Dress, 1897-98
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Dress, 1897-98

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Merle Oberon, Wuthering Heights, 1939
what I really like about all these vintage coupleâs portraits is that there is a very certain romatic decorum kept up â certain themes and poses â which, while of course being the mainstream preferred view of couples repeated throughout many studios, are just⌠so nice to look at.Â
this staged affection, a mix of theatricality and intimacy, the couple holding still for a couple of moments and now immortalised in a very set sequence of embraces and kisses. there is a charm to it even when I canât tell whether this was a genuine couple portait or just actors hired by the photographer.
the kiss on the bare shoulder (eyes perfectly averted), the cheek caress, the piano and the violin, the interrupted embrace, the woman tilted back as in a half-stopped danceâŚ
I simply must torment you a bit with these, let us see some of my personal favourites! (part one due to the image limit)
let us start with the kiss on the cheek (eyes averted! oh the pose! these were taken between 1910-1940)
or the nearly opposite energy (how daring!) of the kiss or caress with direct eye contact (1910-1930)
and then the innocent â yet so flirty â classic of the park encounter! (1890-1920)
and then the famed kiss on the bare shoulder â what an idea, what a vibe, such intimacy! (1910-1930)
and oh, I am not done, look at this â the adoration of the woman! look at this expression, this pose, this decorum! (1910-1940)
and then some of my favourites from the more playful or direct category, enjoy (1910-1930):
and, at last (thank you for still being here and witnessing my recent fascination with vintage polish photography) my three absolute favourites outside of any particular categories (1910-1930)
just look at her. just look.
DELAINEY HAYLES
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Evening Dress
c. 1913
Silk chine, brocaded silk voile, bobbin lace
French or English
Victoria and Albert Museum
"Untitled", photography by Ralph Gibson
French vintage postcard
L'Art et la mode, no. 2606, vol. 57, mai 1936, Paris. Cette tunique en gros ottoman blanc se pose sur une robe en même ottoman noir. Tunic in heavy white ottoman over gown of same black material. Jane. Photo Georges Saad. Bibliothèque nationale de France
Jacques Fath Haute Couture Spring/Summer 1950 Collection. Bettina Graziani wears a navy blue silk crepe dress with a bodice of pleated tulle in a gradient from lapis blue to white.
Jacques Fath Collection Haute COuture Printemps/ĂtĂŠ 1950. Bettina Graziani porte une robe en crĂŞpe de soie bleu marine Ă haut du corsage en tulle plissĂŠ dĂŠgradĂŠ du bleu lapis au blanc.
Photo Willy Maywald
handmade brown pinstriped bolero

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L'Art et la mode, no. 22, vol. 29, 30 mai 1908, Paris. Mlle Marcelle Lender, ThÊâtre du Gymnasse. â Robe de gaze âpervencheâ. Tunique de filet rebrodĂŠ, ourlĂŠe de biais de liberty. Guimpe de tulle et Valenciennes. Bouquet de primevères. Imp. d'Art L. Lafontaine, Paris. Bibliothèque nationale de France
anna sui fall/winter 1993 rtw
Ball gown, c.1907
Pale pink silk and ivory net lace; trimmed with metallic net, pink satin bows, and rhinestone buckles; lined with satin and chiffon.
Made by Mme. Frederique of Paris, France for Anette I. Young.
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Bath tub goddess!! (chubby version!)
I usually wouldnât like this very much because you can see like EVERYTHING but Iâm very much in love with myself here for some reason <3
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photo taken after the miss natural beauty africa mini fashion show, where the contestants had to show their personal style
Poor Oskar. Try to do your job with this sitting next to you in the cab. đ