I walk through her door and sit down in a chair next to her desk. āWhat can I do for you today?ā she asks me, her voice soft, caring, empathetic and concerned, as if she already knows. My hand moves to my pocket, as if it had a mind of its own. I start to finger the cool, heavy, rough metal in my pocket, wanting to grip it and use it, while at the same time wanting to chuck it as far away from myself as possible. āCāmon, Jack, youāve got to talk to me. I canāt help you if you donāt.ā
āPlease just kill me now,ā I whisper in a low mumble.
āIām sorry, I didnāt quite catch that.ā
āPlease just kill me now,ā I whisper again, this time more clearly.
āWhy?ā she inquires, matter-of-factly.
āBecause if you donāt, then I will.ā I grasp the rough grip in my pocket, my index finger falling to place on the trigger. This action, however, causes a clear outline through the pocket of my jeans, and I know that Mrs. Sosa sees it, but I donāt care. I doubt she could wrest it from me before I could use it.
āWhatās in your pocket?ā she asks, although it sounds more like a command. I hesitate. Thereās a couple of different ways I could go about this. I could stay silent, make things as difficult as they could possibly be. I could tell her straight-out. Either way chaos is about to ensue. When a suicidal student comes in completely ready to die, controlled chaos always ensues. āWhatās in your pocket?ā she repeats, the command tone present. She must be mistaking my hesitancy for a refusal to speak.
āTake a wild guess,ā I mutter darkly, uncomfortable telling her directly what it is.
āI think I know, but I want you to tell me.ā
āI-I canāt,ā I stutter out, shaking my head.
āThen just tell me yes or no-is it a gun?ā
I hesitate a moment, then nod my head, tears welling in my eyes. āI need to hear you,ā she commands gently, meaning she saw my head nod.
āYes,ā I choke out, tears now streaming down my face.
āOkay. Iād really like to talk to you about why you felt the need to bring a gun into school, but first I need to make sure youāre safe, and while youāre in possession of that gun, you, and everyone around you, are unsafe. Are you aware we always have a police officer in the building?ā I nod my head yes, too consumed to be able to speak. āAre you okay with me calling him in here?ā I shake my head no. I donāt want anybody else involved. āWell, unfortunately then, I have to bring him in. Heās the only one qualified to take the gun from you.ā I continue shaking my head no. āAlright, youāre not going to be very happy with me, but I have to call him.ā She reaches for her phone, keeping her eyes on me until she has to dial.
In that split second I pull the gun from my pocket, cock it, and put it to my temple. She looks back at me as she finishes dialing, and the look that crosses her face is a mix of fear, panic, and concern. āOfficer Krupp? This is Bridget Sosa, from the guidance office. I need you in my office immediately. This is an emergency.ā
āIāll do it. I swear to god Iāll do it!ā I cry out quietly, but still loud enough to be picked up by the phone. She puts the phone on the desk and immediately starts trying to talk me into putting the gun down.
āJack, listen to me, please. You donāt have to do this.ā
āYes I do!ā I cry through clenched teeth, my finger tense on the trigger.
āWell, you donāt have to do it right now. You can do it later. You can wait for a little bit before you do it,ā she almost pleads.
āIāve waited for long enough, put up with this for long enough. I have to do it nowā¦ā I trail off.
āTell me why you have to do it now, why this canāt wait until later,ā she commands pleadingly.
āYou wouldnāt get it, you wouldnāt understandā¦ā
āThen help me to understand. I want to understand.ā Thereās a soft urgent knock on the door, and my tense finger almost pulls the trigger as I startle. Mrs. Sosa looks past me to the window in her door, and what crosses her face could almost be a look of relief. She beckons for the person to come in as she replaces the phone receiver back on the phone, and the door quietly opens and closes beside me.
āHey son, Iām Officer Krupp, but you can call me Kyle,ā he introduces as he leans against the wall across from me. āWhat can I call you?ā
āHow about the worldās worst screw-up?ā I retort, not really joking.
āYouāre not a screw-up,ā Mrs. Sosa interjects quietly, but is gently cut off by Officer Krupp:
āOkay, whatās your name, son?ā
āJack. Jack Cavanaugh.ā
āOkay, Jack, Iām going to be up front and honest with you-Iām here to get that gun from you, and I will do it in whatever manner I have to. The easiest way is if you give me the gun, but I get a feeling that you donāt want to do that.ā
My response is just a dead stare, almost a dare for him to try and take the gun away from me, to try to take away what will finally free me. Kyle must read the message on my face, because he picks up almost right where Mrs. Sosa left off.
āIn order for me to help you out, Jack, I need to know what youāve come to get help for.ā
āWho said I came for help?ā I practically snarl, renewed tears trailing down my face.
āWell, I would say you did,ā Kyle responds quietly, āseeing as you came down her voluntarily.ā
āMaybe I just wanted a witness.ā
āI think we both know that thatās not one-hundred percent true.ā I glare at him. I donāt want him to be right, but I know he is. If there wasnāt even the smallest part of me that wants help then I wouldnāt be here. I would have pulled that trigger long ago. Itās just that the part that wants help isnāt the dominant part.
I feel my arm start to relax and my grip slacken as I think about this. Kyle takes a step towards me and immediately I tighten my grip. Kyle sees this as well, and retreats.
āAlright, Jack, we need to come to some sort of agreement. If I stay against the wall, will you put the gun down so we can talk?ā
With tears streaming down my face I shake my head. āI have to do this,ā I choke out amongst the tears. My finger tightens again on the trigger, but I just canāt bring myself to pull it.
āWhy do you have to do this? We want to understand, to help you, but we canāt if you donāt tell us,ā Mrs. Sosa explains.
āI-I canāt. I donāt know what to say, what to tell you.ā
āWhy donāt we ask basic questions and you just tell us the answers,ā suggests Kyle.
āI have a hard time answering questionsā¦ā I respond, trailing off.
āWhyās that?ā Mrs. Sosa this time.
āI-I-I canāt-it-itās hard to explain-ā
āWeāve got as much time as you need,ā encourages Mrs. Sosa.
āI-it-I-if I can write, maybe I can explain that way.ā Immediately Mrs. Sosa pulls a pen and a medium sized pad of paper from one of her desk drawers. I eagerly take the pen and paper from her, grateful that Iām ambidextrous, so that I can continue holding the gun in my right hand and write with my left. As soon as I put the pen to paper the explanation pours out of me:
Iām terrible at saying things out loud. Even things that I want to say. Itās like there is this force inside my head that keeps me from saying anything, no matter how hard I fight it. Responses to questions circle continuously through my mind, but I canāt say it. Itās like a civil war breaks out in my mind between āsay itā and ādonāt,ā and ādonātā always wins. People tell me to fight it, but I canāt, like as soon as the battle starts Iām paralyzed.
I stop writing and decide that thatās enough for now. I can write more later if I need to. I proffer the pad to Mrs. Sosa, and when she asks if she may read it aloud I give a curt nod.
After she finishes reading thereās a brief silence. Officer Krupp, or Kyle, rather, quietly breaks the silence: āIf we let you write, can you answer questions, explain things to us, help us understand?ā I hesitate for a moment, and then nod my head yes. Mrs. Sosa hands the pad of paper back to me, and I resituate it on my lap so I can write with my left hand.
āSo why do you want to kill yourself?ā Mrs. Sosa asks, although Kyle looks like he was about to ask the same question. I write nothing, but give Mrs. Sosa a look that says āreally?ā instead. āOkay, really broad question. What pushed you to want to do it now?ā
I canāt wait any longer. Iāve waited too long, put this off longer than I shouldāve. I shouldāve done this ages agoā¦
āWhy do you say that?ā asks Mrs. Sosa, after reading my response.
I kept putting it off, hoping that things will get better, but they donāt, and they never will. I see that now, which is why I have to do this now. The words, the hate, the stress, it never goes away. None of it ever does, never will. The only way to get rid of it is to get rid of me. So Iām getting rid of me. Everyone else will be happier without me around anyways.
Thereās a slight intake of breath from each of them after they read it, and then the pad makes its way back to me. I readjust my grip on the gun, making it tighter, firmer. As my fingers move Kyle and Mrs. Sosa both tense up, and this time I almost do pull the trigger, as I see their eyes locked on my fingers.
āHow do you know it will never go away?ā Mrs. Sosa prods.
āBECAUSE IT WONāT!ā I burst out. āIt never has, and because history just repeats itself, whatās happened before is doomed to happen again! Itās an endless cycle of torture and torment, and the only way for me to end that is to end me, so thatās what Iām doing!ā
āHistory is only doomed to be repeated if circumstances donāt change,ā whispers Kyle, interjecting his thoughts.
āTHEN IāM CHANGING THE FUCKING CIRCUMSTANCES!! With me gone, the past will have nothing to revolve around, to repeat for, and therefore it will finally stop.ā I try to pull the trigger, but I still canāt bring myself to put a bullet through my head. I pull the gun down from my head, knowing that I wonāt be able to pull the trigger, no matter how much I want to. As I uncock the gun there is a collective sigh from both Kyle and Mrs. Sosa. I proffer the gun to Kyle by the muzzle, and as soon as he takes it I curl up in a ball, the pen and pad of paper falling to the floor.
āJackā¦ā they both murmur, almost simultaneously. I donāt move, donāt respond, but they both seem determined to say what they want to say.
āThank you, Jack. You made the right choice.ā Kyleās words.
āYes, Jack, you made the right choice,ā echoes Mrs. Sosa. āIād really like to talk with you about this, Jack. I feel like thereās a lot more you can share with me.ā
I hear them talking, but I donāt really listen to what theyāre saying. Instead, Iām thinking of whatās in my other pocket, and how to get away to use it.
āI need to go to the bathroom,ā I quietly announce as I raise my head from my knees. A look passes between Kyle and Mrs. Sosa, and then Kyle says heāll take me. āI donāt need an escort. I know how to get there,ā I retort, almost offended.
āItās not a matter of knowing how to get there, itās a matter of knowing youāre safe,ā Mrs. Sosa explains, and Kyle nods his head in agreement.
āFine,ā I grumble, and slowly unfold myself from the chair. I traipse out of the office, Kyle following close behind. He does afford me some privacy by waiting outside the bathroom at least. I traipse to the last stall, lock the door, and then sit down in the corner. I donāt actually have to go to the bathroom; I just wanted to get out of Mrs. Sosaās office and to get some privacy.
I reach into my pocket that wasnāt holding the gun and pull out a small, plastic container. Carefully opening it, I remove the other piece of metal that Iāve been carrying with me. I slowly roll up the sleeves of my sweat-jacket, contemplating what pattern Iām going to draw this time. I settle on nothing in particular, just slow and deep. Something that may finally bring the end I seek.
I look for the vein in my left forearm, and, once I can see it clearly, I start to trace it slowly with the razor blade, using enough pressure to cut deeply, hopefully hitting close to the vein. As soon as I reach my elbow I hear Kyleās voice calling out through the bathroom, followed by the sound of his footsteps as he enters the bathroom, looking for me. I say nothing, knowing heāll find me anyways.
āIs everything okay?ā he asks. āYouāve been in here for a while and I havenāt heard anything.ā After a moment I see his head peering into the stall from over the door through my blurred vision. āShit!ā he mutters. His face disappears, and the lock starts to jiggle, but he canāt seem to unlock it from the outside. āJack, can you unlock the door, please?ā he asks, although it sounds more like a command.
āHow about no?ā I respond slowly, my words starting to slur. As my head drops to my chest, I feel too tired to hold it up anymore, I see that I have a pretty good sized pool of blood near my left leg, and the blood is steadily flowing from my left arm, which is resting on my left leg.
The lock jiggles again, and then falls silent. Thereās a strange noise, almost like clattering, and I manage to lift my head to see Kyle crawling under the stall door. The noise is everything on his belt making contact with either the floor on the bottom of the door. I donāt see whether Kyle makes it all the way through or not. My head drops back to my chest and my vision slowly fades to black before I get a chance to.
Ā Someoneās slowly shaking my shoulder, and thereās something squeezing my left arm. I open my eyes slowly, and though my vision is blurred, I can make out Kyle crouched in front of me, holding something on my left arm, which explains the pressure I feel, and his other hand stretched towards me, which is probably the one on my shoulder. I see his lips moving, and I hear sound coming out of his mouth, but I canāt process what heās saying. As I stare at him, however, what heās saying starts making sense:
ā-you with me, jack? Can you hear me?ā As I make sense of his questions I slowly nod my head, answering them. I hear a sigh of relief from Kyle before he asks me another question, āCan you hold this on your arm?ā As he asks, he motions to a wad of toilet paper that heās pressing to my arm.
āWhy would I do that?ā I slur back at him, still not one-hundred percent functional in my brain.
āBecause we need to get the bleeding under control, or else you will lose consciousness again, and possibly bleed to death. I need to get help, but I need you to hold this to your arm so I can do that.ā
āBut that would be the opposite of what I want to do,ā I respond slowly to his explanation, almost sneering at him.
āYou donāt give up, do you?ā he asks rhetorically. He stays silent after that for a moment, concentrating on my arm. Then, just as I start to slip back into the fringes of unconsciousness, āI hate to do this, but I have to. Jack, I would really like you to push down on your arm with this, but I canāt make you. Iām going to go get help. I canāt stop this by myself. You need medical attention. Whereās the blade you use?ā I say nothing, make no motion to give it to him, either. āDAMN IT JACK!!! Just give me the blade! At this point, cutting yourself any more isnāt going to make a difference. If this one-ā he motions to my left arm ā-doesnāt stop bleeding then you will die. Please just give me the blade so I can have a tiny bit of peace of mind while I get some help.ā His last sentence is pleading more than commanding. I open my right hand and let him take the razor blade from my palm.
He attempts to take my right hand and use it to take the place of his hand on my arm, but I refuse to hold my hand there. I would rather bleed to death than live this life any more. He leaves quickly without another word, and quickly I am submerged into blackness once again.
Ā When I awake this time it feels different. Thereās a constant pressure on the whole of my left forearm, and whatever it is Iām lying on is swaying slightly. And Kyleās not crouched in front of me. Thatās one of the big things I notice first. Thereās a guy sitting on either side of me, and in front of me are a set of doors. I also feel something weird in my right arm, and when I look I see that a small tube has been taped to my arm, and itās attached to a bag of fluid. Then I hear the wailing sirens above me and connect the dots to form the picture: Iām in an ambulance.
āGoddamn it,ā I mutter, more to myself than anyone else, and the guy on my right takes notice that Iām conscious again.
Ā Ā Ā Ā Ā Ā āHey, youāre awake. My nameās Mike, Iām a paramedic. Youāre in my ambulance, on the way to the hospital. Howāre you feeling?ā
āLike I want to dieā¦ā I groan back, still completely serious about my desire.
āYeah?ā I nod my head. āWell, itās our job to make sure that doesnāt happen, at least not while youāre under our care.ā
āGreeeaaatttā¦ā I mumble, trying, unsuccessfully, to keep it under my breath. Mike gives me a short chuckle, and then asks if he can ask me some questions. āSure,ā I respond slowly, nonchalantly.
āAlright, first I need to confirm your name and get your date of birth. Can you tell me your name?
āOkay, and now can you tell me your date of birth?ā
āJuly thirty-first, nineteen-ninety-eight.ā
āDo you know your social security number?ā
āNot off the top of my head, no.ā
āOkay, no worries, buddy. Whatās your address?ā
āEleven thirty-five thirty-second street, northwest, Connorsville, West Virginia, 53957.ā
āMoving on to the medical questions, do you have any allergies?ā
āNone that I know of.ā
āAre you on any medications?ā
āCan you tell me how the injury happened to your arm?ā
āDid they not tell you when they called?ā
āThey did, but I want to hear your side of it.ā
āFine,ā I respond tersely. āI took a razor blade and cut myself.ā
āThat deep with just a razor blade?ā He sounds slightly taken aback, as if he hasnāt encountered this type of situation before.
āYouād be surprised where determination can get you, especially when you have no desire to stick aroundā¦ā
āMoving on,ā he interjects, āwhy did you cut yourself? Were you trying to kill yourself?ā
āLetās see, I had just come from my guidance counselorās office, where I was pointing a gun at my own fucking head, and I almost pulled the god damn trigger. Then you guys come to pick me up because Iām bleeding to death from a self-inflicted wound in my left arm. What do you think?ā
āI would say that yes, you were. Is that correct?ā
āNo shit, Sherlock,ā I retort.
āAlrighty, then. Do you have any previous psychiatric history?ā
āWhat do you mean?ā I ask, feigning confusion.
āHave you ever done, or tried to do anything like this in the past? Have you ever been diagnosed with any mental illness?ā
āIāve never been diagnosed with anything,ā I mention, purposely trying to avoid answering his first question.
āWhat about the cutting? Is this a new behavior?ā
I pause for a moment, contemplating how much to reveal. āNo,ā I finally state. āItās been going on for about five years.ā I expand, after a moment.
āAnd the suicidal thoughts? Are those recent, or have they been going on for a while?ā
āItās been going on for a whileā¦ā
āAs long as the cutting?ā
āNo, only a couple of years.ā
āOkay. Was there anything in particular that happened recently to make you try to do it today?ā
āI just got tired. Iām tired of waiting for things to get better, Iām tired of putting it off, I got tired of trying to build up the nerve to do it. So, I decided that today was the day.ā
He busies himself entering the information into a computer, and start rechecking my vitals. By the time heās finished with that weāre stopping, and the driver of the ambulance is getting out. Mike has me sign something on his computer, and then the doors in front of me open, and Iām wheeled into the hospital. After they figure out what room Iām in, they have me move from the stretcher to a hospital bed. A nurse follows us in, and starts entering my information into another computer as she receives a report from Mike. After the EMTs and the first nurse leave, a second nurse enters the room and has me change into a hospital gown. About this time my parents show up, although I really donāt want to see them.
āOh, Jack!ā my mom cries out as she rushes over to the bed and tries to put her arms around me. I fend her off of me, and my father starts:
āJack-ā but I cut him off.
āDad, I donāt need you reprimanding me.ā
āJack, please, just listen to me. I donāt want to reprimand you. I just want to know why. Why son? Why did you do it?ā
As I stare at him I notice tears start leaking from his eyes. My father, the man who never cries in public, is crying over this. I have finally managed to do something that has brought out some form of emotion in my father.
āWhy did I do this?ā I croak back, fighting back tears of my own. āWhy did I try to end the misery that is my life? Take a wild guessā¦ā
āJack, please. Donāt be like this. Just tell us what went wrong,ā my father responds, half protesting, half pleading.
āWhat went wrong? Everything went wrong,ā I retort, my voice starting to raise. āEverything screwed up, and I became the worldās biggest fuck up. I was so fucked up that I became nothing. Everything was so screwed up that it all became meaningless. Nothing means anything anymore. Iāve gone on far too long as nothing. Itās tie to end the nothingness.ā
āOh, Jackā¦ā my mother sobs.
āJack,ā my father sighs, āwhy didnāt you say something before now?ā
āLike you would have listened? Like you would have cared?ā I throw back at him, my voice getting even louder as a feeling of rage overcomes me. āThe only time youāve ever paid any mind to me was when I did something wrong, when I screwed up, and even then, you were only ever disappointed. You never tried to help, you never tried to fix anything!ā Iām shouting now, and even though Iām sitting in a bed, Iāve pushed my mother away from me. As I stare at my father and his shocked expression, the raging fury within me quells to a silent rage. āI gave up thinking you cared about me years ago,ā I say in a low whisper that nevertheless carries across the room. My fatherās shocked expression slides off his face and is replaced with a familiar one: disappointment. My motherās expression however is one of dismay.
āIāve always cared Jack-ā
āThatās a load of bull!!!ā I shout at my father as he tries to protest. āIf you cared you would have been there! You would have noticed when this started five years ago!ā
My fatherās expression slowly changes to match my motherās as what Iām saying sinks in. Before my father can say something else in protest, however, a doctor walks into the room. āIs everything okay?ā He asks as he pushes a wheeled surgical tray in front of him.
āEverythingās fine,ā I respond slowly, glaring at my father, as if daring him to say otherwise. As he walks to the side of my bed, the doctor looks from me to my parents and then back to me.
āAlright then. Iām Doctor Jim Johansson. I know what your chart says, but I want to hear from you why youāre here before I get started.ā
āI have a big-ass cut on my arm,ā I retort back in typical teenage fashion, proffering my gauze-wrapped left forearm.
āOkay, how did you get a big-ass cut on your arm?ā I look away from Dr. Johansson and down at my feet, the frenzy of response starting in my brain and the paralysis that comes with it starting to set in.
āI did it,ā I force out in a barely audible mumble.
āIām sorry, did you say you did this?ā I nod my head, the feeling of being unable to talk overtaking me. āWhy did you do it?ā he asks, sounding truly curious instead of like he was just trying to gather information, like he really cares. At first I donāt say anything, I canāt. But after Dr. Johansson prompts me, I respond:
āI want to die,ā I say deadpan, staring him straight in the face as tears start trailing down my face again.
āWell, that is a reasonā¦ā he trails off, seeming slightly taken aback by my blunt response. Dr. Johansson pulls a wheeled stool over to the side of my bed and then uncovers the surgical tray, revealing a couple of pre-threaded suturing needles, a pair of scissors, and a syringe full of something. As he sits down on the stool, he picks up the syringe. āIām going to inject a local anesthetic into your arm. Then Iām going to stitch the wound in your arm closed. Think you can handle that?ā
I nod my head, and then he carefully unwraps the gauze from around my arm, taking care not to disturb the packing over the actual wound itself. He carefully sticks the needle into my arm near the cut, injecting the anesthetic.
After a few minutes, he gently palpates my arm around the packing. āCan you feel that?ā
āAlrighty, then. Time to start stitchinā.ā He flashes a smile at me with his last comment, but I donāt smile back. I canāt. My head is in complete chaos. I try not to think about the pair of scissors on the surgical tray next to me, easily within reach. As Dr. Johansson starts to gingerly remove the packing from the laceration on my left arm, I turn to the right, closing my eyes. Closing my eyes doesnāt help, though. If anything, it makes the chaos worse. Images flash before my eyes even more clearly with a black backdrop.
āI havenāt even started yet. You okay, bud?ā Dr. Johansson asks me.
āYeah, Iām doing just fine,ā I lie through my teeth.
āThe sight of the wound getting to you?ā
āNot, not that. Justā¦ā
āThe sight of the thread being pulled through your skin freak you out a little bit?ā I hesitate. The idea of watching my wound being stitched up actually sounds kind of cool.
āNo, itās not that,ā I finally respond, turning to face Dr. Johansson. āItās nothing, really.ā I lock eyes with Dr. Johansson during this last statement, half hoping to convince him that, sans the gaping cut on my left arm, Iām okay, and half hoping that he sees through my mirage.
āOkay,ā is all Dr. Johansson says, but the knowing look that flashes across his face towards me says that he knows itās not nothing, but heās not going to push the issue right now. He starts the tedious task of stitching closed the three inch gash in my arm.
After he finished sewing my arm and sets the last needle on the tray, he recovers the tray with the blue, paper-like material that was initially covering the tray, and bandages my arm over the stitches. āNow, based on the report from the EMTs, and based on my initial assessments, I would like for you to have a mental health evaluation.ā I almost scream no. My parents both look stricken.
āIs that truly necessary?ā my father intones, phrasing it as a question, but sounding patronizing more than curious.
āYes,ā Dr. Johansson responds confidently and assuredly. āBased on the nature of Jackās wound, and a report to the EMTs from Officer Krupp that, prior to the infliction of this wound, Jack was pointing a gun at his own head, threatening to pull the trigger, I believe that a mental health evaluation is needed.ā
āCan we discuss this outside, please?ā my father asks in a commanding tone.
āUm, yes, we can,ā Dr. Johansson responds, slightly startled by the sudden request. I watch my father walk briskly out of the bay, followed by the doctor, and my mother traipsing behind after a nod from me to follow them. Once I hear voices outside the closed curtain, I reach toward the surgical tray, slowly lifting the cover. I slowly grasp the scissors from the tray, almost as if trying to convince myself that I want to do this. I open the scissors, exposing the blades. I think about going after my right arm, but I canāt effectively control my left hand to dig the scissors into my right arm. The general anesthetic that was administered earlier is still in effect. I think briefly about my throat. Just cutting straight across. Not necessarily going for any major veins or arteries, just being symbolic more than anything. I decide to put that off until later. I want to actually bleed before I start leaving symbols.
My gaze falls to my thighs. The more I contemplate it, the better it seems. I slowly slide the gown up my right thigh until I see the bottom edge of my boxer-briefs. About half of my thigh is revealed. I gently drag the blade along my thigh, no pressure yet, just caressing, almost as if I were trying to shave my thigh. Then I actually turn the blade into my skin, poised to cut through the flesh. I push the blade into my leg, forcing it to go deep. I start pulling the scissors towards me, slowly lengthening the wound, and, despite trying not to, I give a soft cry of pain. The voices outside the curtain stop. Dr. Johanssonās head appears around the edge of the curtain.
āShit!ā he mutters as he rushes over to the side of my bed. His hand immediately grasps mine, trying to pull it up and away from my thigh. I fight him, trying to keep dragging the scissors towards me. The fight doesnāt last very long, though. Dr. Johansson forces my hand up and wrests the scissors from me. After moving to the other side of the bed, he pulls the tray away from my bed and puts the scissors back down on it. He walks over to a cabinet thatās off to the side, and then comes back to my right side, this time with a roll of gauze in his hand. He starts bandaging my thigh slowly, making sure to get pressure over the fresh wound. After he has a couple of layers of gauze down he picks up the pace a bit. After he finishes wrapping my thigh, he walks to the curtain and summons a nurse over. āI need another suture kit and a set of restraints,ā I hear him inform her. He walks over to the computer near my bed, enters something into it, and then asks me a few questions. āDid you do this on purpose?ā I look to Dr. Johansson with a face that says āreally, youāre asking me that?ā āI have to ask,ā he counters, the look on his face almost sympathetic.
āYes,ā I finally sigh, giving up on being difficult, finally surrendering to the fact that I will be living today instead of dying.
āWere you trying to kill yourself?ā I pause for a moment, thinking. I wasnāt necessarily trying to kill myself, but I wouldnāt have minded if I had bled out before they came back into the room.
āPotentially,ā I finally respond, my response being naturally semi-cryptic.
āCan you elaborate on that?ā
āThe primary goal was not death, but if it occurred as a side effect I would not be all hot and bothered.ā
āOoookaaayā¦ā Dr. Johansson mutters as he types a few things into the computer. āNow, youāre going to not like what Iām going to have to do next. Within the next few minutes a nurse is going to come in here with a set of restraints. Because of what you did, I now have to restrain you, for your safety as well as ours. Sheās also bringing me a suture kit so that I can stitch up the wound in your thigh. You did a pretty good number there. Iām probably going to want to take an actual look at the wound before I stitch it up, make sure thereās no serious damage. What I would like to know now is whether youāre going to let me put the restraints on you nice and easy or am I going to have to call a couple of extra guys to help me put them on?ā
āWell, as fun as it sounds to be forcibly restrained, I think Iām going to have to go the non-resistance route. I donāt feel much like fighting, and even if I did, Iām not in much of a position to do so.ā
Ā Ā Ā Ā Ā Ā āSo youāre going to let me put them on you nice and easy?ā
āSuuuuuuuurrreeeeeā¦ā
āThatās not very reassuring.ā
āAgain, not in much of a position to fight,ā I iterate, starting to feel fed up with the situation.
āJack, just give him a yes or a no,ā my father interjects. I glare at him. I want my parents as least involved as possible.
āYou say youāre not in a position to fight,ā Dr. Johansson comments, ābut you resisted pretty well when I took the scissors from you. It would be nice to know ahead of time if youāre going to take a swing at me or something when Iām trying to put the restraints on you.ā
āI donāt take a swing at somebody unless they really piss me off and punching them is deemed necessary,ā I respond slowly. I notice that Iām starting to feel tired and sluggish. Despite the fact that it seems like all I do is sleep, I always feel tired. I also notice that my right hand, which has been resting on my thigh near the fresh wound, feels warm and wet. I glance down and see that the bandages on my thigh are bright red, apparently saturated with blood. Dr. Johansson notices me look down and follows my gaze.
āThatās not good,ā he remarks as he walks briskly from the computer back over to my right side. Just then a nurse enters the bay, a handful of straps draped over one arm and pushing a tray almost identical to the one Dr. Johansson entered with earlier. āGood timing,ā Dr. Johansson comments to the nurse as she proceeds towards him. āI need that suture kit over here. Can you start applying the restraints?ā The nurse leaves the tray next to Dr. Johansson, who has already put on a pair of gloves and pulled out more gauze, and starts applying the restraints around my limbs and then connecting them to the bed so that my range of movement is terribly limited. I test just how far I can move by pulling against the restraints on my arms. I get about three inches before the straps are taught. Before I can test the straps around my ankles, I feel a sudden, constricting pressure on my thigh. I try to pull away from it as reflex kicks in, but my legs stops short, thanks to the restraints.
āEasy, Jack,ā Dr. Johansson reassures me. āIām just trying to control the bleeding at the moment. The only thing Iām doing is wrapping gauze and applying pressure.ā
āIt hurts,ā I comment, feeling childish as I slowly relax the muscles in my leg.
āItās going to hurt a little bit,ā explains Dr. Johansson. āIn order to stop the bleeding I have to apply a pretty significant amount of pressure.ā I nod my head in understanding and sit back against the bed. As I feel the tight pressure around my thigh again, I fight the urge to pull away and try to relax my leg instead. I close my eyes as I continue to fight against pulling away.
After a few minutes the intermittent pressure dissipates and is overtaken by a constant squeezing. āIām going to give that a few minutes and then check on it and hopefully get it stitched up, but in the mean time Iāve got a few things to take care of.ā Dr. Johansson strips off his gloves and throws them away as he leaves the room. The silence that follows is so tense that a tightrope walker could walk across it. I can tell that my father is extremely displeased with something, and my mother just seems confused and concerned more than anything.
The tense silence continues until Dr. Johansson returns, pulling on another pair of gloves. āLetās take another look at your leg, shall we?ā I try to raise my knee up to make it easier for him to examine my thigh, but all that ends up happening is my ankle jerking in the restraint. āEasy there,ā he comments, sounding reassuring. He sits on the wheeled stool next to my bed and pushes my hospital gown back to fully expose the bandaging. āThe bleeding seems to be at least partially under control. Itās not bleeding through the bandage, which is good.ā He slowly cuts through the gauze from the wound. After he carefully removes the gauze from the wound he pulls the suture kit closer to himself. He gently palpates around the wound, inspecting it, making sure thereās nothing in there that isnāt supposed to be. He swabs my thigh, wound and all, with an antiseptic soaked piece of gauze. I expect it to sting, but it doesnāt.
āSame drill as last time,ā Dr. Johansson comments to me as he picks up the syringe from the tray. Thereās a slight pinch as the needle enters my thigh, and a slight burning sensation as the anesthetic is injected. After a few moments, Dr. Johansson gently palpates my thigh again around the wound, but I feel nothing. After confirming this he starts to stitch the wound closed. Once he finishes sewing, he bandages over the stitches, just like he did on my arm. āThat should do it,ā he comments. āThere should be someone here shortly to perform a mental health evaluation. Theyāre going to decide if youāre okay to be released or if they want to admit you to the psychiatric ward. If they chose to admit you they may admit you as inpatient or they may admit you as outpatient.ā
āWhatās the difference?ā my father quickly interjects.
āWell, inpatient means that Jack will be staying in the hospital, on the ward. If heās admitted as outpatient, then he would come to the hospital during the day and go home at night.ā
āSo itās a difference in level of care?ā my father asks, sounding accusatory.
āKind of,ā Dr. Johansson answers. āIf Jack is admitted to inpatient, it means that we believe that he is an immediate threat to himself or someone else. To put it into laymanās terms a little bit, it basically means that his condition at this time is a little bit more severe. By having him admitted to the ward we know heās going to a safe place where he canāt hurt himself or anyone else.ā As Dr. Johansson says this my brain responds with a āchallenge accepted.ā
āAnd if heās admitted to outpatient?ā
āWell, it basically means that his condition is less severe; that we donāt think he poses an immediate risk to himself or to anyone else. If heās admitted to outpatient, then we feel that he would be safe to go home, and would come to the hospital during the day, basically to receive treatment. There would be group and individual therapy sessions, much like inpatient. With either type of admission, our highly skilled and trained team of professionals will work with Jack to try to figure out why heās doing what heās doing, try to help him find some alternative things to do instead, maybe start him on some medication if itās felt that itās necessary, and help set up a long-term care plan for Jack, such as setting up appointments with outside therapists, and psychiatrists if we start him on any medications.ā
āAnd there will be one person who determines whether heās admitted inpatient or outpatient?ā Now my father sounds skeptical, as if he doesnāt feel like this is a well-working system.
āOne person does do the evaluation, but itās not solely that person that makes the decision. The evaluator has a set of guidelines to follow during the evaluation, and then they consult with a couple of different people on the final decision, based on the findings from the evaluation.ā
āOkay,ā my father responds, sounding a little bit more comfortable with that information.
āAny other questions?ā Dr. Johansson proffers. My parents shake their heads, and I remain still and silent, not trusting myself to say or do anything lest I give away my thoughts. āOkay. I will check back on you later, most likely after mental health comes down to do their evaluation.ā He walks out of the bay, and again the room is overtaken with a tense silence.
āJack,ā my father starts, but I cut him off with a motion of my hand.
āI donāt want to hear anything you have to say. Everything is just an act now. I know you donāt really care about me. You care about what it means for you, how itās going to reflect on you. You care about what people will think if they find out that you have a son who tried to kill himself, who cuts himself, who is a fuck-up in the eyes of society.ā My voice fades away, no longer able to say anything.
āOh, Jackā¦ā my mother starts again.
āRowena, please. Let me have a word with Jack. Then you can have your say with him.ā My mother nods, agreeing. āJack, Iām going to say what I have to say, and youāre not going to stop or interrupt me. I canāt make you listen, but I hope you will. I have always cared about you, Jack. I know I havenāt really showed it, but I have always cared about you, always wanted the best for you. I know Iāve pushed you to be good, because I always wanted you to be the best you could be. Iāve pushed you to do everything you possibly could because I want you to know that youāre capable of anything. I only ever was put down by my father, and had a mother who just went along with him instead of standing up for me. I never knew how much I was capable of because I was only ever put down. I didnāt want that to happen to you. I wanted to make sure you know exactly what youāre capable of. Iām sorry I havenāt shown this in a better way. I wish you couldāve brought it up to me beforeā¦before it go to thisā¦ā Tears are starting to trail down his cheeks again, and Iām almost touched by his words and show of emotion, but my anger overrides. Beneath all the anger I know heās speaking the truth to me, but I donāt want to believe him. I canāt fully believe him right now.
Before I can formulate a coherent response, thereās another knock on the door as someone new pokes her head around the door. āAre you Jack?ā she asks. I nod my head. āWhatās your birthday?ā After she asks me, she looks down at a clipboard in her hand to confirm my answer.
āJuly thirty-first, nineteen ninety-eight,ā I tell her.
She looks up at me with a smile, and introduces herself. āMy name is Emily. Iām from behavioral health, and Iām here to do your assessment. Would you mind talking with me for a few minutes?ā I shake my head. āGreat.ā She looks at my parents in turn. āWould you mind if I talked to Jack alone?ā My father looks slightly taken aback, and a questioning look starts to cross his face. My mother, while also looking slightly surprised, nods her head.
āOf course,ā she answers Emily softly. She grabs my fatherās wrist and pulls him out the door behind her, before he gets a chance to start questioning Emily.
Once the door closes behind them, Emily starts to explain, āMost people feel more comfortable answering these questions without other people in the room.ā I nod my head in understanding. āI see from your chart that you were brought in after cutting your wrist in your school bathroom, which you did after holding a loaded gun to your head in your guidance counselorās office. It also says that while Dr. Johansson was outside talking to your parents, you took the pair of scissors from the suture tray and started cutting into your leg. Is all that correct?ā I turn my eyes away from her as I nod my head in affirmation. āOkay, Jack. I do need you to talk to me a little bit. I know it might be difficult, but I need you to try to use words. Can you tell me about why you did those things?ā
I stare off into the floor in the corner of the room, not exactly sure how to respond yet. A couple of different thoughts race through my mind, each clamoring for attention, to be the one to leave first. My response depends on whether I want to be sarcastic, and an asshole, or genuine, and cooperative.
āJack?ā Emily prods after a moment of intense silence. I hold up a finger, asking her to give me a moment, and tap my temple a couple times, to let her know that Iām thinking about it.
I go back to my debate of how I want to answer her. The anger within me at the situation pushes me towards sarcasm, but thereās just something about Emily that feels calming, that pushes me towards being genuine. I struggle to find a phrasing that might satisfy both, but come up empty. As much as I want to be genuine, to just let myself break down here and let it all out, I canāt. Fear and anger override, closing any gates that may have started to open.
āI would think holding a gun to my head is pretty self-explanatory,ā I finally mutter, still staring at the corner of the floor.
I donāt see how Emily reacts, but after a moment she responds with, āHolding a gun to your head may be self-explanatory, but not pulling the trigger when you threatened that you would isnāt.ā So sheās willing to fight fire with fire, is she? Well, bring it on.
āSo I chickened out on blowing my brains out. So what? I still tried to fucking kill myself by slitting my goddamn wrist.ā Iām trying to hold it together, to keep the anger up front to hold up the bravado, but itās not working. I can feel the tears starting to fill my eyes no matter how hard I try to blink them away. I glance in Emilyās direction, trying to gauge her reaction, how sheās taking what I say.
āJack,ā she says softly as she takes a couple steps closer to my bed. āI think you want to talk about this, but youāre letting your anger speak for you right now. Does that sound about right?ā I look back at the corner of the floor, unable to meet her gaze. I know sheās right. I donāt want her to be, but I know she is. I nod my head. āMay I sit here?ā She motions to one of the chairs next to the bed. Another nod. āLetās try going back a little bit,ā she almost whispers. āHow long have you been feeling suicidal?ā
āIām not really sure,ā I reply after a pause.
āIs it something thatās been going on so long that you lost track of when it started, or is it more like something that came on gradually and has been building up?ā
āI guess kinda bothā¦ā I almost mumble.
āSo, like something that came on gradually a while ago, and has built up over a long period of time?ā
I nod my head, feeling the tears starting to leak from my eyes as my breath catches in my throat, threatening to break loose in a sob.
āAnd the cutting. Is this a new behavior, or has it been ongoing?ā
āItās been happening on and off for about five years,ā I choke out, trying to hold back sobs, already having given up on the tears, which flow freely down my face now. She makes some notes on her clipboard before continuing on with the questions.
āNow, in your chart, Dr. Johansson put the reason for the stunt you pulled with the scissors as āintent to harm self; possible suicide attemptā. Would this be correct?ā
āI-I donāt knowā¦I guessā¦ā
āWere you or werenāt you trying to kill yourself?ā
āI donāt know. I just wanted to hurt, to bleedā¦ā
āOkay. Just a few more questions, Jack, then weāll be done. Do you have a psychiatric care provider that you see on a regular basis? Like a psychiatrist or a therapist?ā I shake my head no. āSo youāre not on any medications, I take it then?ā Another shake of my head. āIf you were to be discharged to go home, would you be safe?ā I think about it for a moment, then shrug my shoulders. āIf you went home, would you try to kill yourself again?ā
āI-I donāt knowā¦ā
āJack, I need you to be completely honest, not just with me, but with yourself, right now.ā
āMaybe? I just, I really donāt know right now.ā I close my eyes and turn my head away from Emily as the tears continue to fall down my face, fighting the sobs that want to rack my body.
āOkay Jack. Last question. Do you have access to any weapons at home, like firearms?ā I nod my head. My dad has a gun safe, containing a couple different kinds of guns, and he doesnāt know that I know the combination. Hell, thatās where I got the gun that I tried to use this morning. I wouldnāt be surprised though if he still hasnāt noticed that I took it. He hardly opens it. Heāll go in there like three or four times a year, and itās usually just to take them to a shooting range, or clean them. For all the guns he has, he hardly uses them. Heās more of a collector than anything else.
āAlrightey, Jack. Thank you for talking with me. Iāve got to meet with Dr. Johansson, and then Iāll be back to discuss your options.ā I nod my head, letting her know I understand. She opens the door and walks out, and as soon as she leaves, my father immediately steps back in, followed momentarily afterwards by my mom.
āJack, what did she ask you about?ā Ā My father asks, again in his commanding tone. I donāt answer him, tears still streaming down my cheeks. My mom reaches out her hand towards mine. I donāt take hers, but I donāt pull away either, and she rests hers gently on top of mine.
āYoung man, I asked you a question,ā my father pushes. Still, I donāt answer him. āJack Brian Cavanaugh, what did she ask you about? What did you tell her?ā He doesnāt raise his voice at me. Instead, he lowers it, speaks slower. I turn my hand over in my moms, gently gripping hers now.
āWhat did you say to me?ā I snort.
āYou donāt scare me anymore. You canāt do anything to me here.ā My momās hand squeezes mine briefly. I canāt tell if sheās trying to warn me or comfort me.
āWatch your tone, young man.ā
āGet. Out.ā He gives me an incredulous look, like he canāt believe that Iām disrespecting him like this.
āJack. Brian. Cavanaugh.ā
āNo. Youāve had your say. Now get out!ā He continues to stare at me in disbelief, as if he canāt really be hearing what heās hearing. He opens his mouth again to say something, but I cut him off. Ā āGET THE FUCK OUT!ā He looks at me for a few more seconds, then turns around, shaking his head, and storms out.
āJack,ā my mother whispers, āwould you like me to leave too?ā I shake my head. She leans over towards me to give me a hug, and I bury my face into her shoulder, letting loose everything I had been holding back. Iām not sure how long we stay like this, but after what feels like an eternity that ended too soon, Emily comes back into the room.
āDo you want to talk to Emily alone?ā my mother asks me.
āNo, itās okay. You can stay for this,ā I tell her. She nods her head and gives my hand another gentle squeeze.
āHi Jack,ā Emily opens with. āAfter meeting with Dr. Johansson and a few other members of the clinical staff, it was decided that inpatient care will best meet your needs right now.ā I nod my head in understanding. I was hoping it wouldnāt come to this, but honestly, what else did I expect? I am actively suicidal. I tried to kill myself twice in less than a day. Itās probably past time for this to happen. āWe donāt have a placement for you yet,ā Emily continues, ābecause our unit has no more beds available, but weāve started contacting other area facilities to check their availability. If none of them have space, then weāll have to start searching further out, which will take more time, but we will find somewhere for you.ā I nod my head again, and my mother murmurs a soft thanks to her before she leaves. I expect my father to step back into the room after she leaves, but after a tense moment, he doesnāt.
āWould you like me to tell your father?ā I nod my head. āOkay, sweetheart, Iāll be right back.ā I let her hand fall from mine as she walks away to go talk to my father. I hear the sounds of their hushed arguing outside for a few minutes, and then my mother comes back in, looking slightly exasperated. I raise an eyebrow to her, basically me asking her what happened without actually saying anything. She shakes her head. āYour father just being your father,ā she answers. āArguing against the doctorās decision, saying you donāt need that, we can take care of this at home, etc. Going on about what he thinks is really the right choice, even if itās not. So I sent him home to pack you a bag. That way, he can make himself useful while he stews, instead of just pacing back and forth outside the door.ā I grunt amusedly, and accept my motherās hand back into mine as she sits down into one of the chairs next to the bed, resting my head on her shoulder. She leans her head on top of mine, and places her free hand on the side of my head. After a few minutes I feel some wetness on the side of my head, and guess correctly that my mother is crying, and give her hand a slight squeeze.
āItās gonna be okay, mom. Weāll get through this, okay. Weāll get through this.ā