THE PITT (2025ā) S02 | E15
wallacepolsom
Peter Solarz
$LAYYYTER
we're not kids anymore.
Fai_Ryy


Kaledo Art

oozey mess

titsay

Kiana Khansmith

Andulka
Xuebing Du

Product Placement

Janaina Medeiros

izzy's playlists!

@theartofmadeline

ellievsbear

ā
NASA

seen from United States
seen from United Kingdom
seen from United States
seen from Malaysia
seen from Chile
seen from Malaysia
seen from Chile

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from Canada
seen from United States

seen from Germany
seen from Singapore

seen from United States
@contradictivs
THE PITT (2025ā) S02 | E15

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Bruce Abbott as Dan Cain ā³ RE-ANIMATOR (1985) dir. Stuart Gordon
sendĀ Ā āĀ whoĀ didĀ thisĀ toĀ youĀ ?Ā āĀ forĀ theĀ senderĀ toĀ findĀ theĀ receiverĀ injuredĀ andĀ demandĀ toĀ knowĀ whoĀ didĀ it.
ryderās pitt verse is so easy but my biggest concern is would he be besties with the interns or not
ryder surviving those firefighter shift on nothing but an energy drink & a dream

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bedroom's upstairs. let's go. ( from teddy )
Ryder knows that he must look just as rough and exhausted as he feels. He barely registers anything other than his desire to make it to his bed or couch, it no longer matters which, and collapse onto it. Maybe sleep for a solid twelve hours or until someone choice to check on him to make sure he wasn't dead. The only thing that is keeping him fully upright is the way most of his weight is pressed against Teddy's side.
Teddy who, unfortunately, has made the executive decision that Ryder actually deserves to collapse onto a bed. So they have to drag his sorry ass up a whole flight of stairs.
"It better be the comfiest bed in the world up there," he mumbles, sounding more like he is talking to himself than friend.
pov one of you is a future veterinarian
based on (x).
questions only sentence starters
if you are sending to a multi-muse, remember to specify the muse that the sentence starters are being sent for .
who . . .
ā Who are you? ā
ā Who do you serve? ā
ā Who taught you that? ā
ā Whoās really in control here? ā
ā Who are you running from? ā
ā Who did this to you? ā
ā Whoās coming for us? ā
ā Who do you think I am? ā
ā Who else knows about this? ā
ā Who are you trying to protect? ā
what . . .
ā What are you? ā
ā What do you want from me? ā
ā What are you hiding? ā
ā What were you planning to do? ā
ā What just happened? ā
ā What did you see back there? ā
ā What did you promise them? ā
ā What happens if I donāt let you go? ā
ā What are the rules Iām not supposed to break? ā
ā What happens after the portal closes? ā
where . . .
ā Where did you come from? ā
ā Where are we? ā
ā Where are you going? ā
ā Where were you when it happened? ā
ā Where does this path lead? ā
ā Where did you get that scar? ā
ā Where is everyone else? ā
ā Where should I stand? ā
ā Where did you put the body? ā
ā Where were you hiding all this time? ā
when . . .
ā When did this start? ā
ā When were you going to tell me? ā
ā When was the last time you felt safe? ā
ā When do we leave? ā
ā When did you stop trusting me? ā
ā When does this end? ā
ā When did you realise the truth? ā
ā When do things go wrong? ā
ā When did you choose this path? ā
ā When will you look at me and be honest? ā
how . . .
ā How long have you been watching me? ā
ā How did you survive? ā
ā How much do you remember? ā
ā How are you this calm right now? ā
ā How bad is it? ā
ā How did you know my name? ā
ā How far are you willing to go? ā
ā How many lies have you told me? ā
ā How do you live with this? ā
ā How are we supposed to fix this? ā
are . . .
ā Are you human? ā
ā Are you okay? ā
ā Are you lying to me right now? ā
ā Are you scared? ā
ā Are you tired? ā
ā Are you hiding something? ā
ā Are you bound by oath or by magic? ā
ā Are you trying to start a fight? ā
ā Are you always this dramatic? ā
ā Are you going to explain or just stare? ā
do . . .
ā Do you trust me? ā
ā Do you remember your name? ā
ā Do you remember me? ā
ā Do you miss them? ā
ā Do you always talk this much? ā
ā Do you have any idea what you just did? ā
ā Do you ever sleep? ā
ā Do you want me to stay? ā
ā Do you think Iām stupid? ā
ā Do you believe in fate? ā
have . . .
ā Have you eaten yet? ā
ā Have we met before? ā
ā Have you been here long? ā
ā Have you done this before? ā
ā Have you ever killed someone? ā
ā Have you been lying to me? ā
ā Have you lost anyone? ā
ā Have you forgiven yourself? ā
ā Have you always been like this? ā
ā Have you already chosen a side? ā
is . . .
ā Is this place real? ā
ā Is something bothering you? ā
ā Is that weapon even legal here? ā
ā Is this your idea of a joke? ā
ā Is this your way of flirting? ā
ā Is someone watching us? ā
ā Is it supposed to hurt like this? ā
ā Is there a way out? ā
ā Is this what you wanted? ā
ā Is it too late to turn back? ā
can . . .
ā Can I ask you a weird question? ā
ā Can you hear that? ā
ā Can I trust you? ā
ā Can you keep a secret? ā
ā Can we slow down? ā
ā Can you help me bury a body? ā
ā Can you look at me? ā
ā Can we talk about what happened? ā
ā Can you stop pretending? ā
ā Can you promise me something? ā
will . . .
ā Will you stay with me? ā
ā Will you tell me the truth? ā
ā Will this ever end? ā
ā Will you protect me? ā
ā Will they come back for us? ā
ā Will you remember me? ā
ā Will you choose a side? ā
ā Will you regret this? ā
ā Will you still look at me the same way? ā
ā Will you stop me if Iām wrong? ā
should . . .
ā Should I be worried? ā
ā Should we be running? ā
ā Should I follow you? ā
ā Should I be afraid of you? ā
ā Should we pretend this never happened? ā
ā Should I stay or go? ā
ā Should I believe you? ā
ā Should I be honest with you? ā
ā Should we trust them? ā
ā Should I have come here? ā
would . . .
ā Would you do it again? ā
ā Would you lie to protect me? ā
ā Would this have been different if I had stayed? ā
ā Would you really let me die? ā
ā Would you have saved them instead? ā
ā Would you still care if you knew the truth? ā
ā Would you leave if I asked? ā
ā Would this hurt less if I understood? ā
ā Would you forgive me? ā
ā Would you choose me this time? ā
could . . .
ā Could you survive without me? ā
ā Could this world exist without you? ā
ā Could this get any worse? ā
ā Could you teach me how to do that? ā
ā Could you be wrong? ā
ā Could you be lying to yourself? ā
ā Could you forgive them? ā
ā Could this be a trap? ā
ā Could you handle the truth if I told you? ā
ā Could you live with the consequences? ā
thinking about tender calf and ankle kisses before theyāre pulling your legs over their shoulders
ā
send ā to pick up/carry my muse
Ryder had not anticipated the Spankoffski brother's apartments turning into some kind of second home for him. He spends a large amount of time there when he is not in school or doing the usual high school senior activities. It comes as no surprise, though, that he is far more comfortable lingering around the apartment than he is quietly existing at his father's home. No matter if the man is home or not. It has come to the point that Pete doesn't even have to be with him for the young Dunbar to show up. He practically lets himself in, as well, before making himself comfortable.
@hatchethawked never seems to mind when he comes home to find Ryder in the living room or the kitchen. A new semi-permanent fixture in their lives and homes now.
"I don't think you'll be able to do it." The words come with Ted's second attempt at pulling him away from his spot on the couch. In true younger sibling fashion, Ryder has chosen to go limp and dead weight to make the process harder. He remains stubbornly impassive to the older's attempts at moving him: Half carrying, half dragging him away from the couch. "This is kind of pathetic, man."

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Ā Ā Ā Ā Ā Ā 9-1-1 SENTENCE STARTERS Ā : Ā 2x06-2x08. Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā * change pronouns / tenses as needed !
you think itās too much?
mission impossible? no?
you have pizza on the new sofa?
he is so cute.
he gets that a lot. you should meet his kid, though.
please tell me thereās a dalmatian around here somewhere.
the morning definitely wasnāt the same without you.
we love the carbs.
to be honest, i just fell into it.
the way they cared for meĀ Ā .Ā .Ā .Ā Ā thatās what kept me alive.
heās not prickly, he just doesnāt know you yet.
tell me where you are.
these are specs of chocolate and entire worlds at the same time.
my allergies are going crazy today. the index wasnāt high this morning. do you think itās a new kind of pollen?
who goes to aruba this time of year?
did these beauty queens shrink, or are we suddenly giants?
theyāre like the tiniest ladies iāve ever seen.
you smell like love!
oh, you made him cry!
would you like to hang out and watch a movie?
do you think a ghost called 9-1-1?
no one can wait forever.
hope is a tricky thing. it keeps you going for a while. but, at some point, if what youāre hoping for is never gonna happen, then itās just holding you back from your life.
itās hard to know if youāre hanging on for too long, or giving up too soon.
i think you do know. it just may take you some time to admit it to yourself.
what did you need that i didnāt give you?
i needed someone to have my back.
heās the ghost that haunts my brain.
are you some kind of pirate?
thank you, for keeping me safe.
go to sleep, okay?
the voice in my head keeps saying āmove onā.
maybe iām the ghost, lingering here when i shouldāve moved on a long time ago.
iām sure you get ignored all the time.
thatās either gonna go well, orĀ Ā .Ā .Ā .Ā Ā the other thing.
i donāt even know what that means. iām the one who brings in the mail.
i see the girl who once drank nine shots of jƤger and woke up without a hangover.
you are an eternal optimist.
you have to admire her creativity, if nothing else.
thatās my sister.
iām just trying to be responsible and well-behaved.
that was stupid, but heroic.
i was only thinking of you.
you made me hot mustard.
itās buffriday.
you were eleven. donāt you have impulse control?
for once, could you do a damn dish?
i can only hope to find something that good.
you donāt find something that good. you make it.
heās an idiot, but heās fine.
i just came to check on you.
my life is a work in progress. itās a mess. i wouldnāt expect anyone to want to take that on.
i really care about you. i just didnāt want you to feel pressured, that i was pushing you into something that youāre not ready for.
you never pushed.
that would never scare me off.
my calendarās wide open.
you changed your hair?
you didnāt call me because you felt some weird debt, right?
wow, maybe i shouldāve called him.
we fall in and out of love.
ć Ā RP MEME :Ā Ā NONVERBAL PROMPTS.Ā mix of violent, caring, touching and non-touching prompts. Ā ć Ā Ā SEND PROMPT '+ REVERSE' for the inverse to happen. for example 'bandage + reverse' for the receiver to bandage wounds on the sender.
[ BANDAGE ] : sender bandages a wound on receiver.
[ GUIDE ] : sender puts a hand on he receiver's back to guide them somewhere.
[ WAVE ]: sender waves down receiver to get their attention.
[ SIGN ]: sender raises their hand to sign to receiver. what follows can be anything the sender desires.
[ LIFT ]: sender lifts receiver's chin to look at them.
[ LIGHT ]: sender lights receiver's cigarette/candle/etc.
[ FIND ] : sender finds receiver beaten and/or bloodied.
[ PIN ]: sender pins receiver against the wall during combat/sparring.
[ GET DOWN ]: sender tackles receiver out of the way of danger.
[ TAKE ]: sender takes a hit meant for receiver.
[ CAUGHT ]: sender finds receiver somewhere they aren't supposed to be.
[ TRAP ]: sender traps the receiver somewhere they don't want to be.
[ DARLING ]: sender touches receiver's cheek.
[ SNATCH ]: sender snatches receiver's wrist as they turn to go.
[ STAB ]: sender stabs receiver.
[ DRAG ]: sender drags receiver from point a to point b.
[ SIT ]: sender sits on receiver's lap.
[ EN GARDE ]: sender and receiver get into some kind of fight.
[ DRUNK ]: sender finds receiver drunk.
[ BLOOD ]: sender walks into receiver's room covered in blood.
[ FLOWER ]: sender offers a flower to receiver.
[ HOLD ]: sender reaches to hold receiver's hand.
[ BRUSH ]: sender brushes a strand of hair out of receiver's face.
[ NOTE: ] sender writes a note for receiver. the contents are whatever the sender decides.
[ EYES ]: sender notices receiver looking at them.
[ STOP ]: sender raises hand to signal the receiver to stop in place.
[ TAP ]: sender taps receiver on the shoulder to get their attention.
[ WAKE ]: sender gently wakes receiver from a nap or otherwise.
[ MORNING AFTER ]: sender and receiver wake up together for the first time after a night of passion.
[ BLANKET ]: sender drapes a blanket over receiver's shoulders.
[ HUDDLE ]: sender and receiver huddle together in an effort to stay warm.
[ TUG ]: sender pulls receiver away from them.
[ PUSH ]: sender pushes receiver away from them.
[ BULLET ]: sender shoots receiver in a non-lethal area.
I bestow upon ryder my trait of drinking a concerning amount of caffeine in a day
Community (2009ā2015) 3.16: āVirtual Systems Analysisā
Which OC?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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š ššššĀ šššššššĀ Ā .Ā .Ā .Ā ( iceĀ breakerĀ )
ā§Ā Ā Ā āŗĀ Ā Ā SendĀ "LooksĀ likeĀ we'reĀ stuckĀ together."Ā forĀ aĀ suddenĀ situationĀ forcesĀ ourĀ musesĀ intoĀ closeĀ quarters.Ā AĀ greatĀ wayĀ toĀ breakĀ theĀ iceĀ withĀ mutualsĀ you'dĀ likeĀ toĀ writeĀ withĀ butĀ areĀ nervousĀ toĀ approach!
*genuinely absorbed zero information* got it