Anselm Reyle "ARS NOVA", Installation view at Kunsthalle Zรผrich, 2006
Photo: Stefan Altenburger Photography

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Anselm Reyle "ARS NOVA", Installation view at Kunsthalle Zรผrich, 2006
Photo: Stefan Altenburger Photography

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reject the western gaze!
mutual aid means no hierarchy between givers and receivers
a new mutual aid org, Bridge of Solidarity, has been established in the gaza strip by 17 year old poet yazan mohammed in response to the exploitative practices conducted by some charities and encouraged by the existing charity-based model of fundraising for gaza. according to BoS: "the western attention economy and pity economy plays a large role in who lives or dies in gaza." essentially, people need to make themselves marketable in order to receive lifesaving aid; people who are not marketable die. yazan himself wrote about the damage this can do to one's self image, which you can read here.
after trying for a year to respect his own privacy, my friend siraj was also pressured into posting images of his son's emaciated body in order to gain sympathy from westerners.
we cannot keep forcing people to do this anymore.
here's a declaration of their values from bridge of solidarity's most recent post:
Our organization is against the Western gaze. We refuse to humiliate people. We refuse to force people to take photos. We refuse to force people to take photos with our flyer or logo. People will receive aid freely without being forced to pose. We will respect people's privacy completely. Our principles include autonomy, dignity, sovereignty, mutual respect, and mutual aid.
this org will prioritize giving aid to people without phones or social media, who do not speak english, and who do not have outside support or living parents. these are the people who are not palatable to westerners but who deserve to live with as much dignity as everyone else
as of five days ago, BoS are working on a water truck delivery
(Arabic below)ย
I'm so sad this blew down in the high winds, but one of my neighbor's redwood trees had an albino branch!
Even the wood was lighter. So pretty.
this is reposted & uncredited work by @foiegraphics on Instagram

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obsessed with the knife sheath melissa gifts shauna this episode. it's handmade. it's stitches are perfect. it's personalized. it's labeled with shauna's initial. it's useful. it fits her knife perfectly. there's a strap so it's easy to carry around. it's a true gift. it's wrapped in bark and adorned with berries like a present. it has nothing to do, overtly, with the wilderness. it has nothing to do with her baby. it's solely about shauna. it not only acknowledges, but embraces the butcher in her. it keeps her main tool preserved. it makes her knife safer for shauna to carry. it displays a sincere understanding and acceptance of who shauna is and who she has become in a way words never really could
some of my childhood art, idk where it all went but I don't have much left :'(
- Watercolor. Scarab
- Watercolor, pen, watercolour ground for texture, acrylic. Roadkill Cat
- Pen: Cocatrice
Japanese matchbox label
Melting ice and snow meet open water and sand at Lake Michigan.

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Whatโs crazy is you can just meet someone and have no idea theyโre going to change your life forever
we make fun of the '96 yellowjackets for letting lottie make all their decisions for them but it's been so long since s1 i think we forgot about the bear. like if i woke up from a nonconsensual group hallucinatory drug trip with the knowledge that winter is coming and we're most likely gonna freeze and starve to death and then the girl who'd earlier started rapidly speaking a language she wasn't fluent in walked outside and a fucking bear came out of the woods and kneeled before her and she killed it with a knife then YEAH i think i would be doing whatever the hell she wanted
Yellowjackets Season 3 Episode 3: Them's the Breaks
#read her like a book

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YELLOWJACKETS 2.01 | 3.04
MELISSA Yellowjackets ๐ 3x04 "12 Angry Girls & 1 Drunk Travis"