maréchal fressange, for @deadstarblack
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@deadstarblack
maréchal fressange, for @deadstarblack

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i really like the incidental mutual community you pick up from months of activity on this site and—because u liked what they posted when you were interested in the same thing—u just continue following each other as interests diverge and it is like... these are just the people around me now. idk what they're into/i don't recognise this fandom but their posts make me laugh/smile sometimes and so...?
i like it.
fressange — bsky.
Sylvain de Chalais—chef d'état-major du maréchal Fressange. visual dev pour Achevé — bsky
the romans determined sex by voice, skeleton, and temperament. the talmud had four categories for bodies we only have two words for.
then the enlightenment needed to deny women the vote and two thousand years of medicine got replaced by a checkbox at birth.
companion piece to the homosexual essay. this one's personal.
A Writer's Guide to Sex, Gender, and Bodies Before the Modern Binary

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two short kings who spent fifteen years trying to kill each other and accidentally invented the modern world
back on my napoleonic bullshit
Okay, but no.
Fifteen years trying to kill each other... what on earth are you talking about?
Which fifteen years, first of all? I suppose we can count the last fifteen years of Napoleon's life, which would be 1806-1821. Wellington was in the Copenhagen expedition in 1807, then was briefly in the peninsula in 1808, before his 1809-1814 stint there. However, during that period he was never on the same battlefield as Napoleon-- Wellington fought a variety of marshals, but the Emperor himself was off in central and eastern Europe. The only battle Wellington ever commanded against Napoleon was Waterloo itself, and even so, they never met face to face.
Further, even if you establish a time period, you can't really say that Wellington ever tried to kill Napoleon. In fact you can make a strong case for the exact opposite: he actively refused to kill him. Wellington had the opportunity to fire upon Napoleon at Waterloo, but he refused. Further, he flat out told the Allied monarchs that if they wished to execute Napoleon they would have to find someone other than him to be the executioner. Napoleon did leave a man who was acquitted of trying to assassinate Wellington 10,000 francs in his will, but as that's not actively hiring assassins, I don't think that counts either.
The drawing is quite nice, and I like the details on Wellington's sleeves, but you overstate things in your description.
Hahaha.
Napoleon personally directed strategy against Wellington for years and called the entire Peninsular War his "Spanish Ulcer." Arguing they weren't trying to kill each other because they weren't physically standing in the same field is like arguing Churchill and Hitler never fought. And conflating Wellington's refusal to execute a defeated prisoner with proof of non-rivalry is a genuinely bizarre misread of military honour.
But mostly—it was a one-sentence joke caption on a drawing. "Two short kings" was the register. Three paragraphs of gotcha history was not the proportional response. I'll assume you're American.
maréchal sosthène fressange🌹
two short kings who spent fifteen years trying to kill each other and accidentally invented the modern world
back on my napoleonic bullshit
the homosexual was invented in 1869
the homosexual as an identity category was invented in 1869. by a german doctor trying to decriminalize sodomy.
before that there were acts, not identities. the greeks thought male-male love was spiritually superior to heterosexual desire. the romans only cared if you topped. georgian officers had "particular friendships" everyone recognized and no one named.
none of them were closeted. none of them were repressed. the framework didn't exist yet.
new essay tracing the full line from plato's symposium to the aids crisis. why "there were always gay people" is projecting backwards. what writers get wrong about historical sexuality. how to fix it.
this one took a while. i think it matters.
From Plato's Symposium to the AIDS crisis: why your period drama keeps getting sexuality wrong, and how to fix it.
"Stand by, Hexen. I am... concluding a sensitive matter."
i should do more experimental art like this

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Points at Lazarus. What if I kissed him. Mwah.
"You spark an unsanctioned surge in my circuits."
I kiss your hands for spoiling me, anon ❤︎
just wanna say thank you! i love teaching what i know and sharing observations i don't often see articulated. if my essays on creative work helped anyone, that's why i do it.
i want more high quality human-orchestrated work in the world, and i want more ideas made tangible in beautiful ways. i also want readers and consumers to find the greatest joy possible in their relationships with the work they consume
i'm always open to talking and engaging with people about their projects or creative concerns, you can find my email on my site or the 'about' section on the Substack!
your villain is shallow because you're scared of what it would mean to understand them
not excuse them. understand them. find the version of yourself that could make their choices under different circumstances
new essay on the psychological work most writers refuse to do and why 'I don't want to empathize with bad people' is a craft failure, not a moral stance
On performed empathy, the ego problem, and the craft of writing antagonists worth remembering
deadstar logbook on Owlcat's /learning
still floored Owlcat Games featured the Deadstar Logbook on their gamedev resources page 😭 owlcat.games/learning i'm in the narrative design section
genuinely honoured. there's incredible craft analysis on there. very grateful to be included. go take a look at the resources they've gathered! since a lot of you found me through warhammer 40k content, you might like my character analyses on there. more to come!
Craft essays on narrative design, worldbuilding, and 'off-the-page' content from the grimdark nautical horror world of The Reply. Click to r

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this week's craft essay is for everyone tired of being told they're morally suspect for liking complex characters. about diegetic writing, why compelling beats likeable, and why fiction isn't an instruction manual.
probably my spiciest take so far.
Why the most interesting characters are the ones (other people say) you shouldn't like. Learn why diegetic writing and morally complex prota
as if you're waiting for something. bsky.
please check out his character design essay where I go into his themes, psychology and design. [LINK]. I also did one for Origen last week.