I did a search and replace on one of my conlangs, replacing x with ʁ, and forgetting that English sometimes uses x in words. I got some fun results
Erecutioner
Sweet Seals For You, Always
RMH
Misplaced Lens Cap

if i look back, i am lost

izzy's playlists!

ellievsbear
Mike Driver

⁂
wallacepolsom
DEAR READER
taylor price
Cosimo Galluzzi

JBB: An Artblog!

祝日 / Permanent Vacation
occasionally subtle
art blog(derogatory)

tannertan36
let's talk about Bridgerton tea, my ask is open

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@conlangery
I did a search and replace on one of my conlangs, replacing x with ʁ, and forgetting that English sometimes uses x in words. I got some fun results
Erecutioner

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I'm going to step back from the podcast for a bit and focus on solo talking head videos. Scheduling guests got to be too much, and I feel it's less effective at promoting other people than some other kinds of collaboration.
Transcript under cut.
Happy Pride! How do you say that in your conlang?
We're going to start on subordinate clauses for Dawn and Dusk. Tune in to see how/if the structures change from Middle Fae.Enjoy Tongues and
Live in 30 mins! We're going to get started on subordination today. Aiming for a shorter stream, but we should be able to get the bones in to fill in with specific cases later on.
Greetings :)
Any advice about “idiosyncratic verbs”? David Peterson said that in his book and I thought you might have some additional info. Thanks
I wasn't able to find that reference in my copy. Maybe you or @dedalvs can point out where it was. Although this could be a technical term I'm not aware of, my best guess is this is just in reference to one-off irregular verbs like *be*, which really just arise from some historical nonsense or other (*be* in particular has suppletion from I think three different sources, but there are other ways to get a verb that doesn't behave like other verbs.
Maybe some in the community can help a bit.
That would actually describe verbs that take unexpected case assignments or unexpected syntax. For example, the German verb helfen "to help, to aid, to assist" marks its object with the dative instead of the expected accusative
Oh, yeah, that makes sense. I don't think I've heard *idiosyncratic verb* in that context, but I have heard of things like *dative experiencers* and *quirky subject*, which are related concepts.

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Hey hello how are you?
Do you know of any scripts or phrase books that would helpful for conlangers? I want to translate conversations basically anything where speaker A says something and speaker B replies. “Hello”, “Nice to meet you”, “Go away”. You get it you’re smart
I think any "Common {Natlang} Phrases" book can be cool for a translation challenge or to inspire greetings like these. I recall seeing a generic phrasebook for conlangs somewhere, but I wasn't able to find it quickly.
One caution, though: In language learning classes, you often start with greetings and niceties, but when conlanging, they should come significantly later. You'll notice that in many intro books, they teach you stuff like "Good morning", "Nice to meet you", "My name is ___" by rote long before you learn the grammar to actually understand the construction. Like, nobody actually learns how Spanish object clitics work or what llamar means before learning Me llamo __, which is why people end up incorrectly saying *Me llamo es __.
But those things were constructed using the grammar of the language.* So I will just caution that you at least need to be at the level where you've locked down everything you need for a simple sentence. You also need enough cultural worldbuilding to have an idea what kinds of conversational scripts exist. Do you say "How are you?" or "Have you eaten yet?" (你吃饭了吗?< A common greeting from older Chinese speakers)
*Unless they're simple words like Hello or odd fossils like Goodbye (an abbreviation of "God be with ye" -- yes, that is actually true).
Any advice for working conlangs into fiction? Like sociolinguistics or linguistic anthropology? Thanks in advance
So there are a few things to consider when you're incorporating your conlang into something:
What's the medium? In novels and short stories, it's usually best to stick with names, isolated words, and shorter phrases, while conversations can just be rendered in the language of the work with a tag saying the characters are speaking "in Somelang" or whatever. For videos and films, though, you can have significant conversations in a conlang with subtitles. It all depends on how the medium presents information to the audience.
What functions do these languages have in your society? Every language, at some point in its existence, is the home language of some ethnic group. But some languages become a lingua franca, a liturgical language, or take on some other role. Other languages might be seen as lesser because of the social position of their speakers. That informs how they'll appear in the story.
What is the story function of the conlang? Is it window-dressing to allude to the world? Does it mark the identity of certain characters? Is the language itself a plot obstacle (trying to decipher an ancient text, trying to communicate with a people whose language you don't speak)? This partly falls out of the overall linguistic worldbuilding and the identity and history of your characters.
Hopefully that helps somewhat.
Are there any books about the history of English? How it has evolved and such? Happy conlanging!
There are, I imagine, numerous books, but I'm blanking on what exactly to recommend. It never was a huge focus for me, but maybe someone in the community has a favorite.
Greetings :)
Any advice about “idiosyncratic verbs”? David Peterson said that in his book and I thought you might have some additional info. Thanks
I wasn't able to find that reference in my copy. Maybe you or @dedalvs can point out where it was. Although this could be a technical term I'm not aware of, my best guess is this is just in reference to one-off irregular verbs like *be*, which really just arise from some historical nonsense or other (*be* in particular has suppletion from I think three different sources, but there are other ways to get a verb that doesn't behave like other verbs.
Maybe some in the community can help a bit.
Hiya,
I hope you’re well.
I was wondering if you or George chose the Valyrian kinship system. I’m trying to deduce why you chose this one over a Hawaiian, Omaha or sudanese. Is it because you wanted to make the incest marriages more stable (given that a father’s brother has parent-like responsibilities and so does a mother’s sister)?
Best wishes
It was my choice and I thought it fit. I don't think a lexical kinship system determines marriage laws in society or vice-versa. I also think the idea could go two ways: the same word is used for a cousin and a brother, and so they're both off limits—or the same word is used for a cousin and a brother and you can always marry your cousin, so why not your brother? Again, though, I figure the kinship system is one thing, and the social customs another.
Interesting. I would agree that the kinship systems and marriage taboos wouldn't necessarily line up perfectly, but if the Valyrians categorically rejected sibling marriage (and had a reason to emphasize it), that could have driven them to differentiate cousins and siblings (and banning cousin marriage in a royal family... might be a non-starter because of how political marriages work).

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I have two separate polls running for just a couple days. Help me decide on the forms of words for "here" and "there" in Dawn and Dusk! They're separate polls so you can make your own decision in each variety. https://www.patreon.com/posts/poll-here-there-159410127 https://www.patreon.com/posts/poll-here-there-159410973
verswt
??? i typed 'liverwurst' and hit post and as it loaded to post it changed to that in front of my very eyes????? ?? ? ???
thats just great my post that was just the word 'liverwurst' and nothing else was going to change everything and now it's nothing
exactly!!!
I looked up verswt to see if was an obscure Welsh word (forgetting Welsh doesn’t usually have <v>).
So I guess can be inspiration for conlang words.
This is kind of cute really. So a titmouse, etymologically, is basically as littletiny :-)
We're gonna start out by working out pronouns for Dawn and Dusk today, figuring out how to carry forward the Middle Fae pronoun system.Enjoy
Live in 30 minutes! We're going to work out the evolution of free pronouns in Dawn and Dusk.
I want to create a conlang in signed, spoken and written forms. But how do I make sure my signed conlang can be signed when a person is holding something? I've only ever seen sign language done with empty hands. And what about the difference between lefthand and righthand in my signed conlang? Would it be situational?
Two things:
There aren't any multimodal languages because it's simply more trouble than it's worth. Spoken language is the least common denominator for hearing individuals, and manual language is the least common denominator for Deaf sighted individuals.
I recommend you study a sign language or spend some time with Deaf signers, because, I can assure you, sign language is a lot more versatile than you'd expect. Naturally, if you're looking for demonstration videos, the signer will be facing directly forward, using both hands, with both hands empty. But in real life, sign language is just as messy as spoken language. Signers sign with one hand while driving or holding something; the signing space can shift depending on if one is sitting, standing on a ladder, off to the side, etc. And while all signers will certainly have a dominant hand, since it's the dominant hand, you end up using it for a lot of things, so it might switch if you're holding onto something you can't sign with (say a pot), or handshapes may differ if you can't make them perfectly at the moment (say because you're holding a pencil). While the signal might be perfect, it's usually good enough. Consider that we're pretty good at figuring out what someone's saying if they're chewing food (though, of course, it gets more and more difficult the fuller one's mouth is), or if we have a stuffy nose. We humans are REALLY good at reverse-engineering. In other words, we're able to ascertain that an ordinary situation is X, so if we're in extraoardinary situation Y, we can guess that some gesture in Y would actually be a different gesture in X. We may guess wrong, but usually context is enough to get us to the right place.
A conlang note related to this is this is why categorical languages failed to enjoy much use. Imagine you had a spoken language like this:
imaskuroma "apple"
imaskurome "orange"
imaskuromi "banana"
imaskuromo "peach"
imaskuromu "pear"
Now imagine you've got a fruit bowl with all those fruit and you're asking someone for a specific piece of fruit. And hey, why not throw allergies in! Let's say you're asking for a fruit from someone who has no idea you're deathly allergic to stone fruit. And then, with your mouth full, you ask for an imaskuromu. Is that something you want to stake your life on?
And compare the conlang list with the English list. The English list of words has a lot of variety, by comparison. I don't care how full your mouth is: I bet it's fairly easy to say which one you want (probably the only two that might be confused are "apple" and "banana").
Long story short, languages evolve (i.e. are gradually shaped by their users) to be useful. If something isn't useful enough, it changes. In this regard, sign languages are no different from spoken languages.

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Here's the review for that other conlanging textbook I was talking about. It was not what I was hoping for.
Could I commission you to create a new conlang for me or would that be extremely expensive considering how famous you are?
I have no clue how to create one myself. I've tried for years and read books about it but I still can't figure it out.
I'm not able at the moment, but can I recommend a different book—a new one? My wife Jessie wrote How to Create a Language: The Conlang Guide and it's the best resource for starting out—better than The Art of Language Invention. You can purchase it here:
Discover How to Create a Language, 1st Edition, Jessie Peterson, HB ISBN: 9781108834070 on Cambridge Aspire website
Quick add-on for my 2C -- I bought this book after reading this post and watching a video about it that I think I have queued for tomorrow and it's so good. It really embraces the beginner and explains things thoroughly and in interesting ways. I'm not far into it at all but I'm far enough to say it's earned its shelf space and is well worth spending that kind of time and focus on.