Chirp, chirp

Types of Sleeves Infographic from Enerie. 

*3 images because Tumblr still cannot seem to host clear and sharp images of vertically long images.

Writers continue to reblog these infographics for their useful terminology. If you’ve missed any here they are:

Know Your Bras Infographic

Know Your Collars Infographic

Know Your Hair Buns Infographic

History of Hairstyles Part 1 Infographic

History of Hairstyles Part 2 Infographic

Fashion Pattern Vocabulary Part 1 Infographic

Fashion Pattern Vocabulary Part 2 Infographic

Know Your Sunglasses Infographic

Know Your Shoes Part 1 Infographic. Lobster Claws anyone?

Know Your Shoes Part 2 Infographic

Know Your Necklines Infographic from Paper Blog

Sleeves and Necklines Infographic

Know Your Hats Infographic

Know Your Collars and Cuffs Infographic

Know Your Necklines Infographic

Know Your Skirts Infographic

Know Your Nail Shapes and What’s Popular on Instagram Infographics

Know Your Eye Liners Infographic

Know Your Wedding Dresses Infographic

We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.

Here’s the missing part of this tutorial:

How do you populate your backgrounds?

Well, here’s the answer:

If the focus is the environment, you must show a person in relation to that environment.

The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.

How do you fix this?

Well, here’s the simplest solution:

This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.

From Blacksad (artist: Juanjo Guarnido)

From Hellboy (Mike Mignola)

Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.

I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!

Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!

Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)

The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.

By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!

Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.

We can even quickly and easily expand this scene to include more characters!

Great news, they were stabbed

My all time favorite animal. The red-bearded vulture.

The bearded vulture, or lammergeier, lives on a steady diet of bones (more specifically the marrow) and dyes its own feathers blood red.

Bearded vultures come in various shades, from pure white to orange-red. Soils stained with iron oxide give the birds their fiery appearance. Lammergeiers apply the dirt with their claws and then preen for about an hour to ensure a bright orange/red glow. They are also attracted to other red things, like leaves and red wood. Captive birds also partake in this behavior, which suggests the activity is instinctual, not learned.

The soil doesn’t have any practical purposes; it certainly doesn’t make for good camouflage (though the birds have no natural predators anyway). Scientists have noticed that the birds’ age and size are directly correlated to the intensity of color. It is theorized that the hue is a status symbol. More soiled feathers indicates that the lammergeier had the time and resources to find an adequate place to bathe; the brightest-colored vultures should have the most territory and knowledge of their surroundings. Interestingly, these baths are done in secret, so most of the information gathered has been through spying on captive birds.

Bearded Vultures are most commonly monogamous, and breed once a year. Sometimes, especially in certain areas of Spain and France, bachelor lammergeiers will join a pre-existing couple to create a polyandrous trio. Females accept secondary mates because it increases the chances of producing offspring and doubles her protection. The birds usually don’t lay more than three eggs, so they can use all the help they can get.

These giant birds can grow up to 4 feet tall. They have a wingspan between 7 and 9 feet and usually weigh around 10 to 15 pounds.