Italian artist Lorenzo Quinn created a gigantic pair of hands reaching out of Venice’s Grand Canal (2017)
todays bird
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second
d e v o n
noise dept.
Peter Solarz
Cosimo Galluzzi
he wasn't even looking at me and he found me

tannertan36

tumblr dot com
cherry valley forever
styofa doing anything
Game of Thrones Daily

❣ Chile in a Photography ❣
Claire Keane

PR's Tumblrdome
TVSTRANGERTHINGS
dirt enthusiast

Origami Around
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@constant-satellite
Italian artist Lorenzo Quinn created a gigantic pair of hands reaching out of Venice’s Grand Canal (2017)

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Love wins
oh so when a bunch of roman senators kill their leader it's #girlboss but when i, macbeth,
#yeah pouring one out for 'im #he's seeing a lot of daggers before him today
Hey. Artist that only has a phone or a simple computer. Did you know you can still Glaze your art??
While Glaze was initially computer-only, the team learned that many artists either have a computer not powerful enough to run glaze or don't have a computer at all. SO they've made WebGlaze!! (Read about it and get it here.) Basically you send over your art and they Glaze it over on their servers that are strong enough to do it for you. And yes, it's still free.
If you have a computer that runs the original Glaze program, it is highly recommended by the Glaze team that you continue to use it and not the website.
While the servers are very secure, it is still ideal to keep the unglazed art on your end only, and it will likely be faster on your own computer anyway since there's only your art being Glazed, unlike the servers which are glazing several people's at once. Currently I believe there is no web version of Nightshade, but they are working on adding it to WebGlaze last I heard. Check the Nightshade FAQ here for updates on that :)
Please feel free to reblog, I know there's a lot of artists out there without access to powerful CPUs and GPUs that would like to protect their art as well :)
fair warning
Hello darlings, this is an advance notice. I’m about to start archiving quite a lot of Sleep No More observations I’ve made on various forums here, in journal form. If you would like to opt out of the experience of having your dash flooded: I’ll be tagging everything with “like all dreamers I was possessed” in addition to the regular SNM tags. Cheers!

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To The Substitute Art Teacher - Jordan Bolton
“Well the funny thing is, according to this, you’re already dead”
People Matching Artworks: An Unusual Photo Series By Stefan Draschan
People Matching Artworks: An Unusual Photo Series By Stefan Draschan More info: Website | Instagram…
I was really hoping these weren’t staged and the artist just spends weeks in art galleries and days in front of paintings to make these
Well guess what… That’s exactly what he did!
Stylist Andrew Richardson caressed by a Russian circus performer, photographed by Steven Meisel as part of the Madonna photo essay ‘Flesh + Fantasy’ for Rolling Stone magazine, 1991.
something charmingly twentieth century about this
This counts as a spell

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Nom Kinnear King (British, b. Norfolk, England, based Norwich, Norfolk, England) - Celestine’s Door, 2021, Paintings: Oil on Wood
I never reblog anymore but this really is my ideal. Artist's site nomkinnearking[dot]com
British painter John Maler Collier (1850 — 1934)
"The Devil skating when Hell freezes over" (1894)
Some people in the comments are arguing that the John Collier credited here is the wrong one, the correct John Collier being an US artist who used to do illustrations for the Rolling Stone magazine, but that's also debatable because the only source for that that I could find was a reddit post where nobody seems to offer an actual source for that information beyond wikipedia links that do not contain this pic, and the quick research I've done did not point me to any official galleries (online or otherwise) or other sources that can confirm which John Collier did this (or if the author even was a John Collier).
However, I only reblogged this because I expected fun commentary in the comments/tags and I was not disappointed:
The "other John Collier" theorists (they are probably right though in general - to my endless disappointment) are usually dating the pic to 2012.
Now, here it is used in 1994. In the Rolling Stone magazine. Collier referred as "illustrator".
And here's the pic again, on tumblr, with proper credits, of course with much fewer notes. (Weird, as it's sourced to Reddit, but I can't find the matching details in the linked discussion.)
John Collier (American, b. 1948, Dallas, TX, USA) - The Devil Skating When Hell Freezes Over (for Fred Woodward at Rolling Stone), 1994, Pai
And I see that this has been disscussed before! I'm reblogging the full thread with two additional sources:
One: myself. I was an intern working for one of John's reps in the early aughts. Can confirm that this piece was still a part of his marketing portfolio at that time and I helped to digitize the original.
Two: I reblogged the original post with this info but again, here's the blog where the Creative Director at TOR cited the artwork in 2008: http://igallo.blogspot.com/2008/08/john-collier.html
British painter John Maler Collier (1850 — 1934)
"The Devil skating when Hell freezes over" (1894)
I love this piece, but it's attributed to the wrong John Collier! The creator is a contemporary illustrator.
John mainly works as a sculptor and religious artist these days (check that out here) and he's switched representation a few times since this piece was created -- not to mention that his old rep's first website was... a product of the early 2000s and defies wayback's abilities to archive anything. So it was a little hard to gather receipts. But here's the Creative Director at TOR citing the artwork in 2008: http://igallo.blogspot.com/2008/08/john-collier.html
Seeing this cross my dash led me down a bit of a rabbit hole, and I see that at least one person is selling prints of the work, probably under the assumption that it's nobody's IP anymore. I'd appreciate any signal boosting tumblr can do.
My Burnt City
(This post is not spoiler-free, but it’s also not a detailed rundown of any specific character, loop, or scene. Read at your own risk.)
What to say about a whirlwind trip through Punchdrunk’s new production, The Burnt City?
Waking up the Sleep No More tag before the 10th anniversary of the NY production: some blood-limned witches.
(Many of you are already familiar with these pieces but I've never made the link between my accounts explicit before, at least outside of private messages. So . . . hi! I feel like I was much more of a lurker on tumblr but I miss this corner of the internet.)

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How do you like to get taken to the finale?
We all know we get sent to the ballroom at the end of the show, don’t we...audience?
But how do you like to be ushered there?
For me, if I have nothing else going on, you can find me watching the Porter and Danvers sharing a lovely cup of tea. I never get tired of watching that scene.
Bonus: it guarantees you a late arrival to the ballroom if you’re not up for your 6th banquet scene of the night. 🙂
What’s your favorite way down? Comment below!
It's so hard to pick a favorite! But if I must, it would be a moment in the tailor's shop when he looks up and his expression changes from haunted to known, and you walk down together, supporting each other, some kind of equals.
Did liberals collectively forget that Hilary won the popular vote the moment that fact stopped being rhetorically useful to them
"Look where sitting on your hands got us last election" what in the god damn fuck are you talking about
"If you don't vote for Blue Team than that's a vote for the Red Team" oh, is that how it happened the last time?
Yes, that's how it happened. It's because we don't go by the popular vote, we go by a little thing you might've heard called the electoral college.
Trump won Michigan by .3 percent, Wisconsin by 1 percent. Pennsylvania by 1.2 percent. Florida by 1.2 percent. North Carolina by 3.8 percent. And Arizona by 3.9 percent. That's a total of a paltry 491,719 votes. Just four hundred and ninety two thousand votes. And those are only the states that were razor thin in margin.
Yet over 100 million eligible voters didn't vote at all, and 5 million voters voted third party. That's 105 MILLION people who could have made the difference. 492k goes into 105 million 23 times. 492k goes into 5 million, the number of those who voted third party, 10 times. Ten god damn times. That's how many fucking people that is.
If just some of those states had gone to Clinton, she would have won. But they didn't, and it's because millions of people decided voting at all was too much trouble, or they decided that wasting their vote in a protest of ideology was more important than actual human lives.
It's really just that simple.
Okay I wanna piggy back off of the previous reply to show y’all something real quick. I live in New York state, in The City(yes, that one). One of those ‘my vote will never matter because the state always goes blue!’ states.
Here’s the map of the results for New York state in the 2016 presidential election:
Now I know you’re thinking - holy shit balls that’s a lot of red!
And you’re fucking goddamn right it is! Trump had 36% of the vote in New York in 2016. For reference, although that’s about the percentage that usually goes to the republican candidate, here are the maps for 2008 and 2012 respectively:
Before I get into the main part of this post, wanna know WHY all those areas that were blue in 2008 and 2012 were suddenly red in 2016? In 2008 and 2012, Independents got less than 2% of the total votes. In 2016? Almost 6%. Not a big difference in the grand scheme, but this is a really great example of how even a small number can make a huge difference.
Now, see that teeny, tiny, area of dark blue down at the bottom? That’s New York City. New York City is literally the only reason New York State always goes blue. This ONE FUCKING CITY is the reason people are so sure that New York - which holds 29 electoral votes - will never, ever, go to a republican. And under normal circumstances, while that doesn’t make me comfortable, it does hold a certain amount of weight. It’s also why in the 2016 election I voted in my home county of Schoharie - one of those nice bright red areas up north.
Except here’s the thing about 2020. New York City is fucking empty.
24,000 people died of coronavirus in New York City alone this summer.
An additional estimated 500,000 - no you are not reading that number wrong - have either moved out or been evicted. I work as a dog walker, and a full 60% of my client base has left the city and told me they are not planning to come back. They’ve left for places like Connecticut(7 electoral votes), or Massachusetts(11), or Vermont(3) or Florida or Texas or - you get my point. Now that they have been unemployed for six+ months, and the eviction freeze has been lifted, a shit ton of people are being forced to leave, and people with kids are also abandoning the city for somewhere less populated.
And even further? No one I know has received their requested mail-in ballots yet. No one. Not a single person. The virus is still active(and yeah, we’re down to <1% infection rate, but schools are about to open back up so :) ) Voting takes place in schools. it is likely many people will not be able to risk voting in person - especially if we see an uptick in cases as kids return. Which means if their mail in ballots don’t arrive in time, they may not be able to vote at all.
Hilary had around 4.5 million votes from New York - 2 million of those came from NYC and the surrounding boroughs. She won the popular vote in this state by 1.8 million votes.
Now, yes, a small number of the people who have left NYC are also Trump Voters. Something like 15% of NYC’s vote went to Trump. But a much higher percentage are democratic - and committedly democratic - votes. Healthcare workers suffered disproportionately from CV deaths. Startups, Small business owners, College and recent college grads, Theatre workers? They’re all gone.
New York State can, honestly, no longer be counted on to go blue no matter who abstains from voting or who votes third party because of the toll the virus has taken on the city. We really do need every single person who is able to vote, to do so. Not because it’s fun, or it makes you happy. Not because you believe 100% in the american democratic system. Because the people you - yes - you, the abstainers - have counted on to uphold your few, dwindling democratic freedoms, can no longer be counted on to do so alone.
Gerrymandering sucks. The electoral college needs to be abolished. But it is specifically because those things are still in place that you need to vote if you are able. We absolutely should be fighting the system. But we cannot abandon it to let it fall to ruin and leave the people affected by that fallout to die because of it while we gather our strength. And yes. People will die. If this summer has taught us anything, let it be that elections fucking matter and in the coming years, our leadership absolutely has the ability to determine how many of us survive.
TL;DR: If you have the ability to vote please fucking use it. This is not a normal election year, and the safeguards that have been in place are no longer to be relied upon.
We haven’t forgotten how 2016 went down - when we say vote it’s because we remember how much of a difference a very small number of people could have made, and we know that this year, that difference is even more important.
Fuck, I hadn’t known that about NYC or considered the demographic shifts either.