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Bret Hart on WCW saying Hi his to his cat.

like I mean this very seriously as writing advice. the character should experience events and make decisions that make them different at the end of the story. they should be changed. they do not have to be improved.

The most effective thing about The Fast & The Furious (2001) is Vin Diesel's character development from "Those 10 seconds on the road are all that matters, to the exclusion of my friends, my team, and my family." [Oh, a hyperbole to illustrate the lesson he will learn about friendship by the end of the film!] to "When that light turns green, I'm going." as his only spoken response to the massive betrayal and multiple teammate deaths before flooring it toward an oncoming train. [Oh shit he was serious!]

inspired by a rant i was going on elsewhere bc someone tweeted something very stupid and uninformed about hamlet and it got my back up as someone who took two single-text-focus english literature courses in college and they were on wuthering heights and hamlet, i now put it to all of you on here: