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wicked (2024) / daring greatly, brené brown / wicked (2024) / tumblr post, rueyam / for good, stephen schwartz / wicked (2024) / wicked screenplay, winnie holzman & dana fox / sag-aftra foundations conversations, ariana grande / wicked (2024) / tumblr post, xekstrin / the basil and josephine stories, f. scott fitzgerald / the worm king's lullaby, richard siken / wicked screenplay, winnie holzman & dana fox
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The Relict & the Martyr
︵‿₊ prints ₊‿︵
the thing i love about the hawke family is that it's entirely a reflection of hawke. hawke is shaped by the family, in the sense that all people are shaped by where and how they grow up, and the family is shaped by hawke in turn, because you create the family by your choices.
carver is your surviving sibling because you chose to be a mage, but carver is also carver because his siblings were both mages. i'm not here to tell anyone what to think, if you think carver would have been the same person regardless, that's totally fine, but i think the carver who grew up with an "ally", a non-mage sibling who was like him is a fundamentally different person than the carver who grew up having to protect two mages.
similarly, the bethany who grew up with self-loathing isolation... i think that's a different person than a bethany who grew up with a mage sibling, particularly if that sibling felt differently about their magic. that's a bethany who couldn't blame only herself for the family's situation, who wasn't always the odd one out, the one with the biggest and worst secret.
i love that the narrative bends around hawke, creates an arc where the defining feature of the surviving sibling is isolation. loneliness.
malcolm is the ghost in the machine the haunting at the center of the narrative, yes, but he is also shaped in your image. hawke is canonically like malcolm, which means that malcolm is canonically like hawke. leandra, who loved him, who gave up everything for him, then changes too, maybe more subtly. but who hawke is has to reflect on who leandra is, because leandra becomes the type of person who would anchor her life around a person like hawke.
you know I could never resist a woman in armor 💁♀️
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GHOSTFACE REVEALS in the Scream Franchise
+ bonus
i started listening to carly rae jespen because of this essay (i’ll put it below) and i think about it all the time. like. this guy says it better than i ever could.
You know, there are times when I think you don't know me at all, and others where I think you know me better than anyone.
The best ones always start that way.
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Started replaying dai and couldn't resist drawing Josephine
Our mistakes make us who we are.
prints: x | x full process on my Patreon
CORAL ISLAND dev. Stairway Games → Taco the Shiba Inu 🐕
SOMETIMES MEN ARE.
ESPECIALLY WHEN FLOWERS AND PIZZA.
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TACO THE SHIBA INU Coral Island (2023) dev. Stairway Games
It’s insane to me that Dragon Age 2 is sandwiched in between two WAY HUGER and WAY MORE SUCCESSFUL games about more traditional fantasy protagonists facing off against world ending threats and winning and it’s this…weird, raw, personal tragedy about how no matter what you do, you can’t always stop crisis and disaster from occurring. Like The Hero or Ferelden, no matter who they were, wants to stop a Blight. The Inquisitor wants to repair the sky. And Hawke, like, wants to make some money, hang around their friends, and keep their family and their adoptive city safe. And they can’t even fucking do that, so unlike the heroes before and after them. You spend seven years in Kirkwall until the game says, “yeah, no matter what, the prejudices and traumas and hurts of this world are Too Much for one person to stop them. The world changes, wars roll over the land, you cannot stop history, Hawke. You tried. You failed.” And then you just sit there, sixteen years old, listening to “I’m Not Calling You A Liar” and you’re like….well, I guess I really wasn’t a hero. Damn. I love it.
