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i had a dream about you.

the version of you that i’ll never know.

wounded fawn, i’ll hold you.

show me where you hurt.

i’d hurt with you too.

do you think power lines could survive thunder and lightning?

i couldn't leave you here.

i keep praying you’ll save me.

i’d fix your wounds if you’d let me in.

terrified of what life would be like without you.

alone in this house.

the bed cold.

the air unmoving.

i hate how i get so goddamn angry.

angry at the world.

it was never you.

Wild Flowers at the Corner of a Cornfield - Martha Darley Mutrie , c. 1855-60 .

British , 1824-1885

Leave a Mark Until Next Time

9x12 inches

Colored pencil, acrylic, graphite on mineral paper

Opal 'the Dream Cloud', Oceania, Australia, Queensland, 1915. 1167.5 carats; 9.0 x 6.5 x 3.5 cm.

Opal is an amorphous form of silica. An amorphous substance, it lacks the regular atomic structures found in crystalline forms of silica, the most common being quartz. Precious opal shows a play of colour from the interaction of light with the countless minute spheres of silica of which the opal is made. This unique piece, known as “The Dream Cloud”, has an interesting history. It is believed to have been carved about 1915, and obtained by Mr. John Junius Morgan of Nyetimber, Chiltington, Sussex, England, from a Russian immigrant, apparently as a birthday gift in 1936 (J.J. Morgan was the nephew of J.P. Morgan, Jr., heir to the Morgan fortune). The piece was then given to Miss Margaret Phoir of Fredericton, New Brunswick, a companion of J.P. Morgan's sister; in turn it was given to Miss Phoir's niece, Mrs. John B. MacNeill of Weymouth, Nova Scotia, who in final turn, donated it to the ROM. Mrs. MacNeill is the wife of Dr. John MacNeill, a former director of the Museum. The winged female bust is a personification of The Dream, close to Beaux Arts traditional style with hints of late Art Nouveau. The carver took superb advantage of the brown ironstone matrix in which the opal occurs, by incorporating it into the carving.