big tshirt that says MY INTERPRETATIONS MUST HAVE A STRONG BASIS IN THE SOURCE MATERIAL on the front and THIS IS FUN TO ME on the back
noise dept.
One Nice Bug Per Day
art blog(derogatory)
sheepfilms
YOU ARE THE REASON
occasionally subtle
Doug Jones

pixel skylines

#extradirty
Cosimo Galluzzi

Jimmy Eat World
Monterey Bay Aquarium

Kiana Khansmith
Keni

Origami Around
ojovivo
Sweet Seals For You, Always
Show & Tell
tumblr dot com
seen from Russia

seen from Bangladesh

seen from South Africa
seen from Canada
seen from Thailand
seen from India

seen from TĂźrkiye
seen from Canada
seen from United States
seen from United States
seen from United States
seen from Indonesia

seen from Malaysia
seen from Philippines

seen from United States

seen from Brazil

seen from United States
seen from United States

seen from Netherlands
seen from Azerbaijan
@dayneonychus
big tshirt that says MY INTERPRETATIONS MUST HAVE A STRONG BASIS IN THE SOURCE MATERIAL on the front and THIS IS FUN TO ME on the back

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Favorite Dragon Moments
House of the Dragon Season 3
re: alys. what a waste of a chance to meaningfully parallel rhaenyra by shifting alysâ motivations in requesting Harrenhal as compensation for aiding daemon from personal ambition, to sadness over a dead son (making the moment about motherless aemond, in truth).
If they really wanted to tie her into the lore of The Black Line (for some fucking reason?), why can't she have been the last remaining child of harrenâs line herself (echoing also the main seriesâ âno one thought to look for a girlâ), seeking her rightful property be returned to her?
why must the parallel drawn between all the women, in a show purportedly about how patriarchy and misogyny systemically deny women's agency and capability, be in the sacrifices they must make for the children they were forced to have, and the griefs of motherhood, and not about how their ambitions threaten the system that reduced them to mothers instead of the rulers they couldâve been in the first place?
What do you mean when you say fandom avoids speaking of what GRRM said about Tyrion back in February?
so in the Hollywood Reporter interview published in January (or Feb I canât remember), GRRM said the following:
which to me very strongly suggests GRRM plans to kill Tyrion. like he doesnât say that directly but lbr, the Tyrion comment is sandwiched between two comments about characters he means to kill - one could necessarily infer what he means.
and in my mind this was a huge revelation like wtf lol. how many of us last year actually thought Tyrion would be killed off. not me thatâs for sure.
and yet all fandom has done w this is go âTyrion will be sad about his brother being dead and might be unemployed :(â as though thatâs significantly worse than what happens in the show. and theories have kind of just stopped there. and one of the primary reasons for that is bc certain factions tie Tyrionâs survival to the survival of their own faves bc of some spurious connections theyâve drawn based on the original outline and the concept of the âkey fiveâ. love that for Tyrion lmao. literally just a rhetorical life-ring for other characters apparently
so naturally the only thing that asoiaftwt actually locked onto was the idea of Sansa dying, which to me feels far less significant (given GRRM seems to backtrack in the same sentence) but ofc what is asoiaftwt when theyâre not shitting on one teenage girl to champion another.
thereâs also the fact that GRRM considers GOT S8 a relatively âhappy endingâ like why on EARTH are we not talking about this interview more often the implications are DIABOLICAL. yet if it werenât for the crowing about the potential for dead Sansa I wonder how many ppl would even be aware this interview dropped in the first place lmao like do we have collective amnesia!!! share the rest of the fucking quote!!!!
It was always going to be hard to adapt a story that ends with the gendered killing of a woman by her relative, a rival male claimant, after the end of GOTânotably Jon stabbing Dany before the Iron Throne because she âwent madââwas so poorly received. But it seems that the way out of this HOTD is trying to use is, âshowing us that Rhaenyra being killed is justifiedâ. The lesson they took was that Danyâs madness and cruelty werenât believable, and so her stabbing was not seen as deserved, so people didnât like it; in response they have written, or tried to write, Rhaenyra descending into a more believable cruelty and darkness. They have followed the âif theyâd foreshadowed mad!Dany properly it would have worked!â criticisms*
You can think what you like but I donât think it works. Where this falls apart is that what happened to Rhaenyraâbeginning with being targeted in her own home by Alicent, and being usurped, which leads to the war and her deathâwas unjustified and driven by misogyny. Iâm not interested in a story about how THIS woman, this time, DID deserve her fate, and we did legwork to show you why so youâll agree. I would find it far more progressive (and more satisfying) to see a story about a woman being mistreated and then killed and the narrative framing it as horrifying, and gendered, rather than her being put down like a bad dog by someone whoâin Ryan Condalâs own words!âis now âmore suited to the throneâ, since Rhaenyra has been âcontortedâ by power
*I donât really think they even managed to do this properly. The characterisation this season has been terrible
The aforementioned Condalism for people who havenât yet had the urge to rip out their eyeballs today

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
[whimpers pathetically: update]
HOUSE OF THE DRAGON Season 3 Episode 8 â "The Treasons at Tumbleton"
HOUSE OF THE DRAGON 2.03 // 3.06 "You look away when you lie."
[whimpers pathetically]
Seriously. Itâs just a farce.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Sorry to everyone who liked it but I really hated Helaenaâs dialogue this episode. The juxtaposition of her embroidery + âall the things you care about are uglyâ + âour father would hate you for thisâ = women should stay in our sphere and leave the âuglyâ business of wielding power to men. But itâs not ugly when our father did it :))) Never mind what he did to Rhaenyraâs mother in the very first episode
iâm cornplating hard but in helaenaâs first ever scene in the show sheâs discussing her bugs with alicent (âit has eyes, though i donât believe it can seeâ) who is trying her best to engage with her though clearly unable to truly connect and in her final scene with dialogue sheâs once again talking about bugs with rhaenyra who is trying to play at earnestness (and even offers to let helaena show her when summer comes â whether or not sheâs being genuine here can be debated lol) but helaena is ultimately her prisoner and thereâs no connection there and it just makes me soâŚâŚshe spent her whole life so misunderstood and unheard but found solace in such small things and thatâs not nothing. i love the way phia put it hereâŚ
I found it really delicious that Helaena could be like, âThere are things in the world that youâll never know how beautiful they are, and theyâre not even beautiful.â And thatâs truly what she wants to get back to: having a relationship with the world and not being kept and silenced and used.
I guess I just also donât appreciate that Helaena opens that conversation with âour father would hate you for this,â when she and Viserys never even interact ajsjsjs. I can explain it away to myself by making up Helaena to be exceptionally canny about how much Viserysâ approval matters to Rhaenyra and saying that exclusively to push her buttons in retaliation for her confinement, but itâs something I have to do quite a bit of work to conclude, because Helaena has barely been characterized outside of her function as Alicentâs motivation from the back half of season 2 on.
Itâs also one more instance of the show unironically glazing Viserys, placed in counterpoint to the earlier beat of the episode where Rhaenyra finally snaps âfucking Viserys!â in seeming recognition of his failures.
Makes the whole read as condemnation for Rhaenyraâs rejection of the peaceful memory of her predecessor. Which is absolute bullshit.
Fucking Viserys! Is right.
HOUSE OF THE DRAGON Season 3 Episode 8 â "The Treasons at Tumbleton"
Iâve come to really abhor the existence of behind the scenes material for television shows in this streaming model, where they no longer exist as âfun extra stuffâ but are instead meant to be supplemental material to the text, whereby the failings of that text can be smoothed over by having a guy just tell you what things meant. thus robbing you of the beauty of interpretation from first principles. It lets a bunch of presumed professionals off the hook for being bad at the actual fucking job theyâre being paid hundreds of thousands of dollars to do.
For house of the dragon and this season in particular, Iâd like the cast and writers to consult some books, or even some experts if reading is a bit hard, on the development of feudalism and the divine right of kings from the older polytheistic model where the semi-divinity of rulers, as in Ancient Rome and Egypt which Old Valyria is based on, was established belief, before they come on talking like this is a practice mostly alien to the human experience that is relegated to modern concepts like fascism and its cults of personality.
Weâve been recording history for 5000 years and for most of those the people at the top of the food chain were calling themselves gods and sons of gods. Letâs relearn how to tell stories about worlds different than our own, so we donât forget that it is possible to build a new one. Please.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
whatâs weird is like. god. fire & blood is not great. but it is literally more competent than the show has been this season, i am sorry. and if they followed it closer this season would have been better. like for example. rosby-stokeworth incident. rhaenyra has this conflict around inheritance where she as queen has to decide between oldest daughters inheriting those lordships and younger sons. and daemon is in favor of the daughters, with this idea of marrying them to hugh and ulf and keep them loyal by giving them lordships, but corlys says no, if you do this, and set this precedent of female primogeniture as principle of law, you will lose the support of the lords of the realm who are attached to male primogeniture. and she sides with corlys. and that is both like, having to compromise principles for the sake of power, in a sympathetic way that highlights so many of her difficulties here, AND it sets up hugh and ulfâs betrayal better than what the show tries to do there. itâs an actually basically compelling political conflict for rhaenyraâs reign as queen. WHY just leave that on the table?? nothing else sheâs done all season even comes close to being as engaging. drop thatâŚfor what????? you would have interesting stuff for her, daemon, and corlys, when often theyâve all had absolutely nothing of interest going on onscreen instead or been absent from the narrative entirely, and she could talk about this with alicent, and it would be a thematically rich kind of conversation that loops back in so many of the issues of their relationship and histories. literally it is just handed for you to make interesting with the particular versions of these characters and relationships you have set up!! itâs that kind of unforced error that is like boggling my mind.
i donât know if youâre going to agree w this but like hotd is getting very painful to watch bc of the writing of both alicent and rhaenyra. rhaenyra isnât allowed to be mean or a fighter or scary bc daemon can be that. rhaenyra isnât allowed to think bc mysaria does that. rhaenyra isnât allowed to be vengeful bc alicent has to be that. itâs getting to a point where you know the writing is doing a tragic women vs evil warmongering men narrative that is insufferable for me
no i agree, this season has been unbearable because they simply will not let her do anything. partly has to do with them being worried about a misogynistic reaction from their audience but mostly because of the regressive gender politics of the show. rhaenyra's S3 writing amounts to almost entirely removing her from the process of governance, she hasn't made a single meaningful choice. like she is literally locked within her chambers in 3.01 and you're supposed to suspend your disbelief here, that westeros is so misogynistic that a queen regnant's teenage heir can simply overrule her authority. it was probably a parallel to alicent being ousted from the council by her sons but alicent is not a queen in her own right, she derives authority from her late husband and her sons, the season two moment was about the illusoriness of power derived from male authority, mirroring this with a queen regnant narrative makes it appear that all power held by women is illusory.
season two had an excuse for why rhaenyra was being excluded from having to make decisions regarding the war - because her council of men is contemptuous of her abilities - the council's finished now so rhaenyra's instead been relegated to like exhausted passive observer besieged on all sides during all her small council scenes. the dragonseed betrayal at tumbleton is going to be daemon's fault. in f&b this is tied to the rosby/stokeworth succession decision. daemon insists they have to reward the dragonseeds for their services and is in favour of acknowleding the girls' claims so they may be married to hugh and ulf, corlys advises rhaenyra against it because establishing absolute primogeniture all over westeros would cost her the support of her own lords, rhaenyra as viserys's heir must remain the exception. it's good it works with what she says in season one "when i'm queen i'll create a new order" but to maintain her privileged position of power she has to employ patriarchal violence and uphold the very same patriarchal mandates that's she's always rebelled against. they could've done a lot with this in opposition to alicent who's fresh out of her "disillusionment with patriarchal mandates" arc but well. and unrest in king's landing is entirely ormund's fault. in f&b this is again the consequence of decisions rhaenyra makes as a ruler, namely her attempt to fill their empty coffers, obviously at the expense of the smallfolk because the feudal aristocracy in asoiaf both displays a callous disregard for the lives of the smallfolk and is ravenously ambitious. i find the constant feastdance comparisons infuriating for this reason as well, no matter how much fandom posts about these characters clamouring for the stupid iron chair, the feudal aristocrat characters in asoiaf really do want the iron throne and feudal dynastic politics are the primary cause of the war of the five kings, everyone involved in it is willingly committing atrocities for their own personal ambitions. house of the dragon instead is i think finally telling a story in which no one really wants to be king because isn't it tragic to be the supreme head of a state and you simply have to laugh