*~.'.~*

Charles “Teenie” Harris

Eastern Spadefoot (Scaphiopus holbrooki), family Scaphiopodidae, Alabama, USA

The request is so urgent my boss needs it by the end of the work week. Which, y'know, is 5 PM on a Friday. So I have four hours to do it.

It's a forwarded request. Somebody contacted a member of the donation team asking for help, "I need a map from the Vietnam War to use for a presentation." It's somebody she's trying to coax into giving a five figure donation to the museum.

The request was asked to the donation team member, who then emailed my boss, who then emailed and called me urgently.

This map required:

North and South Vietnam in it

All four areas that South Vietnam was divided into for military purposes ('Corps') clearly delineated

Four cities, all of them horrifically misspelled, and only identifiable because I know what battle the requester is asking about (it’s in III Corps on the border with Cambodia) (the requester danced around the battle but I’m knowledgeable enough to identify it)

Has Laos and Cambodia in it

Has the Ho Chi Minh Trail in it

So. I was mad about the 'you have literally four hours to find a map with a lot of requirements.'

I was then mad at myself about finding a copyright free map from Texas Tech University within half an hour, proving her right for asking me to do it.

Then, after I found a map that perfectly met the requirements, I was equally amazed, baffled, and horrified when I read further into the forwarded email chain.

The donation team team member they were speaking to used AI to generate a map.

The above put half of North Vietnam in South Vietnam, made the Ho Chi Minh Trail a country, made 60% of Cambodia part of South Vietnam, put the DMZ extremely high up in North Vietnam, completely disconnected the southern tip of Vietnam, misplaced all of the Corps zones, etc etc

At the very last second the donation team member had a moment of divine clarity, remembering there's three historians on payroll to ask for this kind of thing from. So she contacted my boss while saying, "I had fun with this, but I decided I should check for accuracy before I send it to the donor! I need a fact check by the end of the day, then I send it"

My boss, while not the most knowledgeable on the Vietnam War, does know her geography. She took one look, and knew it was so off she called me to tell me how urgent it is that I look at the email and respond

The preservation of transgender history is essential to ensuring that the stories and experiences of trans people are not forgotten. The Digital Transgender Archive (DTA) has taken on the vital task of gathering and protecting this history, bringing together documents, images, and materials that reflect the rich and diverse experiences of transgender people across time and place.

By making these resources accessible, the DTA facilitates explorations of the often-hidden or erased narratives of trans communities. From personal stories to institutional records, these materials provide a window into the challenges and triumphs faced by trans individuals, while also celebrating the resilience and diversity of these communities.

Preserving this history is also about ensuring that future generations can learn, understand, and be inspired by the stories of those who came before them.

Explore more about how these efforts are safeguarding trans history, and why it matters, on JSTOR Daily.

British actor Anthony Head, best known for his roles in TV shows including Buffy the Vampire Slayer, Ted Lasso, Merlin and Little Britain, has died at the age of 72. Head found international fame as Rupert Giles in hit supernatural teen show Buffy in the late 1990s. He went on to have a recurring role in sketch show Little Britain, play king Uther Pendragon in the BBC's Merlin, and appear as former football club owner Rupert Mannion in Ted Lasso. "He passed away peacefully of complications due to pneumonia, surrounded by his family," his daughters Emily and Daisy said. His daughters' statement said "it is with heavy hearts that we announce the death of our extraordinary father". They added: "It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed firsthand the impact both he and his work have had on so many." They also said they knew "how dearly he will be missed by friends, colleagues and fans of the show he was in", adding that he "loved his job very much" and "always considered himself incredibly lucky". His family acknowledged that "his legacy will live on" and said they considered themselves "lucky" to have watched him doing what he loved throughout his career. Head's other credits included The Iron Lady, Persuasion, The Inbetweeners and Manchild.

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ:

Philadelphia Museum of Art

c.1932-1941

Squirrel

William Edmondson