art blog

Extraction (2021), linocut on paper, edition of 5+AP

How do we engage with extinct ecologies and fossil life? Study or consumption? Discovery or destruction? In answer, this print juxtaposes an azhdarchid pterosaur, recently proposed to be a top predator, and an oil derrick.

Fractal Ammonite (2024), foil lithograph, edition of 2+2AP (available here)

Update: new print series preview + art fair!

so i've been absent from here a lot, and not just because of social media disillusionment: for most of the past several weeks i was at a residency working on a large portfolio of tiny etchings. the images above are just a small sample of the whole series (it's an alphabet of extinct animals), and i plan to officially release all 26 prints in just a few weeks at the Brooklyn Fine Art Print Fair.

the fair will be at Powerhouse Arts in Gowanus, Brooklyn, from April 9-12. i'll be there at least one of the days, with these prints and more for sale at the Shoestring Press booth. it's going to be an awesome weekend of art and community, so please come by if you're in the area!

Probelosodon (2026), foil lithograph, edition of 2+2AP

the first print from my residency at Women's Studio Workshop! this is based on some drawings in my sketchbook from a museum visit; initially just a test for the litho technique i would go on to teach during the Art-in-Ed classes that were part of the program, but the print came out so well that i decided to make a small edition of it.

The Flock (Struthiomimus) (2024), linocut on paper, edition of 12

Quetzalcoatlus (2026), soap ground etching with aquatint

AMNH 5060 (The Flood) (2022-23), woodcut, state II, edition of 15

"This woodcut is an illustration of an Edmontosaurus mummy, about to buried by the flood that will preserve its desiccated carcass for the next 66 million years until being unearthed by paleontologists and put on display at the American Museum of Natural History, where I drew it in early 2022. Two Cimolopterygids, extinct relatives of modern birds, rest in the water unconcerned by the oncoming flood."

Auk (2026), soap ground etching with aquatint

Golden Toad (2026), soap ground etching with aquatint

The Dragon at Rest in a Garden (Mei Long) (2026), lithograph, edition of 4

fun fact: all the leaves in this print are actual leaves collected from city parks! gingkos and redwoods have existed since the Mesozoic and are popular ornamental trees, so it was both thematically appropriate and easy to obtain the leaves to use as stamps on my stone.