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Day 17 going back into the universe of Invincible with the second woman to take up the mantle known as War Woman. Ironicly the girlfriend of the first incarnation it’s a shame that she one the villain side instead of the hero side. Presenting War Woman 2.
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Comics Read Day: 6/24/26
Stop!! Hibari-Kun! Vol. 1
Berserk Vol. 2
King Spawn #56
Zatanna #3
Comic Books: 595
Manga: 13
Escape #8 Review
Escape #8 Image Comics Written by Rick Remender Art by Daniel Acuna Colors by Daniel Acuna Letters by Rus Wooton The Rundown: Milton finds himself a moment to rest, but tensions among his rescuers won’t make him any safer. Milton has been rescued and taken to a secret location to recover, but the commander of the enemy base has switched his mission to one of revenge when he realizes what…
Wrestle Heist #1
This comic was wizard.
Started the 2024 Witchblade comic today, read 2 issues (was also reading the new Absolute DC titles, so didn't devote as much time as usual to the readthrough). I'd call myself a big Witchblade/Top Cow fan - I've read the original run, especially loved the Artifacts era. It has a special place in my heart as one of the superhero universes I first fully experienced by reading all of it.
I was really skeptical of this relaunch specifically - I hated DC Bombshells and thought Ark: The Animated Series was pretty bad, so I just assumed anything by Marguerite Bennett would be bad. I only decided to read it because I heard there would be a Vampirella crossover and that really kicked my nostalgia into high gear.
But, despite my reservations, I enjoyed what I read today a lot!
Sara is a really cool and compelling character - this ball of bitterness and vengeance-seeking who gets hit with this bodyjacking possessive artifact that takes control of her body almost without her realizing it at times. The bodyjacking horror of the Witchblade is played up in some interesting ways, there's some good gruesomeness.
You can tell Bennett grew up reading and liking Witchblade (Silvestri mentions this in an afterword in #1 too) - it shows in the title. I started reading this because I heard it was getting a Vampirella crossover in August, and I'm liking what I'm seeing so far!
Cafaro and Prianti's lineart and coloring is excellent.
(There are negatives - not sure how I feel about Sara being ex-special forces. Also - Sara being a cop solely to chase her father's killers is a bit underwhelming, I think I'd prefer her joining the cops out of hero worship for her dead father and slowly becoming disillusioned with the cops and eventually getting pushed out, although faster than it happened in the original run. It feels like in the modern era, writers feel like they have to go 'no no no they're a cop but they're good! and you kinda get that vibe sometimes in this comic with how they portray Sara as a cop.
Also, the dialogue exposition can be a bit clunky at times. 'Mr. Irons? Mr. Kenneth Irons?')
I'll have to do a big old school Top Cow reread at some point. Shadow of Atlantis already has me wanting to reread the Top Cow Tomb Raider - my first exposure to Lara.
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Got the 3rd issue of Corpse Knight and have read it. I did love it, it truly went faster then I wish it had (it was not short persay, I just want more), and though it did revel more, it left me wanting more which is a good thing. I do wish more of their journey was showed, but that would require the comic to be longer and the run to be longer, it is a fantasy horror comic and to me, I wish to see more of the world it is set in, especially as some parts are interesting and beautiful. Yet the journey is not showed much, it is showed some but not to the extent I wish (personal preference I admit) and think would make the story better. Though I feel that implies more to the 2nd issue, it dumped me into a point where I did not get to see how it got there, and in general it feels as if more of the journey should be showed (still a good read though). But back to this 3rd issue, it did give some of my favourite moments between Foy and her father (near the end), and as usual the art and colours are stunning, and make me giddy. When it comes to how the father being dead is delt with, i love that the plague/black death is used for why his condition is brushed off. Though when it comes to Foy's mother, when learning what Foy's father used to be, i have a strong feeling about her and her mom and its connection to what brought him back (I do kinda hope im wrong as its a bit predictable but its a good idea).
Unrelated to the story but to the cover, I absolutely love and adore the cover, I saw it and knew that was the one I wanted. It is just stunning and beautiful, the colours kill me. Of course, another part i loved was being able to see more of the father's armor (technically two sets, what he wears through the story, but also in his past), and got to see another armor (unrelated to the father) in the story, the joy I felt. I admit I have a weakness for armor and to see more of it in the comic is something that i absolutely love and makes me egar more for. It also had some panels that were just cool, especially concerning the father
The Eye Collector #1 Review
The Eye Collector #1 Image Comics Written by Jonathan Ball Art by GMB Chomichuk Colors by GMB Chomichuk Letters by Lyndon Radchenka The Rundown: A mission to the moon brings something dark back. It’s the 1960’s and NASA is sending another manned mission to the moon. As the astronauts aboard the lunar module make their way to the moon, one of them discovers too late that there is something…
