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@designed4disney
Melanie Ravenswood can’t leave Phantom Manor without having the Phantom following her. What a creep.👰🏻 (à Disneyland Railroad - Main Street Station)
I never realized before now that the Phantom has basically an identical silhouette as ghost with hatbox. Probably accidental but neat.
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Count this among things I was not expecting to see tonight, and Carousel of Progress references I didn’t know existed.
Dark Horse Comics Lady Killer mini series (compiled into a perfect bound graphic novel edition) is written by Jamie S. Rich and Joelle Jones, and masterfully drawn by Ms. Jones herself.
The gritty (and bloody!) story deals with a Mad Men era suburban Seattle housewife who’s actually a CIA assassin.
Artist Joelle Jones explains how she playfully put together a series of vintage ad mockups while doing research for the project, shown above (with additional hand lettering by Crank). The mini-series is a dark delight, just as these playfully grim ads are. This isn’t a comics blog, of course. And Rich and Jones’ mini series won’t be for everyone. But the art is still terrific, and those ads are fun. The illustration style and typography is strictly now, but the coloring and general ‘feel’ are pure retro. And we’ll admit it: We love retro, and get a real kick out of seeing contemporary tweaks and twists of vintage 20th century design, illustration and photographic tropes. Check out more of Jones work at joellejones.com.
Interesting. I’d watch it as a series too if done right.
Earthworm Jim sketches and final drawing. These were my warm ups for today in a new sketchbook I started last week.
This sketchbook is going to be all about exploration and staying loose. My last sketchbook had so many tight finished drawings in it I started feeling silly when I called it a “sketchbook.”
Earthworm Jim was arguably the most creative video game character of the 90’s. Original EWJ design by @dougtennapel one of the great creative minds of our time.
#earthwormjim #nintendo #sega #segagenesis #videogames #inking #copics #stylefilemarkers #drawing #gamestagram #characterdesign
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Willy, nilly, silly, royal crew!
Shanghai Disneyland Resort balloon featuring my character designs. (Photo Credit: @ThePirateSteven on Twitter)
I just realized the first cars movie and the first thor movie have the same exact plot
I want an explanation
A man on the road to greatness ends up lost in a small desert town with seemingly no hope of getting back to the life he knows, over time he falls in love with someone there and learns to be humble. With this character development complete he’s able to return to his life never forgetting the people in that desert town.
Lightning. You didn’t mention the lightning.
remind me to draw thor doing a “KACHOW” later
CAUTION: Side effects of riding Hyperspace Mountain may include a big smile on your face.
Lost in Translation (2003)
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Crystal Wish Jorney
“Oh, no no, that’s not a question I need answered.”
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Taken from The Jetsons - Las Venus, 1962
I feel eternally slighted that we don’t live in a Jetsons world.
“Thirty years ago, the writers, producers, and artists at Walt Disney Animation Studios embarked on their most expensive, ambitious project to date: a lushly drawn adaptation of Lloyd Alexander’s fantasy cycle The Chronicles Of Prydain. Titled The Black Cauldron, the darker, more mature film—which also featured the company’s first dalliances with computer animation—was meant to open the studio’s work back up to older audiences, after a decade of younger-aimed projects like The Rescuers, Robin Hood, and The Fox And The Hound. Instead, it nearly killed the company’s internal animation arm outright, earning back just a little more than half its massive $40 million budget, drawing widespread critical jeers, and forcing a change in company culture and production that would eventually lay the groundwork for the studio’s Little Mermaid-led domination of the 1990s.
Now, in what seems like either a massive act of hubris, or one of potential adaptational atonement, Variety is reporting that Disney has reacquired the rights to Alexander’s books, with an eye on developing a new feature based on the author’s high fantasy world of noble swineherds, oracular pigs, and references to Welsh mythology. It’s not clear if the books—which follow the rise of would-be champion Taran from bumbling youth into heroic maturity—will serve as the basis for another animated film, or if the company will shunt the series over to its rapidly growing live-action side.“ - The AV Club
