C r e m e F e m me

For my propaganda, I built totalitarian machine hearts. The poster I showed at critique received positive remarks on its monochromatism, complexity, and story; constructively, some peers who liked the piece ultimately wished it did more, either through the use of more shades of red/pink, the addition to or deletion of whole objects (like the microphone covering the mouth), and even someone who had thought the story didn’t have enough breadth of focus, or at least not as much as the original draft they had seen before. Decidedly, I sympathized with most all of my critiques, even more so than those of my positive remarks (sometimes, when viewers project an image unto a work, you get the urge to agree), and so I had a lot of ideas come to mind following critique. I had the opportunity to apply these changes to my poster after critique.

lately i feel robotic and like there is no way for emotion to find its way to me. I am so unmoved, robots feel more than i. And, taking over the world, will force everyone to love...or die. also a metaphor for growth of technology and authoritarianism

car jpg!!!

pentrace 1-2!!

i made the third bear a little cuter <3

propoganda draft poster 1

medium: AI

“Long Live Cesar”

This is what I tried for it to look like. Soon I’ll find out how to retain image and color quality.

Illustrator ai skull design practice

Can I say it went better than expected if I didn’t expect anything to begin with? The feedback I received was not unlike what I’ve been told in the past about my poetry. Using more materials and ones with more definition would bring my piece to its conclusion. I think given four more hours, I would have been happy leaving this project for my grave.

self portrait finishe

pattern stamp tool exercise

just start!