Robert Newton (British, 1964) - A Darkening Landscape (n.d.)

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Robert Newton (British, 1964) - A Darkening Landscape (n.d.)

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Richard C. Miller, James Dean Behind The Scenes in Makeup Chair, on the Set of Giant, Marfa, Texas, 1955
Louis Cunningham by Phil Sharp
Denis Boulze
Janne Rugland

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Always Crucial Fix (ACF)
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Amedeo Modigliani   Portrait of Maude Abrantes   1907
Richard Avedon   James Baldwin, New York City   1963
In a strange house, a strange bed in a strange town, a very strange me is waiting for you. Now it is very early in the morning. The silence is loud. The baby is walking about with his foaming bottle, making strange sounds and deciding, after all, to be my friend. You arrive tonight. How dull time is! How empty—and yet, since I am sitting here, lying here, walking up and down here, waiting, I see that time’s cruel ability to make one wait is time’s reality. I see your hair which I call red. I lie here in this bed. Someone teased me once, a friend of ours— saying that I saw your hair red because I was not thinking of the hair on your head. Someone also told me, a long time ago: my father said to me, It is a terrible thing, son, to fall into the hands of the living God. Now, I know what he was saying. I could not have seen red before finding myself in this strange, this waiting bed. Nor had my naked eye suggested that colour was created by the light falling, now, on me, in this strange bed, waiting where no one has ever rested! The streets, I observe, are wintry. It feels like snow. Starlings circle in the sky, conspiring, together, and alone, unspeakable journeys into and out of the light. I know I will see you tonight. And snow may fall enough to freeze our tongues and scald our eyes. We may never be found again! Just as the birds above our heads circling are singing, knowing that, in what lies before them, the always unknown passage, wind, water, air, the failing light the failing night the blinding sun they must get the journey done. Listen. They have wings and voices are making choices are using what they have. They are aware that, on long journeys, each bears the other, whirring, stirring love occurring in the middle of the terrifying air.
– James Baldwin, “Munich, Winter 1973 (for Y.S.)
Dave Heath   New York City   c.1960

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Richard Avedon   Bianca Jagger, Hollywood   Â
Nadja Auermann by Ralph Mecke
The Abyss (detail) Pietro Canonica 1909

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Orson Welles as Macbeth, 1948, photo by Roman Freulich
Jane Fonda in They Shoot Horses, Don’t They? (Sidney Pollack, 1969). This performance resulted in Fonda’s first Oscar nomination. She won the next year for Klute.