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I commissioned this piece from the unbelievably talented Hotwe, who is one of the most intelligent, thoughtful, deliberate artists I've ever had the pleasure of working with. I cannot express how grateful I am for the kindness shown towards my imaginary dolls at every step of this process. Thank you! <3
This is a paired piece to this one, also by Hotwe, which I commissioned immediately after finishing Inquisition for the first time. Once I finished Veilguard and filled out how the story ends for these two, I knew I desperately wanted the other half of this diptych.
Close-ups and lengthy notes on the incorporated symbolism are below the cut.
Where the first piece was much more somber and determined, I really wanted this moment to feel triumphant (if not unreservedly happy). These are two people at the end of a long war with each other, and moving forward doesn't mean erasing the road before.
Some notes in no particular order:
Solas's hands are now open, releasing the hard and inflexible grip he had in the original piece
The constellation is Fervenial, the Oak, for its associated concept of Vir Tanadhal: "fly straight and don't waver, bend but never break, and the idea of balance. ...The imagery of the hunter (Adahla) metaphorically striking like a bolt on Solas' plans and forcing a reframing of the lightning/smite-y/fate concept of Fulmenos into a concept of balance and growth/organic/spring" - straight from the artist's massive brain
(I've written about why constellations & stars, especially Fulmenos, are important to them here)
Red embrium leaves for healing
Spring growth for seasonal change
Solas, being pushed forward by the strong wind behind him, is finally able to stop thanks to Adahla's pressure
Adahla's dress is inspired by this statue (San Joaquín, Santa Ana y la Virgen Niña by Juan Alonso Villabrille y Ron), but has been reworked with Dragon Age motifs and emblems
The gold vines are from my post-Veilguard fic for them, The Heart Where I Have Roots
I plan to do one more post with both of these pieces together as soon as I can; their journey's been messy to the max, but it honestly brings me so much joy to know they've landed somewhere like this, and I'm again so thankful to Hotwe for bringing that ended war to life.
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The pages of this book - memory? - describe a pair playing, colliding in the air, bodies formed for kissing, stroking, lines of heat as molten as the sun. The dance is fluid, roiling, never ending, lovers tangled in a laughing knot that rolls on for years, a promise never to be parted, whatever ages come.
An annoyed thought intrudes, from one who marked this memory after it was recorded: “By the gods, find a private chamber!”
Inspired by this text from Trespasser and the marble statue The Waltz, by Camille Claudel, c. 1895.
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SOOOOO NORMAL ABOUT THEM. SO NORMAL. LOOK AT THEIR FRECKLES (BOTH OF THEM YES). yes it’s based on the piece by joe bowler. (by @lethallana) close-ups under the cut.
Solas has lost a friend, a spirit of wisdom taken by mages and twisted into a demonic form. The spirit was beyond saving and Solas was forced to release it into the fade, scattering its being to the winds of change. Gone. Now he must process the injustice, and grief and anger hit hard.
“Solas?”
“Andraste’s balls it’s cold -“
“You needn’t grieve alone Solas.. if you do not wish to. I am here if you need me.”
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God damn Dragon Age and their god damn beautiful scenery and their god damn heart wrenching tragic romance. I feel compelled to draw all the moments of dialogs that happen in my head but not in the game because I need more of these two ;_;
In the rotunda, it is past 2 am. Inspired by Sola’s tales and her desire to improve her knowledge for the fight, the Inquisitor wished to apply herself to the study of the fade. Lulled by the candle light and the soft pat of Solas’s feet as he paces in thought, Lavellan slips into a comfortable slumber.
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