Life and Whales

Highlights include:

For your first two years (when you were small) you lived in a foster home with people who raised you into a very polite young man. Two is like you plus me, that's what two is.

Some people adopted you before me and they called you Timmy (which is a stupid name) and they returned your ass almost immediately because you were so annoying at that age.

Like think about how annoying you are right now at seven years old, but way worse.

I'm better than them though, I don't call you Timmy and I wore earplugs to bed for three years because you love to scream at bedtime. Earplugs are like when I roll over and go back to sleep even when you are yelling so so so loud.

I got you at a time in my life when I was really sick (being sick is like when I'm up late because I'm throwing up and you are a very handsome good boy who sits with me) and they had to put me asleep for a procedure. A procedure is like what happened to you when they put you asleep and took your balls away.

It has come to my attention that some of you have never seen what I firmly believe to be the greatest music video of all time: Bonnie Tyler’s Total Eclipse of the Heart. It is the perfect marriage of a galactically bombastic power ballad and a writhing mass of 1980s video clichés, thrown into the path of a wind machine and blasted down a moodily lit corridor into the realm of legend.

In case you’re wondering what the heck they were thinking of when they made it, I remember Bonnie once explaining on TV that it’s about the dreams of a headmaster’s daughter, hence all the boys in (and out of) uniform. In retrospect, the whole shebang is quite fascinatingly female gaze-y, and I’m pretty sure it was a major formative influence on my pubescent imagination.

Steinman told Playbill in a 2002 interview that he wrote “Total Eclipse of the Heart” as a vampire love story. He said its original title was “Vampires in Love.”