my beautiful cat is very nice at sharing the chair but it's good to stand up for your bones...
DEAR READER


blake kathryn
Cosmic Funnies
"I'm Dorothy Gale from Kansas"


JVL

@theartofmadeline
Not today Justin
Stranger Things
Today's Document
Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement
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seen from North Macedonia
seen from Singapore

seen from TΓΌrkiye
seen from United States

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seen from Australia

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@departo
my beautiful cat is very nice at sharing the chair but it's good to stand up for your bones...

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in the tradition of outcast (2014), dragon blade (2015), and the great wall (2016), we need a movie set in the 1630s where a disillusioned member of the embroidered uniform guard and a profit-driven jianghu mercenary flee the corrupt and crumbling ming dynasty and somehow end up in the equally corrupt city of cologne, where they become key players in the fight against the sinister forces of cardinal richelieu and eventually secure the peace of westphalia and the end of the thirty yearsβ war. this is a million dollar idea iβm telling you
i really do love this concept. the protagonist is like iβm sick of dealing with wei zhongxianβs shit, iβm gonna go someplace where people are holy and donβt even know how to act like this (the impression of europe he got from the jesuit missionary he had a tactical lunch with once), and so he travels 5000 miles and as soon as he stops to catch his breath he runs into cardinal fucking richelieu, the european wei zhongxian
KΕno Michisei - Self-Portrait (1917)
Kohno Michisei, seen here at twenty-two, presents himself in a pose modeled on Western Renaissance master Albrecht Durer's (1471-1528) self-portrait produced in 1500. Between 1914 and 1924 a remarkable quantity of high-quality portraiture was produced by Japanese artists who blended Western and East Asian painting traditions. While some of these painters had first-hand knowledge of Western painting, most, like Michisei, culled their images from books and magazines. The young artist was raised in an environment filled with powerful iconic images. His father was a portrait photographer, an artist in both Japanese and Western modes, and an active member of the Russian Orthodox Church. These influences are readily apparent in this self-portrait. Michisei's perceptive understanding of classic Western images was based on constant perusal of his father's extensive library; a portrait's potential for psychological and spiritual impact was impressed on him through exposure to religious icons used in the Orthodox liturgy. (source)
[idiot] I should buy a hat

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Nishimoto Ryota
a piece of wood carved to fit perfectly into a zippered plastic bag
all I do is play sts2 and lose
absolutely looosssinggg it. i'm so obsessed with movies which portray the woman MC in a highly specific job because the writers clearly think it's like "off-beat" and "quirky" but have no idea how the field works whatsoever.
i decided to try a romcom i somehow missed i the 2000s 'head over heels' and i got 3 and a half minutes in and we're introduced to the lonely MC with bad taste in men as evidenced by her extremely short list of ex boyfriends, including her first boyfriend when she was 11 or something because i guess that's still relevant in her adult life.
so she's resigned herself to never finding love and prefers to ignore men to focus all her energy into her career.
this job is immediately presented as though it's for spinsters with no hope of ever finding a man.
the mc's lesbian bestie (whose first line involves her being scolded for being too sexual in the workplace, but moving on) points out their colleagues as evidence that they're doomed to a romance-less, sexless life if they don't switch up their shared career path. the colleagues are three old women, so-dubbed "the menopause triplets":
these women are presented as if they have no idea what's going on at any given moment. this is 2001, and presumably this is an entry level job requiring low effort and no experience.
then their boss bursts into the room, unceremoniously bumping a large painting into the door jam and walls, announcing that it's a new project for our MC.
our MC is thrilled to see the painting. apparently it's a light in the daily slog at her dreary job for loser women with nothing going on in their lives.
And that job is? Conservator of paintings (specializing in Renaissance) at the New York City Metropolitan Museum of Art.
The painting being handled like an old couch on its way to the curb?
The Bacchanal of the Andrians by Titian.
Her lesbian colleague who is presumably also a a highly trained & skilled curator finds it depressing that the MC is so excited about the painting.
it's a quirk unique to this MC that she cares so much about paintings, in her department at the metropolitan museum of art, where her colleagues find all that art business rather dreary. because we all know that's what conservators in extremely competitive museum positions are like.
I'm not saying there can't be lifelong love in here somewhere but I also just feel like the monogamous heterosexual marriage you're fantasizing about isn't necessarily best represented by the bacchanal. and that's okay. but i do stand by that.
dog eating a hot dog at the mariners game

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could you imagine if it happened this pride month
where my heart is
the work I'm most embarrassed about never having finished is perceval and the fisher king... like, YES it was in two separate assigned works and NO I didn't read it when it was assigned OR at any other point. and now. so annoying!!! reading it now would probably be very helpful for solving plot problems in a current project. who could've foreseen
Witch Hat Atelier, but instead of being about a cute little witch who lives in the mountains, it's about a middle-aged alcoholic tormented by a relationship he can't remembe-
FUCK post cancelled
haven't done a comic in AGES but i whipped this up for a buddy's 4 panel comic anthology (submissions open til june 1st! i had a really fun time making this, recommend π)

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task complete - sing karaoke
If youre a closeted person somewhere out there thinking "I want to transition but it would be less progressive/unique/countercultural for me to be that gender instead of this one" please know that you are a real person not a character in a narrative and cant live your life based on what is good media representation. You are real you can only be yourself and theres no moral weight to any identity over another
Liberal transphobes enjoy positioning trans identities as regressive compared to cis queerness or like non-transitioning transness or anything else they can leverage to make transphobia look progressive and I think its easy to absorb that message subconciously. But in real life we just are what we are and no ranking of validity can change the fact that you have an identity that is NOT chosen and is just your unchangeable truth. Not only should you not have to live a life dictated by what is most countercultural to identify as or whatever but also: being trans is extremely countercultural and feminist and leftist to begin with and theyre only trying to convince you otherwise bc theyre bigots
"Why cant you be a feminine man society hates feminine men π₯Ί" and "all the butch lesbians are becoming men we need u π₯Ί" = stay in the closet for the noble purpose of being an abstract representation point in my new york times opinion column. You wont actually be a gnc cis person youll be a closeted trans person who uses the wrong words but I need you to do that because i hate you