C’est La Vie

Bonus:

“Good memories can do a lot. Hold on to them… and cherish the people around you. You never know when they’’ll be gone.”

Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.

Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.

This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?

The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.

This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.

1.) 

He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didn’t demand they go back and destroy what was left of the tribe as revenge. He didn’t even think of it as an option. There was no split second where he went, should I/shouldn’t I?

2.) 

This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesn’t get what he wants. Doesn’t consider this a necessary action even once.

3.) 

The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc… But why is he more annoying? Why do we root for Zuko as opposed to him? 

Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that he’s banished. He doesn’t use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. It’s to the point where Iroh can bend fire in Zuko’s face and Zuko is perfectly relaxed over it and doesn’t once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and it’s very obvious with their interactions.

Zhao is not trustworthy from the start. We’re shown this by how both Zuko and Iroh are hesitant to interact with him and don’t want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelord’s eyes than either of them do. Zhao’s personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if it’s subtle, we want Zuko to win even harder.

And even when Zuko wins and he’s in the prime position to do to Zhao what Ozai did to Zuko for also ‘speaking out of turn’… he doesn’t do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he can’t handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Iroh’s, ‘even in exile, my nephew is more honorable than you’. Iroh’s Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully we’ll get to understand more as the story progresses.

Already by the 3rd episode, we’re shown that Zuko is in no way the worst person from the Fire Nation. In fact, we’re given a sort of scale now from the four major Fire Nation people we know of. Iroh–Zuko——-Zhao–Firelord.

We’re also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.

4.) 

When “The Storm” finally rolls around, we’re pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zuko’s character and we are shown that Iroh is right. He has honor and he cares for others. And yet it’s obvious the Firelord doesn’t because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, he’s banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoples’ lives? What the fuck is wrong with the Firelord?

Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audience’s perception of this situation. Iroh doesn’t like it, it’s especially bad then.

Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!

Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc. 

a world without trans people has never existed and never will

The stagehands in their mismatched black clothes roll the squeaky library set onstage while the piano vamps. A book falls off a shelf; the lanky Beast picks it up and presents it to Belle with a gruff and panicked flourish. She smiles because he loves her and it doesn’t have to be perfect; he just has to try.

High schoolers giving their all to heathers or ride the cyclone. The backstage TikToks and videos where everyone is in character and being silly.

A fifty year old hamlet crying over his thirty year old dad after ‘remember me- I have sworn’t’. After some time, Horatio, an eager lad of sixteen, pulls him from those treacherous cliffs and mouthes the cherished lines to his sweet prince where he thinks I can’t see. Word perfect for the rest of the night. I still don’t know if this was stage business or a missed cue but it was beautiful.

guys busting out of fishnets and glitter makeup and having a ball bc they’ve got their whole family seated front row throwing toast at them for rocky horror.

Every little shop of horrors with big lunged urchins who can’t blend and a gigantic plant puppet that knocks the rest of the set over

I’m in the splash zone for swan lake. The music is tinned and it’s raining. This will never happen for me again

An ebullient four year old giving extra pizzazz and inner life to the role of ‘tree’ in the wizard of Oz

Hermia and Helena are making out a lot more than Shakespeare thought they ought in the fifteenth dream you’ve seen this midsommar. And yep! It’s set in a cult, we’re all outside and I’ve been given a pie to eat.

When the stage manager turns the house lights back on, Cinderella’s rags will be transformed.

I remember seeing my brother in a pretty low rent Our Town (cast bc he was tall) and stunned at how he was holding back tears by the end. He didn’t want to say goodbye yet and it was closing night.

You don’t often get that connection at the pro level. You don’t get to see people you love like that all the time.

It doesn’t matter who corpses or who blanks or who misses their cue

you have to go and be open to whatever happens.

Next time you’re watching any news show or political coverage see how many of these you can spot:

Quick rundown of each propaganda technique:

• Glittering Generalities: Using vague, emotionally appealing words (like “freedom” or “justice”) that sound good but lack specific meaning.

• Transfer: Associating a person, idea, or product with something already respected or disliked (like using a flag, religion, or celebrity image) to carry over those feelings.

• Name-Calling: Attaching negative labels to an opponent or idea to create fear or distrust without real evidence.

• Card-Stacking: Presenting only positive information for one side and leaving out or distorting the negatives.

• Testimonial: Having a famous or respected person endorse an idea, product, or cause.

• Plain Folks: Presenting the speaker as an “ordinary” person to seem relatable and trustworthy.