trump is 78, putin is 72, netanyahu 75, biden 82, lukashenko 70. if you kill yourself now, you'll never see them die. keep going
One Nice Bug Per Day
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he wasn't even looking at me and he found me

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we're not kids anymore.
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祝日 / Permanent Vacation
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@desolationarchivist
trump is 78, putin is 72, netanyahu 75, biden 82, lukashenko 70. if you kill yourself now, you'll never see them die. keep going

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“you don’t even have a dog” is probably the most haunting line to me because a lot of times society determines worth by romantic relationships and kids (and by extension, a dog). it doesn’t matter how smart and talented you are, or how much of an impact on the community you have, or how much you love the fog and the sand and the forests and the cliffs. you don’t even have a dog, so what would you be leaving behind? asking who is going to miss you? instead of what are you going to miss?
vs rocky who cared for and trusted the man’s intelligence enough to risk his own planet to go outside his enclosure to save grace. who loved him enough to give him a home full of things he didn’t always understand and colors he could never see and an ocean the human missed with real, working waves, and a classroom of kids so grace could do one of his favorite things every day. who knocked on grace’s door early in the mornings so they’d have time to sit on the beach
Cellulose nitrate was used to make dice from the late 1860s until the middle of the twentieth century, and the material remains stable for decades. Then, in a flash, they can dramatically decompose. Nitric acid is released in a process called outgassing. The dice cleave, crumble, and then implode.
From Dice: Deception, Fate & Rotten Luck by Ricky Jay and Rosamond Purcell, 2002.
hello beautiful
Bitches wanna buy their boyfriends the latest consoles but when was the last time he CONSOLED you? ps 5 years ago
realizing a headcanon of yours happens to make an element of canon even more heartbreaking when you hadn't even considered it from that angle previously
[ID from alt: emoji rubbing their hands together and grinning evilly. End ID.]

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Maybe an unpopular opinion, but I actually think I like the film Betrayal Scene better.
Like don't get me wrong, the book one is good (the idea of Grace having to spend multiple days locked up stewing about how he's gonna die before they even knock him out is deliciously angsty, as is Stratt's last attempt to beg him to understand why she has to do this) but fuck.
He like literally starts climbing the walls.
Like he came in there relatively composed. He had a rationalisation for what he was going to do, he probably rehearsed his little speech. He's putting the walls up because he knows he's not doing The Right Thing, but he doesn't want to let on that he knows that. He's probably pretending to himself as much as Stratt. He's doing it For The Kids.
And then the switch to just pure, animal terror when the doctor comes in. Like there's a degree of comedy to it. Grace is always slightly goofy, slightly immature (probably why his students like him so much) and now he's climbing and running like a kid playing tag. Except its not a game and it's not working.
Eva's tone when she tells him to “sit down, we'll do it different”. Like I know I'm murdering you, I know that you're not capable of seeing this any other way, but please at least see sense and spare yourself the trauma of having to be literally dragged kicking and screaming. Please.
The resignation when she says “he's running.” Like, she doesn't have to say who's running, or why. She knew this was a possibility. She knew this was a likely possibility but why couldn't he just fucking be the guy she needs him to be? Doesn't he know how hard this is??
The realisation that, if Carl is by the fence, then it's probably because they were concerned that Grace might actually outrun the guards and would need to be ambushed. The possibility that Carl specifically is there because, in that scenario, Grace would be more easy to catch if he trusted his pursuer.
Like I think one reason I'm attached to Ryland Grace is that I honestly couldn't tell you that I wouldn't behave like that in that scenario. Like sure, we all like to say we'd bravely sacrifice ourselves for humanity, but like it's not like I'm currently chaining myself to rainforest trees or throwing soup at paintings in museums or kidnapping oil execs or whatever it is I'm supposed to do. I don't even really attend protests.
There are significantly more things that I could be doing right now to make the world a better place that I don't do because they would involve upending my life and putting myself at more personal risk than I am comfortable with. I have no room to judge Ryland Grace.
I mean, just look at how scared he is.
I always break down when that scene comes up, like ugly crying type of breakdown
He's terrified and doesn't have a plan. He's being forced into something he doesn't want to do that will kill him and the worst part is that we know he fails
We see him try so so hard and we know it doesn't work because it's just a memory. We know he doesn't escape alive. Instead, he's captured, terrified and kicking and begging and screaming and pleading to be allowed to live
Grandma poison water SNAPPED

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I love how hard they committed to having the light source/s outside the ship spin while the centrifuge is active. I didn't even register that's what was happening the first time I watched, and I was kind of confused why they had such weirdly overdramatic lighting with no explanation.
but once I figured it out!! yes, the entire universe outside of the ship is rotating every few seconds. and yes, if there's a bright star or planet nearby that would cause a very disorienting cycle between bright light and total dark. and that's just what life would be like there!!! no apologies, no mitigation, not even any direct explanation for the audience. they just made it real and accepted the consequences
look at this one:
that's about SEVEN SECONDS of unexplained total darkness, in the middle of a full-face shot of the main character during the emotional climax of the film!!!
trauma dashboard
it is very instructive to play both silent hill and resident evil videogames because they are very similar except for how silent hill is good and resident evil is stupid. it helps you figure out what is stupid in a video game and what is good
for example, in silent hill games, you are confronted with many weird baroque puzzles you have to solve to proceed, because that is the dark and creepy and confrontational nature of the world you are in. in resident evil games, you are confronted with weird baroque puzzles you have to solve because apparently, separate from and unrelated to the ongoing zombie apocalypse, the raccoon city designers designed the subway station map so that if you insert a red jewel into the correct diamond shaped recess, a drawer opens that contains a live hand grenade
when you're feeling full hater mode about a piece of media but you know one of your beloved mutuals enjoys it
“Freedom always has a price.”
― Persepolis (2007) dir. Marjane Satrapi, Vincent Paronnaud

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MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE
what kind of soulmate crack cocaine was everyone snorting in that set when they made this film i'm being serious