CoZuK

A letter from Akira Kurosawa to Ingmar Bergman.

"The Accidental Anarchist" - Carne Ross

Gilles Deleuze envisioned a transition from Michel Foucault’s enclosed disciplinary societies to “societies of control” that superficially appeared more open and amenable to free movement. Power is no longer only exercised through the top-down power structures, but is increasingly manifested in the cloud’s capacity to include or exclude. In an excellent analysis of round-the-clock capitalism, Jonathan Crary argues that while indeed now that our lives are organized by machines, a perfect storm awaits us; rather than one evil (technological determinism) replacing another (the boss), Deleuze’s society of control actually enhances Foucault’s disciplinary society and accelerates us towards a hyper-monitored world, where the all-seeing, all-knowing managerial dashboard keeps us in check by making use of computerized panopticons.

El 'Manifiesto redneck' diagnosticó, hace ya 20 años, la frustración clasista que ha llevado a Donald Trump al poder.

En pocas palabras: pagar impuestos religiosamente y redistribuir la riqueza. No hay milagro alguno.

The leftwing Greek economist and former minister of finance tells a startling story about his encounter with Europe’s ‘deep establishment’

Charles Bukowski

One night in 2002, a friend gave Jorge Drexler the chorus to a song and challenged him to write the rest of it using a complex, poetic form known as the "Décima." In this fascinating talk, Drexler examines the blended nature of identity, weaving together the history of the Décima with his own quest to write one. He closes the talk with a performance of the resulting song, "La Milonga del Moro Judío." (In Spanish with English subtitles)

Frank Westerman

This color photo is from 1909 !!

42 university: https://www.42.us.org/

William Morris, "Useful Work, Useless Toil" (1885)

Pascal Bonitzer

The group formed in Zurich in 1978 under the name Kleenex, with a line-up of Regula Sing (vocals), Marlene Marder (Marlene Marti, guitar), Klaudia Schiff (Klaudia Schifferle, bass, vocals), and Lislot Ha (Lieselotte Hafner, drums).[1] After releasing an EP in Switzerland, the band were signed by Rough Trade Records and released their debut single "Ain't You" in November 1978.[1] In early 1979, Sing joined the Mo-dettes, and was replaced by Chrigle Freund.[1] who was later replaced by Astrid Spirit (Astrid Spirig). Second single "You" was their last under the Kleenex name as the threat of legal action by Kimberly-Clark in 1979 prompted a change of name to LiLiPUT (Kleenex being a proprietary brand in Switzerland). The band released two further singles, both of which were hits on the UK Indie Chart, before releasing their first, self-titled album in 1982.[1] A second album, Some Songs, was released in December 1983, by which time the band had split up