š A new episode of my comic Green&Gold is out!
G&G Website | Tapas | Animexx (GER) | WEBTOON (EN) | WEBTOON (GER)
---
My Patreon | Ko-fi | Green&Gold (Comic)

izzy's playlists!

Discoholic šŖ©
noise dept.
wallacepolsom
KIROKAZE

PR's Tumblrdome
𩵠avery cochrane š©µ

ā
todays bird
Sade Olutola

ellievsbear

@theartofmadeline
Peter Solarz

shark vs the universe
cherry valley forever

2025 on Tumblr: Trends That Defined the Year

h

seen from United States
seen from Malaysia

seen from Germany

seen from Saudi Arabia

seen from United States
seen from Brazil
seen from United States
seen from Sweden
seen from United Kingdom

seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from Brazil

seen from United States
seen from United States
seen from United States
@lisadorina
š A new episode of my comic Green&Gold is out!
G&G Website | Tapas | Animexx (GER) | WEBTOON (EN) | WEBTOON (GER)
---
My Patreon | Ko-fi | Green&Gold (Comic)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Brooding Piet. A new G&G episode is out!
G&G Website (GER+EN) | Tapas | Animexx (GER) | WEBTOON (EN) | WEBTOON (GER)
---
My Patreon | Ko-fi | Green&Gold (Comic)
Thinking about Matze from G&G. Here he is in his flat when he's not at school. Worrying about something.
Donāt mind me. Iām just trying to see what it looks like to upload here again. Do you still use tags? I guess so.
just a couple merbros @lisadorina
LOOK AT THEEEEM!! @wonderarium: Goldfishs size is good, he could be even smaller and Mack looks sooo good here! When heās with Felix, heās like the cute/derpy one but here heās the hot one // love his dark colors! and how you did the klimtish scales ā„ thank you so much!! Mack: hey shortie Goldie: yeah I know Iām cute
even smaller?
uh oh
this turned out weird and Iām also sorry
this turned out wonderfully and also bless you
oh god i was not mentally prepared to see mack in your style and its only monday but its made my whole week.
nooo donāt!!! While I was drawing him I was thinking about how hard I suck hahaha I love your style, especially your colors are so vivid and beautifully saturated (I cheekily (?) colorpicked Macks colors and was like āhis skin is buuuurning in a good wayā)!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
just a couple merbros @lisadorina
LOOK AT THEEEEM!! @wonderarium: Goldfishs size is good, he could be even smaller and Mack looks sooo good here! When heās with Felix, heās like the cute/derpy one but here heās the hot one // love his dark colors! and how you did the klimtish scales ā„ thank you so much!! Mack: hey shortie Goldie: yeah I know Iām cute
even smaller?
uh oh
this turned out weird and Iām also sorry
just a couple merbros @lisadorina
LOOK AT THEEEEM!! @wonderarium: Goldfishs size is good, he could be even smaller and Mack looks sooo good here! When heās with Felix, heās like the cute/derpy one but here heās the hot one // love his dark colors! and how you did the klimtish scales ā„ thank you so much!! Mack: hey shortie Goldie: yeah I know Iām cute
Is the rope next to the wreath a metaphor for Tim's responsibilities and other people's expectations of him tying him down? Or is it just there to be there?
Welp, the āropeā is just a gym bag and wasnāt specially intended to have a symbolic meaning. But I got the same question from other people too so you werenāt the only one feeling weird looking at it! ;; Sometimes stuff you draw turns out unexpectedly different than it should be XD; Innocent school supplies become metaphors ā¦. but the āropeā kind of fits nevertheless as a symbol of being trapped? something like this
@lisadorina I made a little animation based on your fishboy
Ohhh myyyy, this is the cutest thing ever?!??!?! X____X/// aƶlskdfjdjgljgj Look at this precious baby!!! HEāS BOUNCING! Love his golden colors ;o; THANK YOU SO MUCH, DEAR!!! (now, this is a way to get a day started ....)
Hallo :) Ich habe deinen Blog gerade erst entdeckt und woow, dein Stil ist so süĆ! <3 Ich bin erst 15, aber ich mƶchte selbst einmal Kinderbuchillustratorin werden und ich würde dich gerne fragen wie du zu diesem tollen Beruf gekommen bist. Was muss man tun um tatsƤchlich vom Illustrieren von Kinderbüchern leben zu kƶnnen? Was muss man zeichnerisch kƶnnen? Und wie kommt man "rein"? Bewirbt man sich einfach bei Verlagen? Würde mich sehr über Antworten freuen. <3
Hallo meine Liebe! :)Es freut mich sehr, dass dir meine Sachen gefallen - das hƶrt man natürlich gern!Ich versuche mal mein Bestes, deine Fragen zu beantworten. Bei den Illustratoren und Illustratorinnen ist es so, dass es nicht den einen, richtigen Weg gibt, der zum Ziel führt. Man braucht z.B. keine Berufsausbildung, um diesen Job zu machen (soll heiĆen: Den Verlagen und Auftraggebern ist ziemlich egal, ob du eine Ausbildung oder ein Studium hinter dir hast oder nicht).In meinem Fall war es so, dass ich immer gern gezeichnet habe und mir nach dem Abi auch klar wurde, dass ich in die Kreativbranche mƶchte. Da hab ich dann ein Designstudium an der FH Münster (Schwerpunkt Illu) gemacht, was auch echt schƶn war. Noch wƤhrend des Studiums habe ich versucht, an kleinere AuftrƤge ranzukommen. Und das geht am besten auf den Buchmessen (z.B. Frankfurt oder Bologna). Da kann man dann den Verlagen sein Portfolio zeigen und persƶnlich ins GesprƤch kommen. Es ist etwas āaltmodischā, aber funktioniert sehr viel besser, als den Leuten das Portfolio unaufgefordert per Mail zuzuschicken, denn da sind die Erfolgs-Chancen eher gering.Was man zeichnerisch ākƶnnenā muss, ist āne schwierige Frage. Jeder hat ja seinen eigenen Stil. Am besten guckst du dir einfach mal ganz ganz viele verschiedene Kinderbücher an. Da wirst du sehen, dass viele Bücher auch sehr simpel/naiv illustriert sind und man sich denkt ādas hƤtte ich zeichnen kƶnnen, als ich 10 war!ā - aber sie sind trotzdem erfolgreich und die kleinen Leser lieben die Bücher. Das Un-Perfekte hat natürlich auch seinen Charme ;-)Das kann man also nicht pauschal beantworten.Was kann ich noch erzƤhlen? Man muss sich im Klaren sein, dass man meistens allein arbeitet - damit muss man zurecht kommen. Man ist natürlich sein eigener Boss. Das ist manchmal sehr schƶn, aber wenn man irgendetwas nicht hinbekommt oder sich verkalkuliert, ist man natürlich auch selber schuld!Ā ;)Ā Es ist nicht immer alles so āblumig und schƶnā, wie sich alle den Beruf vorstellen. ā¦.Aaaaber bisher ist bei mir kein Ende in SIcht und ich freue mich auf jedes neue Projekt! :)Wenn du noch mehr Infos brauchst, schau auch ruhig mal bei der Internetseite von der āIllustratoren Organisationā rein - da sind auch massig Infos über den Beruf!Ich hoffe, das hilft dir ein bisschen. Liebe GrüĆe, Caro
Eine tolle Antwort zum Thema Kinderbuchillustrator/in sein! UvU

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
by storyboard supervisor Erik Fountain
A few years ago, Erik put together these updated AT storyboard guidelines for new board artists and revisionists.
Some great tips to keep in mind if youāre learning to board!
Sometimes you just forget
With all the self-improvement mantras and trying to always be better and all the self criticism that comes along with it ā¦.
Screw it .
Just draw what makes you happy .
Thatās fine if you feel the need to have a goal for the sake of finding a job or fulfilling a personal goal. If that makes you happy , thatās great .
But man , when you have a job and donāt have time to draw for yourself like you used to , sometimes you just want to have fun with it and not give a crap .
Itās not like you picked up a pencil when you were a young child and decided to be all disciplined all of the sudden . You did it to have fun and create with that inner , unadulterated mindset .
Make it crappy . Make it embarrassing . Make it how you would do something. Give yourself some permission for once ! Have fun !!!
Hey Charlie! First off, I adore your art. It gives me all the feels. Secondly, since you're primarily a self taught artist I'm wondering if you have any resources you strongly recommend for someone hoping to someday have a similar job to yours in concept art? If you've already answered this question just let me know and I'll comb through your blog to find it!
ESSAY IMPENDING.
I think, along with resources, Iād always recommend having a good idea of what āareaā you want to work in too. My job is kind of a strange one (in that itās an house job but weāre not producing the games or films or actual products.) We are a step in the production line. I get to be part of sweet projects, but also I get to be part of many⦠Iām not locked into whatever a studio might be making for 2 or 3 years etc. My fingers are in a lotta pies.
The reason I say that is because a lot of people coming into concept will likely need more skills than I have. I am 95% a 2D artist. I work with 3D but very rarely, and not enough to know the inns and outs. I like 2D⦠and I consider illustration to be the sweetest spot of all the work I do, so Iām quite happy with that balance (and Iām an old fucking curmudgeon and I donāt wanna learn no 3D.)
If you went for a traditional role in a games studio, it will probably be more expected for you to be fluent in 3D. Not always of course! But itās likely another good skillset to have. Purely 2D (just art focused) roles are not something that I see as often as mutiltasking roles. Which makes a lot of sense. 2D art is often mostly needed at the beginning of a project, and briefly at the end. In my seven years at Atomhawk Iāve seen a lot of people in other studios laid off, and a lot of studios go under. So, multitasking roles mean people will always have something to do.
APOLOGIES. IāM SOUNDING A LITTLE DOOM AND GLOOM. Great jobs exists! People will always make cool stuff!
Iām very much a jack of all trades and my job demands a lot of different things: characters / turn arounds / outfit designs / expression sheets / illustration / marketing art / pitch art / but itās all primarly focused around characters. So. If characters are what you want - look into that! I would say that when it comes to apply for / getting work etc, we always love to see range. If someone isnāt showing me all the process behind their work itās likely the first thing Iām going to ask for when it comes to an interview. I think if you have shiny work (on a freelance basis) a client would have enough confidence in the end result. But for a production role like mine, I wanna see that stuff.
Rough sketches through to shiny polished work. The whole lot. I want it all. I want to see peopleās thinking! Iām rambling.
First of all: be able to draw well. Know your characters. Know your figures. Know your anatomy enough to make it convincing and be able to twist it when you need to. We get a lot of people who apply, who, quite simply (donāt hate me) are not good enough yet. We have people who work in tons of different styles and methods but at the heart of it, they can draw well.
DESIGN. Mother of god. Design. Drawing well is the first step, but you also have to have that creative flair to be able to come up with ideas and be able to sell them convincingly. Drawing the thing is only half the battle. No one wants a beautifully rendered character wearing the most impractical / boring outfit youāve ever seen (just an example). Thinking logically about design is something Iāve seen underestimated many times over the years. In fact, Iād go as far as to say itās more important that someones drawing abilities. When it comes down to it, drawing is just the tool to represent the design.
Resources wise: the internet is your oyster! Cast a wide net. Create the kind of work you want to do but also push yourself. I think the results are usually better when artists find an area theyāre good in and the push the boundaries of that. Better than trying to be a jack of every single trade possible. Donāt have an awesome portfolio full of character work and then think āoh, wait, this is just characters, maybe I should stick a fucking car in there too?ā YOU KNOW? Do what you do - and do it well.
Briefly just a few of the things that helped me most: any massive black videos you can find. Mostly for process. Jason Chanās videos easily had the most impact for me, both in learning how to improve my process and painting the kind of characters I wanted to. Micheal Hampton and Mike Mattesi (force) for anatomy and energy in poses. Your peers! Your favourite artists in the industry at the moment! The places and people you will learn the most from are always so very individual.
Shit that was long. Good luck!
Look at what the postman brought today ā„ I ordered one copy to check how itād look like. The print looks great *^* Itās such a good feeling to physically hold the story in your hands!!Ā Watch a video of me flipping through it on Instagram: here You can still order your copy here (in German): Click
Hello! I've been following you guys since I was a teenager (when you guys also would have been teenagers!) and I remember you wrote a post once on whether you were sure the animation industry is what God really had in mind for you, or something like that. Well, I suppose I'm going through the same thought process now. The industry seems like an impenetrable fortress at the moment. What I want to know is, what's it really like on the other side? Are you happy?
Weāre so sorry this took forever to answer! Weāve been so busy that we havenāt had the energy to write an answer for those more thought provoking messages.
Youāre right! There was a post or two with those concerns in mind. Donāt know where it is now, but itās somewhere in the archives.
Any Christian who knows how important it is to walk with Christ also knows the importance of being the best you can be for Him and others; to truly show His love and compassion. But the question always seems to be for the Christian ,Ā āIs this where He wants me to be? What area of work would best be fit for my growth as a Christian?ā Ā Thereās this mentality that the entertainment industry is not exactly the first place a Christian should be offering their skills to. They should be in the Church, or going on Missions or other jobs that appear to be a more hands on effort for reaching the message of Christ and āusing our abilities for Himā. Sure, itās encouraged, but God would just be counter productive if he only used His children to be confined to areas of the Church . God will find the most resourceful way to use you for His Glory because He is a creative God who will NOT limit the use of our abilities. Sometimes that means going into the belly of the beast. Give it some time and lots of prayer. The thing is, you never know where youāre going to end up, but when you know youāre in the right place, you will have peace about it!
Itās no hidden secret that the majority of people who work in the entertainment industry are not very keen on Christians in particular, despite it containing people who claim to be accepting of people who have different in beliefs. We know weāve had a few experiences where people would send us rude comments, messages, or just go out of their way to ignore us simply because we have God in our profile. And this has happened with a few people in animation as well. We havenāt even actively said anything thing to anyone except put a three latter name in our bio. And it usually never fails that we lose followers on social media even after some kind of post that mentions anything in the slightest bit about God. Not to say that people on the other end havenāt experienced negativity from Christians who were un-Christ like in their execution of their differing beliefs either, but more or less, we are very few in this industry. And if there are more Christians actively working in the industry, sometimes they donāt want to risk their career and connections because of their belief, so they keep God more under wraps. Ā
So what is it like? Itās been fine, but sometimes it feels lonely. But we have met a few that we can comfortably have conversations with regarding God. But we have also come to know and care about those who donāt know God, and have become what we would consider our friends. We can just simply show our love and pray for them that they may find God. Use your abilities that will be portrayed positively. It doesnāt have to be that you need to be drawing pictures of Jesus or walk around with a Bible in tow everywhere you go. But your actions and sometimes your answers to certain situations can really be a defining trait that people will make the connection with if people know about your faith in God.Ā We believe God is leading us somewhere. And He is leading you somewhere too. This is just one pit-stop to another destination in our life. He has the master plan. And itās not always easy, but God will be there to guide you in your steps and lead you where He knows itās best for you. Trust us, we did a lot of praying too and had doubts as well.
As for being happy? Well, weāre doing pretty okay! Happy is kind of a broad term for Ā something that seems like we need to experience 24/7. Because like any human, weāre not always happy. We have our rough days, days of doubt, anxiety, sadness, frustration, confusion, etc. But we can have Joy and seek Peace knowing the God is with us and that we can rely on Him .
One of our favorite verses because in times of uncertainty, there is Hope. We just need to trust.Ā
Proverbs 3:5-6 (New King James version)
Trust in the LORD with all thine heart; and lean not unto thine own understanding.
In all thy ways acknowledge him, and he shall direct thy paths.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Some good tips about comic lettering from Nate Piekos of Blambot.com
Takes 5 minutes to read. Please check these out guys!
Hi! I'm not sure how to ask this exactly but--how do you hold on to your OCs? I make OCs and I love them but then I abandon them after a few days and make new ones, I guess because I just feel like there's not enough substance in the characters/storyline for them to stay interesting? How do you keep coming up with situations/etc for your OCs so they're still interesting and you keep them? Thanks, and I love your art! <3
I think the story is important, I think making them āliving and breathing peopleā is important. Turn them into someone youād like to meet and befriend, or someone youād hate but whoād still fascinate you.Or you can give them something from yourself, not necessarily the traits everyone can notice but something thatās deeper and not everyone has access to (maybe just you have it.) There are different people living inside us. Sometimes we want to tell something but we are too shy or too polite, or too indifferent, but what would happen if the character wasnāt, if he or she was saying what we keep for ourselves. I put a lot of myself into my characters, Iām as stubborn and anxious as Anna, I love being creative as Emilia, Iām secretive like Remington, or sarcastic like James. But there are many things I wouldnāt show that I show only in my OCs, for example my flirtatious side in Remington xD The rule that you should construct characters as different from you as possible is rubbish (and Marry can sue meā¦) You can also base your characters on people you know. When you know your characters itās easier to come up with the situations you can throw at them :)But I guess giving them the world they can live in and that make them act is also important. If every character you create is a cool rebellious teenager who needs to fight with evil forces and doesnāt have any potential to evolve through your story then whatās the point of creating it? Do you want another pretty face to love for a few days? Think about your characters (mine donāt let me sleep sometimes xD) how would they act in a certain situation? What if they act differently? I usually keep my OCs in their stories and try to figure out the whole plot, sometimes I write down their dialogs. Every time I come up with something funny or smart I feel this weird excitement and itās great! :D Be excited about your characters, create them for a reason.