Delightfully peculiar

Refashion #2 The Luna Jacket Papercut Patterns

So this is my second refashion in my refashion posts. The Luna Jacket by Papercut Patterns. I can’t remember when I actually bought this pattern but it was during one of the Papercut sales, where I acquired a few more that I have been coveting for a while. My intention for it was to use it for refashioning purposes and specifically for a quilted version. At this point I will interrupt this post,…

Simplicity 8526 is my most sewn pattern. It consists trousers, top, top with hoodie and a hat. It’s one of my favourite patterns because it is so versatile and you can use it both for outwear as well as pyjamas. I bought it initially to make a halloween costume for my son, a couple of years ago. He wanted to get dressed as Gekko from PJ Masks, so while looking for leggings and hoodies, I came…

Refashion post #1 Marlo Sweater True Bias

This year and without any particular plan or intention in mind, I started refashioning some of the old clothes I’ve been hoarding. Mostly RTW that I somehow didn’t want to part with but also some handmade items, which didn’t work and have been hardly worn. I can be quite ruthless with my handmade items, if I see that I don’t wear them and the fabric is in a re-usable condition. My plan is over…

I bought the pattern our of curiosity mostly and because I really liked the effortless silhouette of the dress, which is at the same time quite different to the silhouettes I am usually drawn to.  I’ve been putting off the dress version of it for a while, because the weather had been quite volatile and also as time goes by, I feel that any form of summer holidays in a hot country (ie Greece) is disappearing for this year, along with the summer. One hot, sunny day was enough to change my mind, though.

The pattern consists of three pieces and the downloadable file itself doesn’t even need to be printed. There are two versions, one made to measure and one that is one size.  I went for the latter because I was too lazy to do the actual maths.

The front of the dress is two separate pieces that are sewn together leaving only an opening for the head. I carried on sewing a little further than what the pattern asked as in the top version the opening was a bit too low. You finish by topstitching around the seams.

    The back is made out of one continuous piece that is then sewn on the front piece and finished with topstitching that creates a beautiful detail as seen above. I really like the fluidity of the dress and how it falls on the body creating an elegant yet extremely comfortable garment.

I bought 1.5 metres of cotton double gauze from Sew Me Sunshine . It is cut across the grain with the selvedge at the top and bottom of each piece. In full length it covered my feet, so I estimate I took off about 20cm to get to the length in the photo. (sorry I didn’t actually measure it)

As the pattern says, this is a very versatile dress that can be formal or casual, a beach cover-up, a maternity dress, or a night-gown. It was sewn in a breeze even by myself who manages to sew the simplest things in very slow motion. I finished all raw edges with a serger. There are two more in the cards as presents so I hope I have enough leftover double gauze for a colour blocked top at least. I felt extremely stylish the whole day I wore the above outfit. I wish I could dress up like that every day.

(my hair has ben so horrible during corona times that I think it’s only acceptable accessorised withe a scarf, haha)

photography: @juniperific

Envelope Dress Criswoodsews

Around April time, I made a top version of the Criswoodsews envelope dress in absence of the appropriate length of fabric to make the dress.

Pietra Pants Closet Case Patterns

When I took the photos for my newly made Pietra Pants,I had finally dyed my hair after eight weeks. It seemed my dye had been out of stock everywhere I looked.  Putting on some proper clothes and some make up, definitely made me feel more human, than what I had in the past few weeks of the lockdown. Going around for hours to find a nice spot for the photography was off limits, but because of all…

The Great Module SewAlong Challe

I started reading The Curated Closetsome time ago and although I didn’t finish it, it got me thinking as to what clothes I like wearing most but also what kind of clothes my wardrobe is missing. I love the idea of a capsule wardrobe but at the same time I like variety and a combo of serious and playful outfits. Sometimes, yes, my clothes and the way I choose to wear them are a little bit out…

I’m not sure what I am trying to say with these pictures. I love the colourful editorial photography that takes place in a domestic environment and since this one took place in the middle of the night, like most of my extra-curricular activities, it could have only taken place in such environment. I was determined to have yellow bright or at least colourful things surrounding me that I even unearthed my son’s yellow plastic balls, which haven’t been used in a while.

  The inspiration for the dress came from this Delpozo dress I stumbled across on Pinterest, the place of my eternal inspiration for everything. I really wanted to find something in a pink hue but after having searched in various fabric shops, I ended up buying two metres of this wonderful yellow Cornish tartan from Truro fabrics. Their fabrics are of the highest quality and I love buying from them when the budget allows.

The top of the dress is this burda peplum top,  minus the peplum and the sleeves. The top is also the only part of the dress, I pattern matched, as per my usual bad habit, I didn’t think of buying enough fabric to accommodate that.

As you can see any sense of pattern matching has disappeared in the back, which looks a bit messy. To be fair though, I had matched everything but due to some modification it seems that the pattern wouldn’t align anymore. I have to admit, I find the process a bit intimidating and try to avoid it when possible. What can I say, I am a bit lazy in that department and also don’t care too much. It does look great when it happens though.

The bottom is a self-drafted A line skirt, cut on the bias, ending in a handkerchief style hem on one side.

The skirt is underlined as the fabric is very drapey and I wanted it to have a bit more structure. I have added facings for the neckline but have finished the arms with bias binding. There is also an invisible zipper on the side.

Despite the simplicity of it, it took ages to finish as it was a bit troubling getting the right fit at the top. Overall, I’m really pleased with it and I think it’s a dress that could be dressed up and down, simply by changing my shoes and hair style haha!

Designin’ December 2018

Although well in to 2019, only now did I manage to take some pictures of my finished entry for Linda’s of Nice Dress! Thanks, I made it! Designing’ December. I’ve been trying for a couple of years now to take part but always run out of time. This year was no exception and I barely made it. Part of the problem for me isn’t just the lack of time and the fact that I want to sew a trillion more…

I made this Tilly and the Buttons Francoise dress some years ago when the pattern was first released and I am ashamed to admit that I never wore, except to take photos for the blogpost. I had long decided, it was going to turn into a pencil skirt as there wasn’t enough fabric for anything else.

When I made the Francoise dress, I used the leftover fabric to make a colour-blocked jacket, which you can see here. I liked the combination of the two fabrics and decided to repeat the colour-blocking for a skirt this time. The second piece of my refashion was a skirt I made around the same time following the tutorial by Cotton and Curls. This skirt was more fortunate and got a lot of wear, but it always felt a bit too short, so eventually it resided mostly inside my wardrobe.

One of the things that I love the most when it comes to sewing, is creating let’s say my own fabric by colour blocking or mixing prints. I know sometimes this yields pieces that a lot of people wouldn’t wear or wouldn’t know how to, but I feel I would probably die instantly if my clothes became too boring. For this refashion, I was hugely inspired by the work of Roksanda Illinic and Fausto Puglisi. Looking at the fabric I had to play with I decided to to go with the dress and the yin-yang type of design.

To avoid spending too much time with fitting, I used my tried and tested Lottie pencil skirt pattern, which came with an old issue of Love Sewing Magazine. I cut the pieces in stages, while laying them on the floor to see how I could actually recreate the design.

The suspicion, I didn’t have enough green fabric for the whole skirt, became a reality once the front of the skirt was lain on the floor. I’m always in denial when it comes to admitting, I don’t have endless supply of any desired fabric. At that point, I turned to my eternal inspiration Cate Blanchett who happened to be wearing this Roksanda Illininc dress and decided the back of the skirt would be in the beige colour of the details on the front.

I did a back pleat vent in green, so that everything was more coherent and also a green zipper, which I actually intended to make more visible than it is, in order to replicate that design feature of the original dress.

  Because I still had some leftover green fabric, I decided to go a little bit further and although I knew there wasn’t enough to make a dress, I thought maybe I could make a top.I unearthed another skirt, RTW this time, from the to be refashioned pile and used the Aimme Comme Marie Magelan pattern, which I had made a couple of times before.

  On the back I used a green strip of the darts part of the Francoise dress, which created a really nice effect, if I may say so. The ruffles of the skirt became ruffled sleeves.

While finishing the above ensemble, I saw the below picture of the Marc Jacobs show and became slightly obsessed with this jacket. That was my chance to create something slightly crazier (because I mean the green skirt and top are quite normal haha)

Two more garments came out of the pile in my closet, this time both RTW from H&M. The skirt is completely unwarned and have no idea what possessed me to buy it. The jacket, I’d say has served it’s time but never felt very comfortable or the right size. I wasn’t sad to lose either of them.

I started again with the loved and tried a couple of times pattern the Jackie-O jacket, which again was free with an issue of Love Sewing magazine. My RTW garment was quite short and narrow to fit the whole pattern pieces, so I enhanced it by adding some faux leather from my stash.

This particular process although quite time consuming, was good fun and I enjoyed the pattern puzzle I created. 

The majority of the skirt was used to recreate the lapels, the cuffs and the facing inside.

I used the sleeves of the original garment but tried to create a sort of a puff sleeve, in order to give more volume around the shoulders as per the original photo. However, I feel that it wasn’t a success. The buttons are from an old jacket and the bias tape around the lapels is the only thing I bought for this item.

The back piece is mostly from the original garment with additional fabric on the shoulders. Perhaps this is more unconventional than the first refashion and maybe a bit costumy but I think it would make a great jacket to wear at a gig or with jeans and a t-shirt, with pop-corn on preferably.

  The Refashioners 2018

The refashioners is every year the challenge, I mostly look forward to. Not only because for me is my chance to make something a little out of the ordinary but also to see all the wonderful creations of fellow sewists.  

Sewing the scene: The Aviator

Last time sewing the scene was organised by The Unfinished Seamstress, the whole universe conspired against me to prevent me from participating. This year it did the same, but being determined to succeed, neither the hospital visit that knocked me out for two weeks, nor the nasty cold that followed it, were able to stop me.

My inspiration image was the same as the previous time. A still of Cate…

Pulmu Skirt with a twist

I am not the one to give up on a project. Once I start something, I am determined to finish it, no matter how many times I use my seam ripper, no matter how many needles I break, no matter how many consecutive nights I sit on my table turn the sewing machine on and start sewing the same seam over and over.

I bought the pattern for the Named Clothing Pulmu Skirtabout a year and a half ago. At that…

When my son turned one we threw him a party, with no specific theme and a mixture of guests. He didn’t really understand what was going on and he also seemed quite dissatisfied that all these people had invaded our house. So when the time of his second birthday came a few weeks ago, I decided against a party. I still wanted to give him a special day though and even if he doesn’t remember it, there are photos and videos to prove that it happened. Ah, the joys of  the digital revolution.

As he is currently going through a massive obsession with trains, I concluded that this was the best theme for his birthday. Pinterest, my trusted source of inspiration didn’t disappoint this time either.

I wanted the day to start as soon as he would come out of his room. We have a big collection of toy trains already, so I put some of them on each of the steps leading to the living room, certain they would catch his attention and he would follow them all the way to the bottom of the stairs.

There a set of railway tracks waited with more trains leading to the living room and the train carrying all the presents.

Initially, I wanted to make the main train completely out of boxes, like all the amazing trains I had seen on Pinterest, but unfortunately I had to use whatever was available in the middle of the night, which is when I do these projects usually. I was never an especially morning person, but life with a baby has forced me to become fully nocturnal, haha.

I used some leftover cardboard boxes to form the top part of the engine, where the driver sits and my two trunks to form the rest of the train. The wheels were made from paper plates, leftovers from his 1st birthday.

I covered everything with red wrapping paper and some Thomas the Tank Engine paper. I also used these transparent but filled with confetti balloons pretending to be smoke coming out of the train’s chimney. I made a paper chain with some more Thomas paper to connect the two carriages. I couldn’t bear cutting a window on the cardboard box at that time of the night so I outlined it with some ice cream sticks and hang a small Happy Birthday bunting for decoration.

As you can see in the picture the space at the front was filled with more presents, which also helped to stabilise it.

For the cake, I made a set of cupcakes to resemble train wagons. I used this Marry Berry recipe for the cupcakes. 

I started by sticking marshmallows to the sides of the toothpicks in order to make a stable base for the cupcakes.

Then added some icing on the outer sides of the marshmallows which served as a glue to stick the oreo wheels on. 

I couldn’t find any biscuits or crackers big enough to hold the cupcakes, so instead bought some garibaldis, which came into two connected pieces and sat perfectly on top of the toothpicks.

Thomas the Tank Engine drove this train too, accompanied by some minis. I had to make this from the previous day, which resulted in the Oreos not being as crispy as the first day but still quite tasty. If you do have time, take them out of the packet the same day so that they remain fresh.

And here is my little man before he blew the candles. Behind him the permanent pile of unironed clothes.

I was very pleased with the train surprise and so did he. I am now thinking of next year.

And what about you, do you have themes for your children’s birthdays and what was the best one so far?

A Handmade Birthday

As a child, I always remember having had a birthday party. When I was very young it was mostly family, but we were so many children in the family and then it was friends from school, the neighbourhood and my parents’ friends’ children.

Out of all the beautiful patterns I chose Le 601, a shirt with flounces and big sleeves, a bow in the back and an oversized look, which doesn’t seem to appear on their website anymore. The packaging was equivalent to the quality of the designs and the instructions are both in English and in French.

I must have had the pattern for nearly a year before I actually started working on it. Part of the delay was the absence of appropriate fabric, part the fact that I found the 21 pieces that consisted this garment quite daunting. As my free time has almost disappeared, since the birth of my son, I have noticed that I approach with fear any sewing that will require days for me to trace and cut, let alone actually sewing. Make Nine was a good motivation and decided to do this as my first project as at the time it looked that spring was on its way and I could soon wear this with a jacket or just on its own. I couldn’t have been more wrong as a couple of weeks in and snow returned to London. It took me about a month of night sewing to finish it and it’s not without its problems, but here it is in a phone call with fashion paradise,

\I found the frills a bit intimidating due to the their volume but I ended up really liking that feature. It may look too much but I can assure it’s just right.

The pattern calls for overlocked edges on the frills but I decided to use some bias tape instead for a more polished finish and I think it worked great. One thing, I didn’t see mentioned in the instructions was the need to gather the frills before attaching them, so initially, I didn’t do it and it shows at the front.

My other favourite feature of the pattern is the collar, which is one piece of genius design. I mean it ties with a bow (or not) at the back, how cool is that? It was a bit tricky trying to add the collar to the collar stand and finish it in such a way that it looks polished, so I had to unpick a couple of times, but we got there in the end.

The fabric I used was a very light weight chambray that might have been a bit too light weight for this project. It resulted in ripping at places, while I was unpicking it and the slits of the sleeves, somehow expanded. I tried to solve the problem by unsuccessfully installing a placket from various tutorials. Well, my dear placket we will need to meet again in the near future. The stripy fabric there adds a nice detail, but I’m not sure, I’d like to draw attention to this failure. The main problem with this thing chambray though, is that it creases like crazy and all the lovely features of the shirt make ironing it an onerous task, as one of our editors usually says.

Another element I completely missed in the construction process was the concealed buttons at the front. So carried away I was by the beautiful design and my desire to finish it quickly that I just didn’t even remember reading it in the instructions but it is there. And because I hate buttonholes, I still concealed the front closures by sewing some  snap fasteners. Far from perfect result, but it will do for now.

I will call this a wearable toile and attempt another version in the future, hopefully before next winter, but for now I’m very happy, I made one at least of my make nine. There is already a very good possibility, I will not make all of them, haha.

This is my journal entry for this project and the plan is to do the same for all the rest. Personally, I think this is a great pattern, very well drafted and packaged, that does require some attention to detail and a bit of experience. But don’t let that ever intimidate you. 

    Le 601 DP Studio

I don’t remember how I came across dp Studio Most likely someone posted it on Instagram, I checked it and it was love at first sight.

Back in March, I think, I decided that I wanted to take part in the Dress Like Your Grandma Challenge,  organised by Tanya of Mrs Hughes, not so much for sewing something vintage, but more as a tribute to my grandma.

Going through some of her old pictures, I chose the below as my inspiration, because I loved the short jacket and I though that she looked fierce and she is, trust me. I also loved the story behind it. During my grandma’s wedding, her godmother gifted her the fabric out of which the dress was made. The tradition was that it was laid on the shoulders of the bride and the groom, as if it weaved their lives together. It was a silk red fabric, which must have made the scene magical.

I knew from the beginning that I wasn’t going to replicate the dress, because I was not going to wear it and I really wanted to create something that would appeal to my style. I also knew that I wasn’t going to use silk, as I didn’t want to ruin it. I bought a fuchsia poly crepe for the dress part and a blue Irish linen for the jacket. As I didn’t want a full circle skirt, I looked for something that could imitate the volume of the skirt at least. That’s when I came across Megan Nielsen’s absolutely gorgeous Flint Pants. I wanted, however, to stay true to the shape of the dress bodice and for that reason I used Simplicity 1587, view B, as a top for my pants. There was no doubt from the moment I saw my grandma’s photo, I was going to use my all time favourite, the Bellatrix Blazer by Papercut Patterns. But despite all my planning, disasters did happen and I never managed to take part in the challenge, as by the deadline all I had was un-hemmed pants, a horrendous top and the blazer just cut out.

I initially hated the pants and it was only after they had a press with my mum’s high pressure steam iron (it’s old but it works miracles with pressing) that I realised how delightful the Flint pants were.  So delightful that I made a second pair, straight away.

  It always surprises me how different garments can look, when using different fabrics. The second version is in a thicker, less flowy fabric and holds the shape of the trousers better. I don’t know which one I like the most, I guess each to its season. Haha.

  I cut size xs and didn’t make any adjustments to the pattern. I loved making them and now I’m considering a shorts option for winter to wear with tights. They are so effortless to construct and the instructions are just perfect, so well articulated. The no zipper closure is also genius, because I hate buttons, but I hate zippers more. I did put the buttons on the inside, as I wanted to keep it clean on the front.

I finished the raw edges with the overlocker and this particular pair is on constant rotation. So comfortable. I don’t fall in love with a lot of patterns but this is one of them. Do try it. I think it will also look great as wide leg pants, not as wide as the culotte, style.

Of course, I couldn’t leave the Bellatrix unfinished, since it had already been cut. I cut again the smallest size, but shortened the bodice and omitted completely the pockets to resemble the one in my grandma’s picture. I must say, I love the outcome, although a bit shorter than initially intended. This has also been worn very often at work.

The Bellatrix is a lined jacket but as this is linen, I decided I could skip that part of the construction. I finished the raw edges with bias binding, which looks great in my opinion.

For some unknown reason, maybe because it was a present, I got too much of the linen fabric and as I like a suit, I thought I’d team the Bellatrix with my nemesis at the moment, the Named Clothing Pulmu Skirt  I have developed a love hate relationship with this unbelievably gorgeous and clever pattern. You have not seen darts like these before. I won’t talk a lot about it here, as I’m intending to do a separate post for this pattern.

  I think it is the perfect match for this cropped Bellatrix. 

It is a very flattering piece from the front, the back and the side. The later being the highlight of the pattern. The side panel and slit are insane. I didn’t use the belt this time, as I decided, I prefer the skirt without it.

This particular version is a bit on the tight side, but allows walking and sitting comfortably. I cut the smallest size again but I think I should have gone one size up at parts. I didn’t even attempt to line the Pulmu skirt as previous experience ended up in a nightmare, but finished it in the same way as the jacket. It is linen after all.

So I may have failed in the dress like your grandmother challenge but managed to make four dress like me pieces. Bonus they combine well with each other. (minus my face in these pictures)

A Failed Challenge, Four Successful Garments

It’s been ages again since I updated this old space. I do wonder sometimes, if anyone reads the blogs ( I still do from time to time, but not as often as I used to) or whether we all hang around at IG looking at lovely pictures.

As it happens with most of my projects, I had a lot of ideas for the quiet book and the problem is that I wanted to do all of them, so in the end I settled for an alphabet quiet book with removable letters and their representations. Of course I should have started making this probably last year to have it all finished by the end of March, hence I will only show you the beginning of it. All the materials are from my stash.

The only thing I bought was some velcro. I have tons of this grey bias tape, so I thought I’d use it as a finish, but it was a bit sad as a colour, so I treated it with some fabric paint. Still don’t like the result, so I think I will use a different finish for the rest of the pages, when I get to completing them.

I did draw some of the things myself and some others were part of a samples book that a friend of Leandros’ grandma found in the rubbish and saved it. I love C & D pages.

When I drew the elephant balancing a ball on his trunk, I immediately thought of circus and my little elephant performing his tricks, so the curtains seemed very appropriate. I have also added some texture to the elephant ear.

I somehow thought that the little one was going to dismiss the book but I couldn’t be more wrong, he really enjoyed pulling out the letters and the animals, although I have to admit he was mostly obsessed with pulling the duck’s eye. He hasn’t succeeded so far.

Now on to the refashion. This is a cheap dress I had bought at Asda. It was too big and I only liked the flowers. It ended up being a permanent resident of my wardrobe. I found it the perfect project for the refashion. At the end of the day, if it didn’t work, I wouldn’t miss it that much. And I can tell you it didn’t work.

I knew from the beginning, I wanted to make a top. so I thought I’d go for one of these parts that have been added to the stash and never quite made it to the top. This time it was the Simple Sew Patterns Key Hole Blouse that came free with an issue of Love Sewing magazine. Unfortunately, it didn’t turn out as I hoped. The hole was a bit too low which meant that you’d have to wear a top or something underneath, if you didn’t want the whole world to look at your boobs.

I decided to try and fix the hole and after a few failed attempts, I simply covered it, with a piece of fabric that I thought worked as design element rather than a cover. A bit of hand embroidery, admittedly not very good and some mother of pearl buttons.

However my modifications caused the fabric to pull around the neckline and the bias binding just doesn’t sit flat. It’s not monstrous but I don’t like it.

I love the side view, but the fabric I have used at the bottom isn’t of the same weight and of a shade of black that looks washed out. I finished the hem with bias tape and I don’t like that either. Suffice to say I will not be wearing this top, there’s nothing I like about it and I feel I wasted my time by trying to fix it. In the bin it will go.

On another note, all you mothers who sew a lot, I don’t know how you do it, because every time (every night, I should say) I decide to sit in front of my sewing machine, some disaster will hit either me or the little man. I like slow sewing but this is beyond slow now. How do you do it? Btw, I’ve also gone back to my full time job.

A quiet book and a refashion

I’m sure you’ve heard it before, taking part in IG challenges is a great way of discovering new people and blogs to follow.

…………

‘It was the husband, who found the child playing on the floor with the dissected body,’ said fashion detective Ariadne Overlock to her colleague sewing inspector Sophie Bias. ‘He claims that last time, he saw the dress in one piece on the dress form. Apparently his wife was getting it ready to go to some party, the Moneta party he said, at the weekend,’ she continued.

‘Where is the wife now? Why has she done this to the poor dress?’ Bias asked.

‘She’s disappeared. When the husband woke up, she wasn’t in her usual spot in front of the sewing machine and nowhere else in the house. He claims to have called her a few times, but there was no answer.’

‘Hmm, what has happened here?’ Bias said looking closely at the dress, she hadn’t even heard her colleague’s reply. ‘It seems, she started unpicking the dress but then gave up and simply cut the overlocked seams. The waist and the hemline look as if they had been tortured for hours. And the threads, they’ve been splattered all over the kitchen.’

‘Yes this is what I thought as well. If only the child could talk, he must have seen everything. The husband mentioned that he sits next to his mum playing quietly when she sews,’ Overlock added.

‘And the murder weapon, it’s nowhere to be found. Could she have taken it with her? Let’s seal off the place, send the husband and the child to the hotel and I will call the team to come for a more detailed inspection,’ said Bias and her mind had already moved to other matters like the coffee she still hadn’t drunk.

…..

It didn’t take long for the investigation team to arrive at the crime scene and get on with their tasks.

‘The murder weapon was definitely sharp scissors,’ said the coroner, I would place all my bets on Fiskars and I’m pretty sure they are still in the house. The seam ripper was only what started the torturing.’

A photographer took a picture of the stretched body and the ripped hem, whereas the rest of the team, were combing the house for the murder weapon.

‘I found it, I found it,’ shouted a man from the bedroom upstairs and he was soon seen descending the stairs, holding a pair of Fiskars scissors.

It was at that very moment, the front door opened again and the red headed woman entered her house. She didn’t immediately notice the yellow tape in the corridor, nor the man who had just come down the stairs. She did, however, notice all the people in the kitchen going through her sewing stuff. Moneta was still on the kitchen floor.

‘What the he…’ she managed to utter before ten people turned round to look at her. The coroner reached for his phone and before anyone had the chance to move, had Bias at the other end of the line.

‘Hold her there, I’m on my way’ she said and hang up the phone. A little while later, she and Overlock were interrogating the woman with the red hair.

‘Why did you do that?’ Bias asked and pointed at the body.

‘She wasn’t good enough,’ replied the woman, ‘and in any case, I’m planning to fix her.’

‘I think, she’s beyond fixing,’ Overlock added. ‘Tell us what happened.’

‘A day ago, this poor soul, was a lovely dress hanging on my mannequin,’ the woman started without any protest. In her head she hadn’t committed a crime after all. ‘I was so proud of the dress, it looked so beautiful, until I tried it on. What mostly bothered me was the fact that some of the gathers were not sitting properly and they created weird pleats in the back that I really hated. Even if I oversaw the pleats, it was too short and I just didn’t like it. So I did it, I grabbed the seam ripper, and started unpicking, and because I had never been patient enough to unpick the overlocker seams, I took the scissors and simply cut them off. This of course resulted in the waist of the skirt becoming slightly bigger and the bodice slightly shorter, but only slightly so it was ok. I took some more of my clear elastic, gathered the skirt and attached it to the bodice. Going back to it this morning to fix the short hem, I noticed that the seams were visible, and not hidden between the bodice and the skirt. I wanted to pull my hair, if I could see it, it meant other people, could too. This time I didn’t even attempt to use the seam ripper, instead I went straight  for the scissors and just chopped the dress. I showed no mercy, I was so mad at it. ‘

‘Where did you go after that?’ Bias asked.

‘I wasn’t planning to leave it tortured and dissected for others to find but when I reached for some more clear elastic to right all the wrongs, I realised in horror that I had run out, so I went to the local haberdashery to buy some more.’

‘And did you?’

‘No, I didn’t because as it usually happens, whenever I really need something they never have it.’

‘So you will not be able to fix the dress, which means you have to come to the station with us.’

‘No, no wait I will fix it, I will use the regular type of elastic, it won’t be perfect but it will be good enough. Please, I’ve been planning all week for this party.’

Bias looked at her in disbelief for a few minutes. ‘Ok,’ she finally said, ‘but under one condition, I will stay here and watch you.’

‘No problem, but I will need to be given my scissors back.’ The man who had found them, handed them back to her.

First she cut two pieces of fabric as wide as the width of the front and back bodice and as long as the length of the bodice she had chopped off. When she attached them together it looked something like this and she was quite pleased with it.

Having cut the size xs to start with and having chopped the waist twice, she had ended up with a much larger waist, that even if she wanted she wouldn’t have been able to gather to the original size, so she recut the skirt, sewed the pieces together and after gathering it with the white elastic, she attached it to the bodice. It wasn’t perfect but looked much better than the previous version. Then she hemmed it and finally attached the collar, in a contrasting fabric, as she had originally dreamt, but had failed to execute.

When the husband and the child returned from the hotel, the police had sent them. The dress was no longer a corpse, it had miraculously amended itself.

‘Mummy will go to her party,’ he said to his son.

So she did and boy could that dress swish.

    Moneta: Murder and Resurrection

With a stream of threads hanging from her clothes, the woman with red hair walked out of her front door and disappeared in the anonymity of a rainy day.