So she actually said that she does not see the appeal in Senshi at all and that the panty shots weren't intended to be horny - she just has a neighbor who looks kind of like him and does laundry in his underwear. Which she finds kind of weird and offputting, and put into his character to be funny.
But that's the thing. She doesn't exaggerate or grotesqueify or alter people's bodies to fit some standard. (Except insofar as she draws different species differently, and those are exquisitely practiced to ensure they have the same diversity of appearances that humans do.) She just presents people exactly as they are, complexities and oddities and all.
It just so happens that when you present people exactly as they are, what you present will be beautiful and alluring to many. Even the things you yourself might find weird and offputting. Honestly I think it's a touching example of how you don't have to see the beauty in everyone for the beauty to be there, simple honesty is enough to let the wonder of people's humanity shine through.
#i think we should put this post next to the interview where she said she doesn't want to eat the food in the series cuz she's a picky eater#and file them both under 'you don't know an artist from their work'#and maybe you don't need to!#maybe all you need to know is that ryoko kui is Good At What She Does#idk I don't like the implication that artists (and women especially?) can only create from personal life and feelings#some people have imagination and craft#kind of a tangent but. there you go.
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you literally can not have a vagina without paying for it. vaginoplasty for some, period products for others, if you want to stop buying period products that’s gonna be expensive medicine or an expensive procedure, recovery from surgery requires time off work and vaginoplasty specifically requires money spent on dilators. our bodies shouldnt cost us this much on baseline. having a vagina shouldnt have such a hefty tax on it. it makes me feel like i’m in a fictional dystopia written for middle school classrooms when i think about it.
"it would be so good if it was good" will haunt you but "it's extremely good, except for the one or two parts which are so bad it's genuinely kind of insulting" will straight up drive you insane
one has you making posts like "okay but if the author UNDERSTOOD the POLITICAL IMPLICATIONS of the story they were telling, and leaned into it, it would actually be a really interesting exploration of..."
the other has you pacing your bedroom at one in the morning going "why. why would you ever in a million years do it like that. genuinely what possible thought process was involved. was the writer possessed by a fucking ghost or something."
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It's been just over a year since Deltarune chapters 3 & 4 released! I did the 3D work, which mostly means Tenna 📺 I figured it's been long enough to share some "behind the scenes" stuff, starting with a look at the Maya file for his static poses...
I'd individually render the poses to get that early 3D shine ✨ Here's some of them at their original resolutions! I would work from text descriptions from Toby, and sometimes there'd be a Paint sketch to help out. Gigi drew the concept that I modeled from and some poses too!
I had a lot of fun pushing myself to match the dynamic poses Toby had in mind for Tenna - making him so crazy and expressive was something I couldn't have done without his prompts. He'd draw the faces on afterward too, which really brought Tenna to life!
(lots more after the Read More cut...!)
Here are some of the Paint sketches Toby drew to help me with specific Tenna poses! I love seeing his drawings LOL, genuinely really good and evocative 👍
There was a time when I was struggling to capture what he wanted for these specific Tenna poses… Until Toby acted them out himself, and I thought, "Ah, it's like that. I understand." and then I was able to make them just how he pictured them.
When looking through the renders and choosing what to share, I laughed at these two… Remember when Tenna had a gun? Remember when he bent over in a very specific way that might remind you of another, different image? No? Maybe you don't…? Well. Don't worry about it.
These ones are cute… Tenna is pretty cute sometimes! Has anyone ever thought this? Actually, before people knew he was going to be a strange 3D sprite the Whole Time, I was worried people wouldn't like the style and it'd sour people's views on him. I'm glad that didn't happen.
Toby thought it would be funny to have Tenna do some really smooth, mocapped animations sometimes - specifically free to use ones that often pop up in other things. An extra funny part to me is how many frames these take up in the game, and how his tails are stuck to his legs…
Speaking of mocap, Toby wanted Tenna to use custom mocap animations as far back as 2016 - Ten(na) years ago! I got an Xbox Kinect at the time and learnt how to set this up, but then never used it. Here's a look at messing with mocaped stuff again in 2022. So Normal.
Don't bother trying to help him here, he's just being dramatic 🙄
I particularly like these poses - I think I improvised most of these just based off the context they get used in… I always liked posing his tie and coat tails as if they were also parts of his body he could move. Which I guess they are?
After I rendered out the individual poses in high quality, I'd force the color palette to be limited to just a few shades and then I'd shrink the result down to pixel sized sprites. Like these! I'd tidy them up a little, but they'd really get improved on at the pixel scale by Clairvoire.
As well as Tenna's sprites, I also worked on his intro "movie"…! Seeing people be completely overloaded by this on first playthroughs would always make me laugh. In game, there's a ton of extra editing done by Everdraed, but my unedited cut looks like this ⬇️
This was the entire storyboard I had to work from, and I'm realizing now that there's the note "put him in car etc" that I never did and actually don't know what it would mean exactly. Working on this had me listen to the accompanying audio many times, but it's good so it's okay.
Here are a bunch of random clips of the Maya project for Tenna's intro movie. This is how movies get made, I think!! Yeah… Just like this.
Say it with him, folks!!
For the 3D Ralsei clip from the intro, Toby really wanted it to look a certain way, and drew more sketches for guiding me with this part than any other. They genuinely helped.
Remember how Toby's original storyboard has the note "covered in slime and shrinks"? That meant I had to learn how to make 3D slime. You can see my tech advancing here.
I'm really happy with how the final Tenna animation at the end of the intro movie turned out! It wouldn't look as good if it wasn't for some 2D animation to reference from SmallBuStudio, so thank you to them for the help! Tenna is cute… Huh, I already said that…?
Phew!! That's a lot of Tenna. I hope it was fun to look through my posts! Oh, one more thing - the Fangamer Mr. Tenna Figurine just straight up uses the 3D model I made, which I think is really funny and cool and nice. Check it out if you want! Thanks for reading!
some hyper famous artists like Van Gogh transcend overratedness and become underrated because they're so normalized. Like I'll look at a van Gogh and I'm like wait this really is amazing you guys don't get it
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listen to me, this is so so important: you've gotta get used to really giving it your 60% as a default. like don't half-ass it necessarily but try not to go over 70% or so of an ass. you'll feel better and live a happier more fulfilled life, and on the rare occasions where you do need to lock the fuck in you'll be able to pull off bullshit that the sad miserable wretches giving it their 100% can never dream of, because they're busy draining themselves dry and you have energy reserves to spare.
