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Vinushka - a proper translation
And still about translations: the official translation of my favourite song, Vinushka makes my skin crawl. This is a poem, not a dadaist succession of individual sentences with no rapport to each other. Let me put my Japanese MA to good use - told you I’m a pretentious motherfucker - and give you a proper translation. You’re welcome.
Vinushka, or Dear guilt (1)
Dear guilt,
Holding my breath as I trade whispers with the clouds, It dawns on me that I am but a blind shell, a body scorched by shadows, who longs to forget, - with a desire to sink into anthills - and to be born again.
May tomorrow sleep, may I take comfort in looking back, and may it carry me back, back into the jagged swell of feeling. Even though the undulating current proves that I am still alive, it beckons a tomorrow that drowns in its tears.
I have become but this writhing(2) Dogra Magra(3), my mottled hurts, have eyes that no longer revel in the spectrum of all colours, - will I too, be swept away by hypocrisy? Standing alone on a crimson stage, wishing upon rising stars, - only in them lies my truth.
And yet I can’t hide, in the remote corners of my heart, that I still want to be here, - so who is it that I cannot bring myself to forgive? With my voice gone cold, I send out its ringing sound, as I make my vows. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? I have now gazed at the unchanging moon, for so long that I grew tired, watched it fail to turn me to wolf. Instead I went mad, instead, it made want to devour necks, instead, it made me want to turn them to fragile wreckages, instead, it made me want to keep you awake, for I have reached an age where I crave tenderness, and for you, my Lady of the Night(4), I’d go mad. Everyone, fooled into thinking it is happiness, reaches out a hand, only it makes them turn to demons lurking in the dark, forms born from the void, crawling back into the womb, to rot. And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life! Fleeting antitheses to the weeping Earth, my bones I bury, in the mass grave submerged in the thesis, - the melancholy I shoulder, shall be swept away by a caustic deluge. For I am a man who found no value in life, - I spent it laughing through bitter tears - I shall hang myself at the top of my thirteen steps(5), facing you, a crowd that cheers in complacent concord privy to your weak-willed ideologies that do nothing but wound. You, are far too sad. You, crush underfoot your blood-splattering primal instincts. You, speak of death. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life! You, crush underfoot your blood-splattering primal instincts. You, speak of death. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life!
If I too, am a villain, am I guilty if I want to live?
--
(1) According to Kaoru in an interview I wasn't able to find again (so you'll just have to trust my word for it), the word Vinushka is a creative spin-off of the Russian word вина (guilt). Since -ушка is a diminutive used to make a name or word sound more endearing, I chose to translate the song title as “Dear guilt”. Yes, I took some artistic liberties here because I find that’s the title that fits best.
(2) In this verse Kyo uses a made-up word, うえつく (uetsuku). Unsurprisingly, he often uses made up words. I took the liberty of translating it as “writhing” because it sounds like it derived from the verb 飢える (ueru), which means to writhe. It fits the rest of the stanza, so why not.
(3) Dogra Magra is the title of a notorious Japanese avant-garde horror novel by Yumeno Kyosaku. The phrase in itself means nothing. In the context of the book, it can be read as some sort of incantation that fits the novel’s themes of psychosis and dissolution of the self. Fun fact: the band Sukekiyo borrowed its name from an eponymous character in this novel. I wrote a whole post about it here.
(4) I translated 小夜 as “Lady of the Night", which is a bit of a shot in the dark. The kanji spells the female name Sayo, and Kyo does sing "Sayo". But because the literal meaning of the name is “small night”, and since there are no other references in the poem to "Sayo", I took some creative liberty to translate it as “Lady of the Night” because it fits the theme of the stanza.
(5) In Japan’s modern penal history, prisoners are hung from a platform reached by a staircase that has 13 steps.
-- A few words on Vinushka. This is a work of great stylistic brilliance. It has a very complex structure, which is uncommon in the corpus of Japanese poetry that prefers simplicity over intricacy. What refers to the narrator and what refers to the "others" he is trying to address lies in very subtle indications that I tried to transpose as accurately as I could. The narrator oscilates between wanting to remain and wanting to be gone. He despises "the others", probably humankind, but recognises that he is one of them. This generates a sense of guilt, thus the title of the song. References to being reborn, karma and crawling back into the womb can be inferred to be an allusion to eternal recurrence. Through the times, humankind repeats the same sins, the same cruelty and the same blindness to the truth, but also the same survival instinct, the wish to remain.
As I cannot answer directly to this post so I have to reblog it, unfortunately.
うえつく —> 植え付ける in Vinushka means “to plant” (also figuratively) thus I’d say it’s “grafted Dogra Magra”.
I won’t comment on the rest except the Sayo move is a very odd one to do. There’s nothing to back it up and you should just either directly translate it (it is an expression for dark/night or night time) or don’t touch it at all (best thing to do imo).
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There are so many questionable takes in the whole commentary but I’ll only focus on this excerpt:
Where to start?
Where is the connection to your health condition? Kyo is not out of breath due to physical issues. It’s his emotions manifesting in his constitution. Maybe you should have paid attention to his body language, the facial expressions. His heart’s pain was everywhere.
I feel Kyo knows best what to convey, and after he explained for years over and over again why it’s not about technically perfect singing, especially with Dir en grey, I give up elaborating. Is it physically draining? Kyo said so himself. He also mentioned why. Lately. And so many times throughout the years.
You know nothing, Jon Yridenergy.
Now that there was the whole performance shown, it’s (unsurprisingly) the emotional state that lead to his “breathlessness”, for everyone to see, yes? Even without knowing what happened before, it was possible to understand and yet people failed to catch it.
Redemption? Kyo does not need any redemption, and surely not yours! Just don’t be so judgemental next time? It’s on you…
How often does he need to prove he is able to pull off the most difficult parts if their songs flawlessly for you to have a little more faith in his skills? It was good even “out of breath” because it never has been a technical issue.
Can you be a bit more humble? You totally see why but you downright were up your own ass to not see it right away, so you were a judgmental piece of complete shit like always?
It’s not even “I told you so”, it’s the fundamentals. Kyo’s got truth tattooed under his jaw/tongue. And the fact he literally kept saying it’s all genuinely him over all these years only to be dismissed every single time.
When will you guys be able to actually see who Kyo truly is?

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I hate saving a run because then I do stupid stuff like taking a shard only to get almost one tabbed or trying to use a flask although I don’t have any left…
This went from very solid into really bad within seconds.
There are so many questionable takes in the whole commentary but I’ll only focus on this excerpt:
Where to start?
Where is the connection to your health condition? Kyo is not out of breath due to physical issues. It’s his emotions manifesting in his constitution. Maybe you should have paid attention to his body language, the facial expressions. His heart’s pain was everywhere.
I feel Kyo knows best what to convey, and after he explained for years over and over again why it’s not about technically perfect singing, especially with Dir en grey, I give up elaborating. Is it physically draining? Kyo said so himself. He also mentioned why. Lately. And so many times throughout the years.
You know nothing, Jon Yridenergy.
Photos from the Garuda pamphlet 2008.
Scanned by me.
*instagram de kyo.

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Dir en grey- VALUES OF MADNESS
Tour 19
Haven’t played in three months, so jumping in the hardmode was quite a ride. I’m rusty but the music theme is so good. It depicts the madness perfectly.