another day of wanting to read a stupid sequel to a stupid book about stupid rabbits
hazel-rah i miss you
holly i miss you
uuuuuugggghhhhhhhhhh
FRITH IS REAL
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@crierthrice
another day of wanting to read a stupid sequel to a stupid book about stupid rabbits
hazel-rah i miss you
holly i miss you
uuuuuugggghhhhhhhhhh
FRITH IS REAL

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Maybe if I wish hard enough, I'll wake up in the timeline where C.S. Lewis wrote an eighth Narnia book, centered on Susan and her journeying through different worlds to reunite with her family.
I still want Andrew Ketterley dead.
no bc this movie is so funny. why is miraz’s first response when susan and peter barge in as caspian is demanding if he killed his father with a sword to his throat, “This used to be a private room.” like he’s so unserious 😭
I find it hard to believe that after returning to England the first time Lucy Pevensie never acquired a switch blade and stabbed someone and got away with it.

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Something that really hit me in the feels as I watched AOR after the movie was the way dreamfasting was presented. Like how in episode 1, dreamfasting is this personal, intimate moment between Rian and Mira and in general is just super important to all Gelflings. Especially since, from what I've read, it was taught to them by Aughra - the very embodiment of Thra.
When Jen and Kira dreamfast in the movie, they do so by accident - and this ability was so important to their people, almost lost because of the skeksis and the Garthim War. If I remember correctly, Jen didn't even know what was happening, Kira had to explain it to him. If they'd never met or if one of them hadn't survived, this part of their history, of Thra's history, would have been lost forever, along with the rest of the Gelflings.
There's so many things in the movie that are just made 10x worse/better (depending on your view) after watching AOR netflix I will never forgive you.
Experimenting with my art style :) some Jen and Kira character design
Wanted to focus on getting their vibes and main characteristics down so drawing them becomes easier and clearer + some extra doodles
Whatever you call the world-building trope that described the Hobbits from LOTR and the Podlings from TDC. That's my favorite fantasy trope.
"There was a boy called Eustace Clarence Scrubb, and he almost deserved it." is one of the greatest character introductions of all time.
Listening to the Oh Hellos and figuring out which songs best represent various Narnia characters
Peter - Pale White Horse
Susan - Wishing Well
Edmund - Dear Wormwood
Lucy - Soldier, Poet King
Caspian - The Valley
Eustace - ...do you even have to ask?
Lilliandil - Constellations
Rilian - Thus Always To Tyrants
Shasta & Aravis (yeah i'm pairing them up for this one bite me) - Soap
Bree - Grow
Corin - Second Child, Restless Child
Digory - This Will End
Polly - Hieropglyphs
Tirian - Glowing
I'm also going to cast a spotlight on Torches, simply because, after delving into the meaning behind the lyrics... I feel like C.S. Lewis would have benefitted from listening to it, had he been able to.
Feel free to comment with other characters and what songs fit them.
Small addendum:
Jill - The Truth Is A Cave
("But I was blind to every sign you left for me to find" I MEAN COME ON NOW)

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I hope everyone had a lovely pride month ❤️
Fics I thought I'd seek out after the finale: Caine & Kinger father-son bonding, Abstragedy, fix-it fics for Jax, back-up AU stuff, etc.
Fics I ended up reading: Caine & Zooble friendship fluff
another day of wanting to read a stupid sequel to a stupid book about stupid rabbits
hazel-rah i miss you
holly i miss you
uuuuuugggghhhhhhhhhh
Holy crap, I didn't realize Miis could literally become "ex-friends" - I thought they'd just go back to being acquaintances.
So I just watched the latest Glitch short
YEAH IT DOESN'T FEEL TOO GOOD, NOW DOES IT CAINE?
(don't worry I still love you)

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Yapping about Narnia
This is very much a post made for ME, sorry.
I originally wanted to post this tomorrow but considering uh DELTARUNE TOMORROW I decided to just get it out of my system here and now.
So. Tomorrow, the 24th, is the one year anniversary of my Gymnasium English exam (Gymnasium is sort of equivalent to High School... in a way), where I had to read and analyze an excerpt from The Magician's Nephew. Which I then basically took as a sign that I should finally get around to reading the series.
Lo and behold, a couple days later I wandered into a bookstore and found the entire completed Chronicles of Narnia halfway falling out of the top shelf because it was way too big to fit. I pulled it out, found the excerpt I had to analyze and read the chapter to get context and then I
put it back.
A few days later I returned to buy it though. And then I just... started reading. It was actually the first time in a long time that I had been reading for pleasure rather than schoolwork.
Anyways, Narnia means so much to me dude. It's literally been part of my life since I was 4 or 5, watching the 1979 cartoon adaptation. Funnily enough, I had no idea that the Walden adaptations existed until I was 12 and we had to watch LWW in school, where I legitimately though we were going to watch the 1979 version until live action people appeared on screen.
I'm really trying not to get too sappy, but it has had such an influence on me and my writing, in ways I'm sure I'm not even aware of. The imagery is actually some of the best I've ever seen in fiction and the series is my go-to example for bright fantasy, which I have been sorely lacking in my life.
Notes on The Horse and His Boy
Bree is afraid of lions because he hasn’t lived free in Narnia. While in Calormen, he learns to fear lions (understandably) because they are wild, dumb animals. It isn't until the end of the book that he develops an appropriate respect of the Lion- one that isn't afraid but does approach Aslan with awe.
Aravis is noted to be a masterful storyteller, because in Calormen, the art of storytelling is something children are taught. I would love for this to be something all schools emphasized- like, yes, essay writing and debate teams can be interesting and important. But I don't think it should come at the expense of being able to craft stories and write (or speak) in a narrative style as well.
Hwin is my favorite character. She is so gentle and humble, especially in comparison to the ever confident Bree. She can be timid and shy, but nine times out of ten she is right. And even though Aravis isn't always the nicest person, she does care so much for her friend. To me, she came across as kind without being overly sweet and unrealistic, and I appreciate seeing that in characters.
"One good deed leads to a bigger and harder one" ugh you got that right. After I do something good I think I deserve a break. But no. Along comes something even more challenging.
When Aslan first reveals himself to Hwin, she runs up to him and shyly says, "You may eat me if you'd like." The entire book they've been on the run from lions, and when she finally meets the Lion she suddenly isn't afraid anymore. She's willing to go through a painful death if it means she'll get to be close to him just once. Getting eaten by Aslan would be far better than living and never once meeting him. But there's also such a gentleness to it- I get the feeling that Aslan would take such care and love with eating Hwin, if that is what he decided to do. I'm probably not making any sense here, am I?
Aslan says, "Do not dare not to dare" and I love that. Keep daring my friends. Keep following your reckless dreams. Don't let the world or your fears tell you no. Do not dare not to dare.
And finally, all throughout the book, Aslan keeps appearing. He's the lions chasing our protagonists to make sure they meet up together. He's the cat keeping Shasta company in the tombs and scaring away the ghosts. He's the lion who gives the horses the speed they need to reach Archenland in time, and the one who justly punishes Aravis for her cruel treatment of her servant. And of course, he's the voice guiding and accompanying Shasta on his journey. Wherever they go, even if they aren't in Narnia, he's with them and he's giving them exactly what they need.
Regarding the second point (going into a bit of a rant territory with this one, but bear with me):
This bit from the book is quite funny, but it actually really resonated with me, because I've always loved telling/writing stories and in 7th-9th grade (I'm from Denmark, 9th grade is mandatory), many of the training sets for the Danish written exams included assignments with creative writing. Like they gave you a prompt and you had to write a short story, stuff like that.
Those assignments were my favorite to do, I loved flexing my writing muscles, but as time passed, they appeared less and less frequently in the training sets, presumably because it wasn't practical or useful or something like that. I even talked with my teacher about it and she was also frustrated that they were removed in favor of assignments that just said "Write a text about x". Not essay, not article, just... write a text, whatever that means.
So I really love that storytelling at least is considered a beautiful tradition and skill to have and even more that it is attributed to Calormen culture, considering all the other racism and xenophobia stacked against it. And also makes me love Aravis as a character even more.