to make their own choices, without interference or pre-determined rules and plans and divisions into heaven and hell. crowley believed the system couldn't be fixed, aziraphale believed god could be reasoned with, and in the end they were both right and they both got what they wanted: a chance for humans and them to make choices that were true to who they were. for crowley and aziraphale that was choosing each other. it always would be
GO hot take apparently
Imagine finding out you have 90 minutes to tie up a love story that's developed over thousands of years. You create something beautifully in character and completely on point for the plot. You pay homage to the original writer's legacy in a fitting and poetic way and create an ending that not only shows the depth of two people's love for each other but the wider love they have for the thing that brought them together in the first place.
And then you go online to find the loudest outcry is that everyone hates it and "THEY DIDN'T EVEN KISS!"
I feel sorry for people who didn't get anything out of that stunning finale.
my brain is only these two right now. only rabbot.
flattening any conflict that Robby has with a woman to misogynistic assholery is missing about 95% of the nuance. first of fucking all, most of the characters on this cast are women. sometimes he's not an ass because it's a woman, sometimes it just happens to be a fucking woman.
there's some bias in the way he treats Baran, but again, not the main focus. Baran is a direct threat to Robby, on a professional and personal level. Administration is clearly trying to push him out, backing him into a corner, disrespecting him. much of this isn't Baran's fault, but she's the face of it, and part of it. professionally, he's fucking pissed for a few reasons, and has every right to be— not that he's handling it well.
on a personal level, Robby is vulnerable and insecure. Baran is laughing with Dana, conversing easy with Jack, and even Dennis is saying "she seems cool!" none of this is bad, but to Robby, it's devastating. he's not in a stable state, and his entire support system seems to agree that yes, we like the person who's supposed to take robby's place.
now, they don't mean it as a personal attack, and they don't mean it in a way that means they hate Robby or want her as replacement forever, but Robby is in crisis. everything about Baran is unintentionally reinforcing on both a professional and personal level that he is not needed, and he is a failure. and since he struggles with toxic masculinity and has been burying everything for so long, his emotions of hurt come out as anger instead.
Robby was starry-eyed after Baran saved that little boy's life, and told her to "take the win" before the alarming fall to undermining her and saying this department will fall to shit with her. he doesn't even necessarily hate baran, but she represents everything he's afraid of. that the department won't fall to shit. that they don't need him. that they probably don't even want him, wouldn't choose him. he's a cornered dog, and he's biting. when he insists people need him, it's another facet of his subtle begging for reassurance. (please tell me you need me.)
I've talked about the Robby and Samira dynamic at length, but it's not just because he's somehow an evil racist misogynist that he's harder on her. he sees himself in her, and since he hates himself so much, that's not a good thing. he does also believe in her, but is shit at showing it. he doesn't want her to turn into him. etc etc I could go on.
I saw someone say "it is misogyny. he would've NEVER yelled at a man like that." we are not watching the same show. frank langdon got yelled at three different times in season 1, one of those taking place before Robby knew about his addiction, and in front of others.
when you say Robby would give a white man so much more leeway, you're really just thinking of Dennis. he doesn't like ogilvie, either. "ogilvie, put your hand down." "keep your fucking mouth shut." neither of those are good mentorship or leadership moments, and he clearly favors Joy.
this isn't excusing his actions, but the point is that he's being a dick to EVERYONE. that is the WHOLE fucking point I fear. like. the point is to show the deterioration of Robby. that is. the point.
while it's important to call out bias, when it's every take I see, (and usually not a nuanced take in that discussion either, mostly just how Robby is the devil from the bible and he puts "hating women" on his calendar every day), it is so fucking tiring. you are flattening this fucking show. robby's flaws are a lot more complex and nuanced and compelling. yes, they are flaws, but no, he's not evil.

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yo broadchurch having elder wlw actually blew my fucking mind
*I didn't draw this, it's a commission [Artist: Rain] (asked for permission before sharing)
Millah! We've got a call! 🕵️♂️🕵️♀️
Can draw tiny raccoon hardy? Itd make lil hardy very happy.
Also your art is amazing dont feel obligated to respond or anything. I mostly wanted to tell you I really love your art. But am anxious.
of course! and please don't be! ☺️ tiny raccoon Hardy is so cute, I love seeing your figures and their adventures, you did such a great job making them ❤️ thank you for the kind words!! here is a quick grumpy raccoon detective
Kilted Alec ☺️

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uuhh lo-fi beats to solve cases to? it's rainy season again so I wanted to draw something cosy ☺️🌧️
More Alec in a kilt ☺️
Crazy how Enid’s weak excuse of a love interest this season hooks up with her after saying he wishes he had someone care about him as much as Enid cares about Wednesday and then after that relationship falls through (with Wednesday herself breaking it off and telling Enid she shouldn’t give time to people who don’t deserve her) Enid decides she’s bored with chasing boys and wants to be more like Wednesday presumably focusing on their “friendship” - giving more time to someone who deserves her aka Wednesday. Telling Wednesday that she’s her pack, singular, after that moment.
Then they’re all flirty in their last interaction (while Enid is still human) - Wednesday complimenting Enid’s pessimism, wanting to wake up early to let Enid out of her cage and barely resisting winking at her.
They made s2 so homoerotic they had to get ahead of it and gal pal-ify them to not scare away their hetero audience haha it’s so obvious.
Dazaiiiiii
I liked drawing this I think I learned a lot in the process. I might fix his mouth later tho it looks kinda wacky
Broadchurch try not to cry at an episode challenge: level impossible (it’s just a regular episode)

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so yeah I watched that animated kpop movie
Bobby fans unite! :3
started broadchurch with my little brother today tell me WHY lil bro said Alec Hardy is a fucking chad...