Adam

Vivaldi’s music is like a sun rising in the early spring morning whose light caresses vast fields of fresh green grass and blooming flowers that open under its touch.

Bach is like the smell of incense in an old church that spreads over the lustre of freshly lacquered mahagony benches.

Beethoven is like the light of a full moon hanging on the firmament full of stars that shivers on the waves of the sea deep into the night.

Chopin is like the deep, dark waters of the uncharted parts of the ocean where all the darkest but wonderful and unimaginable that exists merely in our fairy tales lives in quietude.

Liszt is like a drop of morning dew hanging on a blade of grass in which the dancing sunlight breaks into the spectrum of the rainbow.

Their love interest makes me believe that Dark is nothing less than a beautiful opera. The part of a series finale episode that begins with Martha following Jonas into the mouth of the cave, standing there and realizing that her decision will result in the erasure of her existence, and ends with this scene, is perhaps the most beautiful sequence in all of television history. It just takes your breath away and leaves you emotionally spent. This is a very heartbreaking story. A postmodern greek tragedy with epic proportions.