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Janaina Medeiros
Xuebing Du
i don't do bad sauce passes
ojovivo

blake kathryn
we're not kids anymore.
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year
Peter Solarz
KIROKAZE
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shark vs the universe
Jules of Nature
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@dchooks

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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An Open Letter for Every Fallen Fan: Music into Memory
Where do we draw the line between music and memory? We say we love a song, but how much do we really love it—what do we truly appreciate about it? Sure, we can point to certain melodies, the rhythm, vocals, effects, but does any of this trump the memories we create to this music? We so tightly bind these memories to the tracks to which we experience them that one lonely bass line can trigger a wave of nostalgia.
This is like a flashback, and when we hear these tracks we are brought back to important times in our lives. Auditory memory is a huge evolutionary triumph, and I truly believe this is the reason we are driven to create meaningful sound. Nostalgia is a natural wonder in itself—we experience something so significant to ourselves that our brain encodes those feelings alongside the stimuli that surrounded them. When we encounter stimuli even remotely like those, our brains light up like a crowded dance floor.
So why do we love music? It’s for the experience--it’s for the memories. There’s no perfect balance, no equilibrium of sound to experience, nostalgia to rhythmicity. Finding such a balance would be as untenable as alchemy. Yet, we do this, all the time, because music is INCREDIBLE.
I can’t even explain to you the wave of emotions I feel when I hear Trolley Snatcha’s remix of Blind Faith. That remix is the first major track I discovered on my own before I heard it in a club, and boy did it light up dance floors.
Even a month ago I heard Chase & Status play that remix at a secret show in NYC. I felt like I had an out of body experience right there, at Club Slake, which may as well have been Bourbon Street. Memories of my first massive flashed in my head—my best friend, my first crowd, my first time hearing that much sub bass. I would unsurprisingly rank that show as my favorite of 2014. Thank you Mat Zo for salvaging that Sunday, better known as E-Zoo’s doomed third day. To quote Pete Tong, it’s all about the music [and the memories we make while moving to it!] Okay, maybe not all of that, but I’m sure Pete agrees with me here.
When you’re in the club, at the massive, in the pit, with your buddies, by yourself, or with that person you hope to know, don’t ever forget to take it all in. Don’t ever forget that it’s all about experiencing the music, and letting it take hold. Make some fucking nostalgia—that warm, fuzzy, feely shit. Don’t let those memories become bad ones—BE RESPONSIBLE. If you came to do strange drugs and wreck those memories—not just for yourself, sbut for your family, friends, and fellow ravers—then sit this one out. We don’t need you, and y
Getting my hands on some epic #prizes inside @Datsik's squad. Check them out here: #DatsikNinjas
I just supported #FREELIFE x Camp Kesem Charity on @ThunderclapIt // @bixelboys

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Temple of Boom: An Eclectic Mix of Some of Electronic Music’s Finest
All conveniently located in the grungy warehouse known as Club Paradox, or “the Dox.” B.A.D.A.S.S. curated a killer lineup for this one, a follow-up to the first ToB almost one year to the date earlier. Styles ranged from the Dirty Bird brand of deep house (CWrok) and the Main Course techlectro takeover (Astronomar and Neoteric) to the Queen Bitch of Hard Style herself, Lady Faith, and the goddess of dubstep, drum ‘n everything bass—Reid (mutha fuckin’) Speed. Oh, but there’s more. Mantis (DJ set) and Rekoil (who did a sweet b2b with his boy, Algo!) brought the hardest sets I’ve heard in a while—leaving everyone lost in the dark trenches of their musical swamp.
Let’s talk for a second about those stages. It all went down at the Mayan Temple, which showcased the hardest sounds in our scene. If you were already into riddim or you jumped on the swamp/trench boat, then this was the place to be. Hard, filthy, mind-melting sub-bass emanating from the dark, bone-laden altar captivated the audience, leaving them in a state of permanent bass face. Mantis opened with a pure metal track, launching the crowd into a mosh pit not one minute after his set had started. Reid Speed displayed incredible skill behind the decks, as always, playing everything from dnb, any and all forms of dubstep and of course, some garage. Breath-taking, easily my favorite set in a while (sorry guys, the rest of you were incredible!) I met her after her set, and she was so sweet—everyone go check out here Play Me EP! (like now.) Had it not been for Reid’s incredible skill set, and her nearly two decades of experience and musical knowledge, I would say that Rekoil stole the show.
We’re talking about Baltimore’s own son, who’s been killing it here for years, meanwhile becoming a household name and making multiple festival stops this year. This guy, besides being incredibly friendly and so humble, is a very skilled performer in his own right—reading the crowd and playing louder than anyone I’ve heard since 12th Planet, the Swamp Lord himself. That phone screen-shaking bass, that absolute grime. Just when you thought he was building you up, he’d send you crashing down with one more epic tune. So many throwbacks here, and a big nod to BAR9—anyone who’d peeped their incredible Bass Monsters Mix last fall would have recognized these sounds. Oh, and that 45 minute encore? Absolute madness, mayhem and loads of unreleased tunes—get on this guy right now, he’s primed to have an incredible year. He’s providing support for Mantis alongside Troll Phace on their upcoming Electronic Death March Tour.
We had an incredible time with all you freaks, and we cannot wait for Legacy DC !
Introducing the hottest collab Down Under.. Carmada!
This is HUGE! Aussie DJ's L D R U and Yahtzel --known for their constant collaborations on some of the hippest, most forward thinking new wave house down undah--have teamed up for a new project known as Carmada. We cannot wait to hear what they have in store for us, world.
-Christian
Do they really got your back?
We here at DC Hooks most definitely back this track from Mark Instinct feat. Armanni Reign.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The chills I got from hearing this track again just left me wide awake.
I've been into Vaski for some time-- there's something about unique, multidimensional production that gets me every time, haha.
I'll admit, this one had slipped through the cracks in my mind, and I last remember hearing it at last summer's *casualty-free* Mad Decent Block Party (DC stop.)
It was a day filled with sun and marred by clouds. We were exhausted and I was having a rough time for most of the day dealing with serious stomach pain. My friend and I were about as active as quick sand as Flosstradamus finally took over the decks. Then I woke up. Piercing vocals "going INSANEEEE" in front of an incredibly deep, layered bass line sent a shock through my body.
We instantly got back up and ran towards the bass, and danced the night out.
Thank you, Vaski, and big ups to Floss for the support. You guys created a memory that I still vividly recall whenever I think of that summer.
We will return with your scheduled programming shortly...
Hello bass heads, freaks and kandi kids, we just wanted to take some time to explain the lack of material on our page recently.
We have been very busy-- expect a few major things coming soon. Ray and I attended Moonrise Festival in our home town of Baltimore a couple weeks ago, and we cannot say enough wonderful things about that heavenly place. Bassnectarthrew down the hardest set I have ever seen, and completely melted our minds, as he fought and obliterated the sound bleed from Carnage's ill-timed set on the main stage.
Ray is almost finished with a comprehensive review of Porter's new album Worlds, and I will be heading to Electric Zoo next week. In September we will be covering our first official event with press passes (!!!)
Love you all, and thank you for all the support!
Special shout out to Trucco & Suarey from Glow Team, for continually encouraging us! We may (definitely) have a recap of their first major show with Kill Paris and Antiserum up very soon.
Until next time, keep it classy you freaky people.
-Christian (and Ray)
finally found them! Moonrise, you were wonderful. ~DC Hooks
We're going wild for the night to this incredibly hard set from Skrill dog out in Chicago. I am still speechless from that Jack U track he dropped 😐😐😐😭😵🙏
Block Party Report
We out here at Mad Decent Block and Cashmere Cat is absolutely killing it! Technically skilled and faceless like a robot.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Woah. Did I just step into a worm hole? This new mix from Zomboy is absolutely mental, and I feel like I'm back in 2010.
This has that filthy, fast-paced style with that drum kit that is undeniably reminiscent of dubstep (and drum n bass) coming out of the UK around that time. I feel like I'm listening to the Zomboy I first heard around then, or Doctor P--any of those guys from Circus and (now) Never Say Die, really.
But this is so filthy. Straight dirty, like the portapotties at the Hudson Project. This is undeniably ZOMBOY and the nuclear zombie apocalypse has finally arrived.
Eagerly awaiting the full release of his new EP.
Minnesota brings us a huge remix of Adventure Club's 2013 anthem, Gold (ft. Yuna.)
Super funky, and stunningly futuristic, this is as deep and ambient a remix as we'd expect from him. There is a lot of variability in styles here, as he mashes up the vocal sampling in a manner similar to that used by AC in their hit, "Do I See Color."
Seriously, check this one out, as you drive down a far out coast, in the deep, dark night. This is great cruising/chilling/vibing/discofreak music.