This is why I rarely come to this dumpster anymore.
hello vonnie
trying on a metaphor

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Peter Solarz
Misplaced Lens Cap
Lint Roller? I Barely Know Her
AnasAbdin
Mike Driver
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we're not kids anymore.
cherry valley forever

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@comicsforever
This is why I rarely come to this dumpster anymore.

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X-MEN (2021) #12 trading card variant! â Drawn and colored by me!
by â DRUKI â Son Jung-ho
Batman #251, September 1973, cover by Neal Adams

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R.I.P. Neal Adams
A very influential Silver Age artist who pencilled most of the Kree/Skrull War and helped revitalise the original X-Men series. Over at DC, he introduced Green Lanternâs John Stewart and had very important runs on Batman, Green Lantern/Green Arrow and Deadman.
My God, what a terrible way to find out about this, RIP Neal. Thank you for the memories!
Thor #24 - âThe Second Son of Asgardâ (2022)
written by Donny Cates art by Nic Klein & Matt Wilson
Itâs not about deserve, itâs about what you believe. And I believe in love. WONDER WOMAN (2017) | dir. Patty Jenkins
Batman // art by Mico Suayan
Jokerâs Millions The New Batman Adventures

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Today marks the 30th anniversary of the April 16, 1992 release of Rob Liefeldâs Youngblood #1, which was the first Image Comics title to be published following the groundbreaking news that Marvelâs most popular artists had left the House of Ideas to form their own independent platform.
The Plague Doctor, the most legendary antagonist of BUBBLE Universe, is back in action with a new solo series! But who hides under the mask this timeâŚ? And what are their intentions?Â
Read in Bubble comics app (android and ios)
 OUT NOW! - https://x5n4e.app.link/bubble
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Am I still considered a writer, even ifâŚ
âI donât write every day?â Yes.
âit goes weeks or months between sessions?â Yes.
âmy stories donât get any or much interaction?â Yes.
âI only write fanfiction?â Yes.
âI only write for fun?â Yes.
âsomeone criticizes my skill?â Yes.
âmy family are the only ones who read my stories?â Yes.
âI only write for myself, with no intention of sharing it with the world?â Yes.
âI donât know writing terminology?â Yes.
âIâm not very good at what Iâm doing?â Yes.
âI donât believe myself worthy of being called one?â Yes.
âthe publisher turned me down?â Yes.
âI only write one genre?â Yes.
âI use clichĂŠs?â Yes.
âI lack motivation?â Yes.
âI excel at dialogue but suck at description, or vice versa?â Yes.
âI keep abandoning projects to start something new?â Yes.
âI say screw the rules?â Yes.
- D
Am I still considered a writer, even if�
I invite my colleagues to come in behind this and add their details.
ââŚI donât write every day?â Yes. You need to find your own best writing rhythm. Donât let people bully you into theirs.
ââŚit goes weeks or months between sessions?â Yes. Writing comes from an internal âaquiferâ that can take time to refill. Let it.
ââŚmy stories donât get any or much interaction?â No one can guarantee that anyone will interact with their work, even if it is good⌠now, or in decades/centuries past. For example: you want to sit down and have a long talk with the shade of James Joyce.
ââŚI only write fanfiction?â Oh FFS. This âFan fiction isnât as valid as non-fan fictionâ thing: who made THAT up? Write what you love. God knows I have, and continue to.
ââŚI only write for fun?â This is the single best and most valid reason to write. (Though `âand also for moneyâ comes pretty close behind it). You could, though, make a strong case for âThere is no point in writing for WHATEVER amount of money or fame if youâre not having fun as well.â In fact I think my professional colleagues may possibly agree that without the fun, the moneyâs value decreases significantly. Lack of fun in writing, in fact, could be considered to be one of the very few things in the world (besides outright currency devaluation) that can make money worth less.
ââŚsomeone criticizes my skill?â (âŚA pause while I fall to the ground wheezing with laughter.) Jeez. Publishers may try to declare you less of a writer than you are, but usually thatâs only because they know youâre about to be poached by another publisher.
ââŚmy family are the only ones who read my stories?â If only your family read your stuff? Assuming theyâre not assailing you with inadequate critiques about it, then they are perceptive people. Others will get there. Thank them for their support, and give it time.
â..I donât know writing terminology?â This is another O,FFS! thing. I couldnât diagram a sentence if my life depended on it. The only way I know about gerunds is from Nigel Molesworth. Just write.
ââŚI only write for myself, with no intention of sharing it with the world?â When you are a writer, you get to write only for yourself if thatâs what you choose. âŚAnd you know what? The world has its own imperatives. If you really donât want your words shared, dig a deep hole to put them in, and never tell anyone where it is. Because words will out.
ââŚI donât know writing terminology?â Whatever I previously knew, Iâm happily to have pretty much forgotten, except when I need to coordinate with editors. When I have to do that, if someone uses a writing word Iâve misplaced by disuse, I go look it up. No one cares.
ââŚIâm not very good at what Iâm doing?â If youâre just getting started on this journey (i.e., youâre only within the first five or ten years of it), youâre not in the best position to make that judgment. Give it some time yet.
ââŚI donât believe myself worthy of being called one?â Oh, gosh, who sold you the idea that you have to believe youâre worthy of this work to be doing it? Routinely the people who hand you this line are the ones who feel the most unworthy themselves. Unfollow them at your earliest convenience.
ââŚthe publisher turned me down?â Oh, my sweet summer child. The only time to pay attention to anything a publisher says is after theyâve paid you. If money hasnât changed hands, wave bye-bye and move on. Itâs not your job to validate them or their (soi-disant) taste. A publisherâs quality is known by those they take on, and how they treat them.
ââŚI only write one genre?â âŚWhat? What are you saying? You write. All writing is in the One Great Genre. Everything else is nonfiction. (Or something.) Youâre where you need to be. Relax, and write, and have a party. :)
ââŚI use clichĂŠs?â All clichĂŠs had some truth in them once. Thatâs how they got to be clichĂŠs. ⌠Some of them are still true. Use them judiciously⌠or rephrase them and make them new. Theyâll thank you for that.
ââŚI lack motivation?â Are you kidding? All working writers lack motivation, repeatedly, every single day. All you have to do is be motivated one more time than all those times⌠and then write something.
ââŚI excel at dialogue but suck at description, or vice versa?â If (a), write more dialogue. If (b), write more description. Play to your strengths, and let the world beat a path to your door. No one ever said you had to be great at everything.
ââŚI keep abandoning projects to start something new?â (a) Make sure to make notes on what youâve been working on. (b) Keep those notes safe, and move on! Sometimes the writerâs brain recognizes something as being of value, but doesnât yet know how to make use of it. Give it time.
ââŚI say screw the rules?â Every day, and twice on Sunday! Do it as necessary while finding your way. A big part of your job is to find what the rules are for you⌠the specific working writer who you are. Your job is to find the writing habits and style that will enable you to share with other human beings what the most important things are that you feel the need to share. âŚAnd to have as much fun as possible doing it.
âŚAre you still here? Get on with it! :)
As a bestselling author, I need to admit that Iâm also not entirely certain what a gerund is. In the Molesworth books I learned they were tubby and had horns and pointy noses and that was good enough for me.
The New Mutants // By 20th Century Studios/Disney (2020)
Posters for the upcoming film, the last in the X-Men franchise to be developed by 20th Century Fox.
Coronachan // artwork by George Alexopoulos (2020)

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Kraven // artwork by Hark! A Vagrant (2011)
Kravenâs magical hunt!
Fantastic Four #4Â // artwork by Whilce Portacio and Trevor Scott (1996)