are shows and movies allowed to be subtle and ambiguous anymore..... is that still allowed or does everything have to be a patronizing hand holding session. just wondering
let's talk about Bridgerton tea, my ask is open


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@dayneonychus
are shows and movies allowed to be subtle and ambiguous anymore..... is that still allowed or does everything have to be a patronizing hand holding session. just wondering

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call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what iām saying here is basically āa lot of the fun of doing character analysis is doing character analysisā but letās be real a lot of fandom character analysis is pretty heavily vibes-based. and i think thatās where i really chafe up against the traditional thought-terminating fandom attitude of like, everyoneās opinions hold equal weight and any interrogation of that is inherently hostile. because i think itās fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the pieceās in-fiction and real world contexts?
why are ghosts always person-sized in the movies? they donāt have bodies anymore. one ofĀ āem should have figured out how to work that shit. one of them could be ⦠her š³
kind of a milf. reblog
big tshirt that says MY INTERPRETATIONS MUST HAVE A STRONG BASIS IN THE SOURCE MATERIAL on the front and THIS IS FUN TO ME on the back
Favorite Dragon Moments
House of the Dragon Season 3

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re: alys. what a waste of a chance to meaningfully parallel rhaenyra by shifting alysā motivations in requesting Harrenhal as compensation for aiding daemon from personal ambition, to sadness over a dead son (making the moment about motherless aemond, in truth).
If they really wanted to tie her into the lore of The Black Line (for some fucking reason?), why can't she have been the last remaining child of harrenās line herself (echoing also the main seriesā āno one thought to look for a girlā), seeking her rightful property be returned to her?
why must the parallel drawn between all the women, in a show purportedly about how patriarchy and misogyny systemically deny women's agency and capability, be in the sacrifices they must make for the children they were forced to have, and the griefs of motherhood, and not about how their ambitions threaten the system that reduced them to mothers instead of the rulers they couldāve been in the first place?
What do you mean when you say fandom avoids speaking of what GRRM said about Tyrion back in February?
so in the Hollywood Reporter interview published in January (or Feb I canāt remember), GRRM said the following:
which to me very strongly suggests GRRM plans to kill Tyrion. like he doesnāt say that directly but lbr, the Tyrion comment is sandwiched between two comments about characters he means to kill - one could necessarily infer what he means.
and in my mind this was a huge revelation like wtf lol. how many of us last year actually thought Tyrion would be killed off. not me thatās for sure.
and yet all fandom has done w this is go āTyrion will be sad about his brother being dead and might be unemployed :(ā as though thatās significantly worse than what happens in the show. and theories have kind of just stopped there. and one of the primary reasons for that is bc certain factions tie Tyrionās survival to the survival of their own faves bc of some spurious connections theyāve drawn based on the original outline and the concept of the ākey fiveā. love that for Tyrion lmao. literally just a rhetorical life-ring for other characters apparently
so naturally the only thing that asoiaftwt actually locked onto was the idea of Sansa dying, which to me feels far less significant (given GRRM seems to backtrack in the same sentence) but ofc what is asoiaftwt when theyāre not shitting on one teenage girl to champion another.
thereās also the fact that GRRM considers GOT S8 a relatively āhappy endingā like why on EARTH are we not talking about this interview more often the implications are DIABOLICAL. yet if it werenāt for the crowing about the potential for dead Sansa I wonder how many ppl would even be aware this interview dropped in the first place lmao like do we have collective amnesia!!! share the rest of the fucking quote!!!!
It was always going to be hard to adapt a story that ends with the gendered killing of a woman by her relative, a rival male claimant, after the end of GOTānotably Jon stabbing Dany before the Iron Throne because she āwent madāāwas so poorly received. But it seems that the way out of this HOTD is trying to use is, āshowing us that Rhaenyra being killed is justifiedā. The lesson they took was that Danyās madness and cruelty werenāt believable, and so her stabbing was not seen as deserved, so people didnāt like it; in response they have written, or tried to write, Rhaenyra descending into a more believable cruelty and darkness. They have followed the āif theyād foreshadowed mad!Dany properly it would have worked!ā criticisms*
You can think what you like but I donāt think it works. Where this falls apart is that what happened to Rhaenyraābeginning with being targeted in her own home by Alicent, and being usurped, which leads to the war and her deathāwas unjustified and driven by misogyny. Iām not interested in a story about how THIS woman, this time, DID deserve her fate, and we did legwork to show you why so youāll agree. I would find it far more progressive (and more satisfying) to see a story about a woman being mistreated and then killed and the narrative framing it as horrifying, and gendered, rather than her being put down like a bad dog by someone whoāin Ryan Condalās own words!āis now āmore suited to the throneā, since Rhaenyra has been ācontortedā by power
*I donāt really think they even managed to do this properly. The characterisation this season has been terrible
The aforementioned Condalism for people who havenāt yet had the urge to rip out their eyeballs today
[whimpers pathetically: update]
HOUSE OF THE DRAGON Season 3 Episode 8 ā "The Treasons at Tumbleton"

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HOUSE OF THE DRAGON 2.03 // 3.06 "You look away when you lie."
[whimpers pathetically]
Seriously. Itās just a farce.
Sorry to everyone who liked it but I really hated Helaenaās dialogue this episode. The juxtaposition of her embroidery + āall the things you care about are uglyā + āour father would hate you for thisā = women should stay in our sphere and leave the āuglyā business of wielding power to men. But itās not ugly when our father did it :))) Never mind what he did to Rhaenyraās mother in the very first episode
iām cornplating hard but in helaenaās first ever scene in the show sheās discussing her bugs with alicent (āit has eyes, though i donāt believe it can seeā) who is trying her best to engage with her though clearly unable to truly connect and in her final scene with dialogue sheās once again talking about bugs with rhaenyra who is trying to play at earnestness (and even offers to let helaena show her when summer comes ā whether or not sheās being genuine here can be debated lol) but helaena is ultimately her prisoner and thereās no connection there and it just makes me soā¦ā¦she spent her whole life so misunderstood and unheard but found solace in such small things and thatās not nothing. i love the way phia put it hereā¦
I found it really delicious that Helaena could be like, āThere are things in the world that youāll never know how beautiful they are, and theyāre not even beautiful.ā And thatās truly what she wants to get back to: having a relationship with the world and not being kept and silenced and used.

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I guess I just also donāt appreciate that Helaena opens that conversation with āour father would hate you for this,ā when she and Viserys never even interact ajsjsjs. I can explain it away to myself by making up Helaena to be exceptionally canny about how much Viserysā approval matters to Rhaenyra and saying that exclusively to push her buttons in retaliation for her confinement, but itās something I have to do quite a bit of work to conclude, because Helaena has barely been characterized outside of her function as Alicentās motivation from the back half of season 2 on.
Itās also one more instance of the show unironically glazing Viserys, placed in counterpoint to the earlier beat of the episode where Rhaenyra finally snaps āfucking Viserys!ā in seeming recognition of his failures.
Makes the whole read as condemnation for Rhaenyraās rejection of the peaceful memory of her predecessor. Which is absolute bullshit.
Fucking Viserys! Is right.
Iāve come to really abhor the existence of behind the scenes material for television shows in this streaming model, where they no longer exist as āfun extra stuffā but are instead meant to be supplemental material to the text, whereby the failings of that text can be smoothed over by having a guy just tell you what things meant. thus robbing you of the beauty of interpretation from first principles. It lets a bunch of presumed professionals off the hook for being bad at the actual fucking job theyāre being paid hundreds of thousands of dollars to do.
For house of the dragon and this season in particular, Iād like the cast and writers to consult some books, or even some experts if reading is a bit hard, on the development of feudalism and the divine right of kings from the older polytheistic model where the semi-divinity of rulers, as in Ancient Rome and Egypt which Old Valyria is based on, was established belief, before they come on talking like this is a practice mostly alien to the human experience that is relegated to modern concepts like fascism and its cults of personality.
Weāve been recording history for 5000 years and for most of those the people at the top of the food chain were calling themselves gods and sons of gods. Letās relearn how to tell stories about worlds different than our own, so we donāt forget that it is possible to build a new one. Please.