i named them cruelty of the heart and sickness of the mind
@kurjaks
dirt enthusiast
cherry valley forever
šŖ¼
Cosimo Galluzzi
Three Goblin Art


we're not kids anymore.

Andulka
One Nice Bug Per Day

⣠Chile in a Photography ā£
RMH
YOU ARE THE REASON

Janaina Medeiros
Game of Thrones Daily
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
taylor price

blake kathryn
PUT YOUR BEARD IN MY MOUTH
sheepfilms
seen from United Kingdom
seen from United States

seen from France

seen from United States
seen from United States

seen from Malaysia

seen from Canada
seen from Lithuania
seen from Australia
seen from United States

seen from Argentina
seen from Canada
seen from United States
seen from United States
seen from Canada

seen from Malaysia
seen from India
seen from Ecuador

seen from Canada
seen from Morocco
@contradictivs
i named them cruelty of the heart and sickness of the mind
@kurjaks

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growing closer. prompts for characters getting to know each other.
āi don't think you realize how much people notice you.ā
āyou don't seem particularly trusting. then again, maybe neither am i.ā
āyou have a habit of appearing at interesting moments.ā
āyou strike me as someone who trusts their gut. am i wrong?ā
āi've noticed you always leave before everyone else.ā
āi think you enjoy keeping people guessing.ā
āyou seem restless.ā
āit's strange how you can be surrounded by people and still feel alone.ā
āhave i ever told you that you're difficult to read?ā
āyou look like you haven't slept.ā
āyou know this place well enough that i'm starting to wonder if you've always lived here.ā
ādo you ever worry about the kind of person you're becoming?ā
āi've known a lot of people. none of them were quite like you.ā
āi can't decide whether people truly change, or if they just become better at hiding parts of themselves.ā
āi had the strangest dream last night. do you remember yours when you wake up?ā
āthe more i get to know you, the more i keep noticing little similarities between the two of us.ā
āi didn't realize you'd remember that.ā
āmost people seem uncomfortable with silence. i never minded it much.ā
āyou seem to know more than you're saying.ā
āyou seem comfortable on your own. i wonder if that's the same thing as never feeling lonely.ā
ādo you always look this serious?ā
āyou're easier to talk to than i expected.ā
āi've always thought trust is harder to earn than people pretend.ā
āyou always seem to be watching.ā
āi think you've been avoiding me.ā
āyou're not at all what i thought you would be.ā
āwhenever i ignore my instincts, i end up regretting it. what about you?ā
āi wasn't expecting to run into you again.ā
āi can't tell if you're someone who enjoys solitude or just tolerates it.ā
āi know it sounds childish, but i can't help believing some people are meant to find one another.ā
āyou make a terrible liar.ā
āyou don't strike me as the sort of person people forget.ā
āi think people underestimate you.ā
āi can't decide whether you're charming or frustrating.ā
āi don't think i've seen you smile before.ā
āi wasn't sure you'd come.ā
āit's a little strange. i think i've started looking forward to seeing you.ā
āsometimes i wonder if we ever really know anyone.ā
āyou're surprisingly good company.ā
āi think most people would like to believe they're good. i'm not sure it's always that simple.ā
āi think being truly understood is a far rarer thing than people realize.ā
āi don't usually tell people this...ā
āyou make that look easy.ā
Send āHow many shots would it take for you to sleep with ___ ?ā questions for my museās response!
I was reminded that Jason is a redhead (according to the 2nd movie) šāØ
@bykacie ; cont.
Ryder does not find himself surprised by the reaction of the other.
The Creature behavior is akin to a nervous, lightly injured animal in the way he curls in on himself and shies away. Ryder hovers there for an awkward moment, debating on whether or not to press the matter and move closer.
"Can I at least take a look at it?" He only knows some of the basic first aid thanks to having a doctor as a stepfather. But he can at least try to help with the injury before the Creature's body did the rest. "We can get you something to help with the pain."

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I miss putting ryder in horror / slasher situations actually
SIMPLEĀ ACTSĀ OFĀ ROMANTICISMĀ
again feel free to switch around sender and receiver in these after pasting!
1)Ā sender takes receiverās hands because receiver is cold,Ā rubbing and blowing warmth into them.Ā
2)Ā sender washes receiverās hair while they take a shower together.Ā
3)Ā sender brings receiver a potted plant rather than a bouquet so it will last longer.Ā
4)Ā sender brings receiver a bouquet of flowers (feel free to specify what kind)Ā
5)Ā our muses are walking somewhere together and sender casually takes receiverās hand,Ā bringing it up to kiss the back before simply holding it the rest of the way.Ā
6)Ā receiver is getting dressed and,Ā unprompted,Ā sender helps them zip up, attach a necklace, tie a tie, etc.Ā
7)Ā Ā sender shows up at receiverās door with homemade food to comfort them or because they arenāt feeling well.Ā
8)Ā sender remembered something receiver mentioned they liked and brings it or something related to it as a gift.
9)Ā sender randomly gives something to receiver that reminded sender of them (feel free to specify)
10)Ā our muses are talking and sender wordlessly reaches over to fix receiverās hair without breaking concentration.Ā Ā
11)Ā receiver has had a hard day and comes home to sender drawing up a bath and preparing their favorite comforting beverage.Ā
12)Ā receiver has had some task they needed to get done around their home and they find sender doing it for them unprompted.Ā
13)Ā sender wordlessly picks something out of the fabric of receiverās clothing and then smooths it over while theyāre having a conversation.Ā
14)Ā sender soothingly runs their fingers through receiverās hair while they talk or are in a group setting.Ā
15)Ā sender brushes receiverās hair out and fixes it for them.Ā
16)Ā sender places their hand on receiverās thigh while theyāre talking or in a group setting.Ā Ā
17)Ā sender offers their arm for receiver to take while they walk.Ā
18)Ā sender slips their arm through receiverās while they walk.Ā Ā
19)Ā sender places their coat around receiver after realizing theyāre cold.Ā
20)Ā it begins to rain or snow while our muses are walking somewhere and sender simply picks up receiver to carry them the rest of the way.Ā Ā
ĖĖĖdialogue : kissingĖĖĖ
change pronouns as needed!
āgodā i wanna kiss you.ā
ācan i kiss you?ā
ājust one kiss and iāll never ask again.ā
ālet me be your first.ā
āit doesnāt have to mean anything.ā
[freeze frame] You aren't wondering anything [unfreezes frame]
KYLE GALLNER as Joel Smile 2 (2024)

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ššššš ššššš ššš šššššššš: ššš ššššĀ Ā -Ā Ā sentenceĀ starters.Ā tw for violence, blood, etc. adjustĀ phrasing,Ā pronouns,Ā etc.Ā asĀ necessary.
quit fighting me.
i can handle you.
you really think you could hide from me?
that's my spot. get out of there.
i knew i heard you.
well, well. look what we got here.
it's time to slaughter this little calf.
you ain't getting out of here.
this blade cuts good.
i know [name] thinks i'm the best.
come on out, little piggy.
you can't hide from me.
i know all the good hiding places.
hey, come on. i was just playing.
where'd you go?
oh, this is gonna be fun. lots of fun.
get off my back.
you ain't so tough.
i don't get out much like you.
ain't had this much fun in a long time.
i prefer a more hands-on approach.
where'd you get that pretty dress from?
look at all this blood.
go ahead and run. that's the fun part.
there's no way out.
got yourself in some trouble, didn't you?
that sounded like it hurt.
poor piggy got caught up in a trap.
[name] is gonna love you.
you're really starting to piss me off, you know that?
can't promise i'll make this quick.
oh, i'm gonna enjoy this.
yeah, that's it. hit me.
you should know better than that.
stop barking orders at me.
this is getting out of hand.
just get out of my way.
are you gonna help me out, or just stand there looking pretty?
are you even listening to me?
what's going on in that head of yours?
you ever watch someone die?
hey, you okay?
you seem to have lost a bit of blood.
you kind of remind me of your little friend.
you ready to meet the bad man?
always so careless.
that's it, die for me.
i guess i'll just have to put you out of your misery.
i can handle myself.
i am sorry it had to come to this. i really am.
don't fight me. do not fight me.
not today, sunshine.
i'm sorry i left you all those years.
i know i'm your favourite.
there's no hiding from reality.
i guess i can't save you after all.
how does that feel?
aw, sugar. does that hurt?
oh, you poor little thing.
i like that.
you've been chosen.
i can't let you go.
death doesn't have to be the end, you know.
just trust me.
you having fun yet?
come out, come out, whoever you are.
look at all of this pretty.
it looks like somebody ain't doing so well.
hey there, sugar.
you know, we could have been friends in a different life.
just give in, sweetie.
i can help you.
you look like you could use some help.
poor thing. i can help you, you know.
you're never gonna survive being that careless.
some people just can't be saved.
there's nothing out there for you.
you don't want to end up on my bad side.
this is why i'm always leaving.
you are a crazy son of a bitch.
i told you to stay out of my flowers.
i got this under control.
don't you call me crazy.
don't be nervous.
get off me.
quit your squirming.
i don't much enjoy being violent, but i got no choice here.
i'm not a violent man.
i'm sorry about your friend.
this is your own fault.
see what happens when you don't listen?
you little shit.
don't you touch me.
you're gonna pay dearly for this.
i always did like you.
next time i'll cook you a nice proper meal.
it didn't have to be this way, you know.
this is getting old real fast.
nobody ever said life is fair.
you ever hear the saying, murder starts in the heart?
you are a damn fool.
things were better off when you was gone.
oh, my, somebody's hurting real bad.
poor thing.
no use in struggling.
oh, sweetie, no.
i'm sorry i couldn't help you.
i'm tougher than i look.
oh, god, is this human?
this should help stop the bleeding.
i'm ending this.
what did they do to you?
i'm so sorry.
i'll find help. i will.
i love you so much.
i'll come back for you. i promise.
who did this?
we've got to get out of here.
what did those sick bastards do to you?
i promise i'll kill them for this.
this is so horrible.
those monsters killed her.
we never should have come here.
those assholes are going to pay for this.
i'm going to get them for this. every last one of them.
i'm so sorry this happened to you.
they're going to pay for this. i promise.
Tell my muse a NSFW rumor youāve heard about them.
found a place to watch house of w/ax so perhaps we will be little freaks about it soon
* Ā Ā Ā ā    Ā šššš Ā ššššššš Ā ļ“æ Ā :Ā Ā šššš Ā šššššš Ā ššššššš.
personally ,Ā Ā iāmĀ tiredĀ ofĀ theĀ secondhandĀ embarrassment.Ā Ā soĀ hereāsĀ a Ā random Ā assortment Ā of Ā nsfw Ā actions Ā andĀ dialogue Ā promptsĀ thatĀ donātĀ feelĀ tooĀ overĀ theĀ top.Ā Ā (Ā donātĀ forgetĀ toĀ addĀ [Ā reverseĀ ]Ā ifĀ youādĀ likeĀ toĀ seeĀ theĀ receiverĀ performĀ theĀ action.Ā )
actions.
[ PULL ]: Ā senderĀ pullsĀ receiversĀ hair.
[ HICKEY ]:Ā senderĀ givesĀ receiverĀ aĀ hickey.
[ TRAIL ]:Ā senderĀ leavesĀ aĀ trailĀ ofĀ kissesĀ downĀ receiversĀ stomach.
[ HIPS ]:Ā senderĀ pullsĀ receiverĀ inĀ closerĀ byĀ theĀ hips.
[ KNEES ]:Ā senderĀ lowersĀ themselvesĀ toĀ theirĀ knees.
[ STRIPTEASE ]:Ā senderĀ teasinglyĀ stripsĀ theirĀ clothes.
[ STRIP ]:Ā senderĀ undressesĀ receiver.
[ GRIND ]:Ā senderĀ grindsĀ onĀ receiversĀ thigh.
[ ORAL ]:Ā senderĀ goesĀ downĀ onĀ receiver.
[ PASSENGER ]: Ā sender Ā touches Ā receiver Ā while Ā sender Ā is Ā driving.
[ DRIVER ]:Ā senderĀ goesĀ downĀ onĀ /Ā touchesĀ receiverĀ whileĀ receiverĀ isĀ driving.
[ OVERSTIMULATED ]:Ā senderĀ repeatedlyĀ makingĀ receiverĀ orgasm.
[ PUBLIC ]:Ā senderĀ andĀ receiverĀ haveĀ sexĀ somewhereĀ public.
[ CAR ]:Ā senderĀ andĀ receiverĀ haveĀ sexĀ inĀ aĀ car.
[ CONTROL ]:Ā senderĀ isĀ ridingĀ receiverĀ andĀ receiverĀ takesĀ controlĀ byĀ guidingĀ theirĀ hips.
[ SHY ]:Ā senderĀ coversĀ theirĀ faceĀ andĀ receiverĀ movesĀ theirĀ handsĀ away.
[ EYES ]:Ā senderĀ makesĀ receiverĀ lookĀ themĀ inĀ theĀ eyes.
[ BEG ]:Ā senderĀ begsĀ receiverĀ toĀ touchĀ /Ā fuckĀ them.
[ MORNING ]:Ā senderĀ wakesĀ receiverĀ upĀ withĀ sex.
[ STRADDLE ]:Ā senderĀ sitsĀ inĀ receiversĀ lapĀ toĀ teaseĀ them.
[ CAMERA ]:Ā senderĀ recordsĀ receiver.
[ RECORD ]:Ā senderĀ isĀ recordedĀ byĀ receiver.
[ MOUTH ]:Ā senderĀ putsĀ theirĀ fingersĀ intoĀ receiversĀ mouth.
[ LOVE ]:Ā senderĀ tellsĀ receiverĀ theyĀ loveĀ themĀ during.
[ PUSH ]:Ā senderĀ pushesĀ receiverĀ ontoĀ bed.
dialogue.
ā youĀ lookĀ soĀ prettyĀ likeĀ this.Ā Ā ā
ā iĀ wantĀ toĀ spendĀ allĀ nightĀ learningĀ everyĀ soundĀ youĀ make.Ā ā
ā letĀ meĀ takeĀ careĀ ofĀ you.Ā ā
ā iāmĀ notĀ wearingĀ anyĀ underwearĀ rightĀ now.Ā ā
ā youāreĀ reallyĀ goodĀ atĀ that.Ā ā
ā god,Ā youāreĀ soĀ wetĀ /Ā hardĀ ā¦.Ā ā
ā iĀ thinkĀ aboutĀ youĀ whenĀ iĀ touchĀ myself.Ā ā
ā tellĀ meĀ whatĀ youĀ want.Ā ā
ā pleaseĀ touchĀ /Ā fuckĀ me.Ā ā
ā iĀ loveĀ teasingĀ you.Ā ā
ā touchĀ yourselfĀ forĀ me.Ā ā
ā iĀ getĀ soĀ wetĀ /Ā hardĀ aroundĀ you.Ā ā
ā getĀ onĀ yourĀ knees.Ā ā
ā youāreĀ suchĀ aĀ tease.Ā ā
ā tellĀ meĀ youāreĀ mine.Ā ā
ā iāmĀ yours.Ā ā
ā iĀ wantĀ youĀ toĀ cumĀ forĀ me.Ā ā
ā iĀ wantĀ youĀ toĀ cumĀ inĀ me.Ā ā
ā iāllĀ beĀ good,Ā iĀ promise.Ā ā
ā youāreĀ doingĀ soĀ goodĀ forĀ me.Ā ā
ā youĀ feelĀ soĀ good.Ā ā
ā youĀ soundĀ soĀ prettyĀ whenĀ youĀ moan.Ā ā
ā iĀ couldĀ beĀ yourĀ toy.Ā ā
ā fuckĀ meĀ likeĀ youĀ loveĀ me.Ā ā
ā iāmĀ gonnaĀ cum- ā
ā iĀ justĀ wantĀ toĀ feelĀ something.Ā ā
ā iĀ wannaĀ beĀ onĀ topĀ thisĀ time.Ā ā

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holds a cherry up to ryder's lips. sharing fruit my beloved <3
It has been a quiet, calm sort of morning throughout his apartment.
Noge is lurking somewhere around. It is the first time that Kurjak has brought him over after mentioning him, briefly, during his second to last visit to the states. The feline has seemingly been enjoying himself while exploring all of the new space he has been granted. Ryder has been happy enough with the small sightings and occasional head scratch throughout the morning.
He does not even question it when Kurjak plops himself down on the couch beside him. Similar to the cat, Ryder simply assumes that partner is popping in for a little attention before he slithers off to work on his own. Disappear into the corner of the apartment until the hour grows late enough for Kurjak to become more active.
Instead, Ryder seemingly acquires a companion on the couch while he works. The cool press of whatever fruit plucked from the bowl partner has in his lap comes only a couple of minutes later. He does not even question it before turning his head to take the cherry between his teeth and pluck it from Kurjak's fingers. An appreciative noise falls from his lips and he finds himself shifting, leaning more toward the other man's personal bubble.
ā±Ėļ½”ā āŖ THE šTAGES OF šNTIMACY.Ā Ā a collection of various action prompts centered around the varying stages of intimacy.Ā feel free to adjust as desired. heavily mature content, dni with this post if you are under 18, & DO NOT use these prompts for non-con scenarios.Ā Ā )
SETTINGS.
[01.] finding privacy in a cramped dressing room.
[02.] cramming into the backseat of a car together.
[03.] slipping into the lonesome alleyway behind the bar for "time alone".
[04.] pulling them away from a party after hours of relentless teasing.
[05.] getting handsy under the table at a fancy dining establishment.
[06.] taking the long way home and pulling over on a dark stretch of road.
[07.] staying behind at the venue after everyone else has left.
[08.] the hotel room door barely clicks shut before hands are on them.
[09.] a tent in the middle of nowhere where no one can hear anything.
NEW TERRITORY.
[10.] finding yourself staring at their mouth and getting caught.
[11.] pulling back from a kiss to look at them, then immediately going back in.
[12.] memorizing the shape of them for the first time with your palms.
[13.] that exploratory first kiss, reserved and shy.
[14.] a gentle first kiss that morphs into intense want.
[15.] feeling the shape of their body through their clothes.
[16.] asking for permission to remove one of their garments.
[17.] finally succumbing to the thick tension & colliding feverishly.
[18.] fumbling with buttons or zippers because your hands won't stop shaking.
[19.] admitting out loud that you've been thinking about this for a while.
HEATING UP.
[20.] pulling them into your lap in the midst of a heated kiss.
[21.] discovering that they're wearing [ GEAR / LINGERIE ] under their clothes.
[22.] kissing away from their lips, down the length of their neck.
[23.] desperately grinding on them through layers of clothing.
[24.] dirty talking directly into their ear to turn them on even further.
[25.] pushing them onto a piece of furniture before straddling them.
[26.] lifting them onto the countertop while making out.
[27.] tugging their hair to expose more of their throat to your mouth.
[28.] the wrecked way they say your name for the first time.
[29.] fabric tearing because neither of you has the patience for buttons.
[30.] removing an obstacle of clothing with your teeth.
UNRAVELING.
[31.] biting down on their shoulder to muffle how good it feels.
[32.] the sound they make when you find the spot that undoes them.
[33.] begging without any trace of pride left and meaning every word.
[34.] their composure cracking for the first time, they finally stop holding back.
[35.] repeating "don't stop" like it's the only language left in their mouth.
[36.] leaving possessive marks in places only they'll see.
[37.] whispering "look at me" right before you take them apart.
[38.] trying to be quiet and failing, so they clamp a hand over your mouth.
[39.] flipping positions so fast neither of you remembers who initiated it.
[40.] their nails dragging down your back hard enough to sting later.
[41.] being told to open your mouth and doing it before the sentence is finished.
[42.] having your hands pinned above your head.
[43.] the desperate scramble to get closer when there is no closer to get.
COMING DOWN.
[44.] fingers lazily tracing the marks they just left on your skin.
[45.] pulling the blanket over both of you without being asked.
[46.] that silent, dazed smile when they catch your eye across the pillow.
[47.] the shaky laugh when neither of you can remember where your shirt is.
[48.] going to get water and bringing a glass back for them without asking.
[49.] lying chest to chest, feeling their heartbeat slow back down against yours.
[50.] the quiet "hey" that means something completely different now.
[51.] "come here" said softly ā not urgently. just wanting them close again.
[52.] the reluctant moment of untangling.