Citoyenne Angèle

Sur les traces de Maxime Lisbonne, le D'Artagnan de la Commune Par Jacques Swirn, socio-historien, Marcel Cerf, historien. Durée : 27  minutes;  réalisateur : Margueritte, Jacqueline; auteur : Cerf,  Claudine; producteur : CNDP. 1983, France.-

L'émeute sur la barricade Le premier film sur la Commune de Paris intitulé (durée 4 minutes). Réalisatrice Alice Guy, 1906-

La Commune (Paris 1871) Film de Peter Watkins coproduction La Sept ARTE, 13 Production, Musée d'Orsay, France 2000 durée 5h45

 La Commune Film de Ken Mc Mullen coproduction ARTE, France/Grande-Bretagne 1990 durée 1h30.-

Les Aubes de Paris Real. Grigori Rochal, 1936, URSS, 1 H 42.-

La Commune Réal. Armand Guerra, 1914, France, 13 minutes.

La Barricade du Point du Jour, Réal. René Richon, 1977,couleur, 1 H 50.

Le Destin de Rossel, Réal. Jean Prat, 1966, noir et blanc, 1 H 25. Partie

- Le Festin de Babette, Réal. Gabriel Axel, 1987, couleur, Danemark, 1 H 39.-

Héros et martyrs de la Commune, Réal. F. Loupatine, URSS, 1921.-

Jaroslav Dombrowski Réal. Bohdan Poreba, URSS, 1975, couleur, 2 H 12. Russian Polish

 1871, Réal. Ken Mc Kullen, Grande Bretagne 1990, couleur, 1 H 40.-

 Louis Rossel et la Commune de Paris, Réal. Serge Moatti, 1977, couleur, 1 H 43. Trailer

La Nouvelle Babylone Réal. Grégori Kozintsev et Léonid Trauberg, 1929, muet, URSS, 1 H 23.-

La Pipe du Communard Réal. C Mardjanov, 1929, URSS, muet, 49 minutes.-

La Semaine sanglante, Réal Joël Farges, 1976, couleur 53 minutes.-

Une Journée au Luxembourg, Réal. Jean Baronnet, 1993, couleur, 50 minute-

Actualités Gaumont :    - 1911 : 40me anniversaire ;    - 1936 : la manifestation au mur ;    - Mai 1945.-

A l'Assaut du ciel, Réal. Jean Péré, 1962, noir et blanc, 19 minutes.- L'Année terrible, Réal. Claude Santelli, 1984, couleur, 2 H 06.-

La Commune de 1871 Réal. Cécile Clairval et Olivier Ricard, 1971, noir et blanc, 1 H 16.-

La commune de Paris 1871 (54 minutes) un documentaire réalisé en 2004 par Medhi Lallaoui.-

La Commune de Paris Réal. Robert Menegoz, 1951, noir et blanc, 26 minutes.- Les Communards cassette vidéo de 52 mn, réalisée par Léon Rabinowicz, disponible chez les Amis de la Commune.

- La Commune, Louise Michel et nous, Réal. Michèle Gard, 1972, noir et blanc, 45 minutes.-

 Mémoire Commune, Réal Patrick Poitevin, 1978, couleur, 1 H 20.-

L'œuvre législative de la Commune, Réal. Claude Tertrais, 1986, couleur, 27 minutes.-

 Paris au temps des cerises, Réal. Jacques Darribehaude et Jean Desvilles, 1965, noir et blanc, 28 minutes.-

Les grandes batailles du passé - Paris (1871), la semaine sanglante Réal. Jean-Pierre Gallo, 1976, couleur, 56 minutes.-

Si on avait su, Réal Stanislas Choko, 1976, couleur, 13 minutes.-

 Un solo funèbre, la Commune de Paris, Réal Jacques Cogniaux, 1971, noir et blanc, 1 H 41.-

Le temps des cerises, la Commune et les livres, Réal Robert Lombaerts, 1971, noir et blanc, 45 minutes.-

La IIIme République ; les premières années, Réal. Daniel Lander, 1970, noir et blanc, 1 H 07.-

Le Voile écarlate de Paris, Réal. Marlen Khoutsiev, URSS, 1971, couleur, 1 H 19.

Henri Guillemin raconte la Commune, documentaire en 13 épisodes de la TSR, 1971.

Louise Michel, Solveig Anspach, France, 2010

Les Damnés de la Commune, de Raphaël Meyssan, film d’animation, 2021.

Rives d'exil, de Céline Léger, court-métrage, 2021.

Die Tage der Commune (DDR, 1966) (le video malheureusement n’est plus disponible, mais il y a une version audio en allemand de 1949 et de 1977)

Nederlaget, Norvège, 1966

Pour la France - Animation Short Film 2019 - GOBELINS

Comme un echo , 2011

That Little Flame, vimeo on demand

La Boîte Noire, 2020, vimeo on demand 

Les déportés de la Commune, 1982

Bas les coeurs

28 mai 1871, l'ordre règne à Paris 

enjolras at a printing press for @artsymoth ✨ thank you for donating!

Prying my barricade day project out of my own hands and calling it done for now! Before I convince myself to add another element ><

the text is a (small!) part of Hugo's introduction to the concept of Emuete:

Things I loved:

- The production design and staging were absolutely breathtaking. Even though it was minimalistic set, they really did some phenomenal job with the projections, lighting, and clever juxtaposition. It really felt you missed nothing from the more elaborate set at all. The official pics really don’t do it justice. You just have to see it in person.

- Eponine was one of the best I’ve seen. I also enjoyed the Thénardiers.

- The costumes were so well-thought out! Apparently there were more than 220 costumes created for 40 characters. Being a Javert girlie (gender neutral), my absolute favourite was Javert. He nailed this look (even with the hands behind his back thing!)

- Javert joined the finale! He even approached Valjean and gave him a handshake.

- Stars was beautiful and magical especially the staging effects and I would want to watch it again just for that.

Things I didn’t like/on the fence about:

- I’m not too sold on any of the singers, even though technically speaking they were great. But apart from Éponine, I wasn’t really feeling it as much as I expected to from a Les Mis production. To be fair, I was also distracted because my seat had a huge column that blocked a fair part of my line of sight.

- The choice to have both Javert and Valjean be bald…..they frankly looked like twins up there on the stage. Not sure if I like it. I appreciate the whole idea of them being two sides of the same coin, both representing Vidocq, etc…..still. Kinda took me out of it especially in the Confrontation.

- Another side effect of the baldness: it makes Valjean looking approximately the same age throughout the whole story, and it took real strength of willpower to believe this virile looking man was on his deathbed at the end. Also makes Bring Him Home less poignant as well. (ps this was called Comme Un Homme/Like A Man in the French, which I have a lot of thoughts about but…well, it’s the original lyrics so I’ll refrain from commenting)

Then, again, as a Valvert girlie (gender neutral) I just have a very high expectation out of the portrayals of these characters. I do appreciate and like a lot of what they achieved, however!

Fun fact the woman next to me was crying throughout the show, so maybe I would’ve felt more emotional if I was French 😆

Here are a few behind the scenes pictures.

You can find a folder with the individual songs plus the full show here: LINK

Decryption key: eYet5p1ufgyf-aZG96m7WQ

Day 30: Orestes Fasting

Something something Barricade Day to you all!

[runs for cover]

Not a comic this year! Due to Work, Life, and Other Weird Stuff, I had all of five days instead of the usual two weeks or so to get this year’s Thing done, which sort of limited my options. The script I’ve been working on for the last two years got shelved, Feuilly and Gavroche got spared…. and Courfeyrac won the Barricade Lottery. Umm.

My profound thanks to @ellie-valsin for her comprehensive guide to 1830s men’s fashion, which I consulted extensively while cooking this up. Any mistakes/inaccuracies/ anachronisms/typos lurking in this piece are deeply regretted (they are to be blamed upon excessive sleep deprivation). Any distress caused by this post…. not so much. ;)

[Yes, I realise I didn’t include every last item in a gentleman’s wardrobe, but there’s only so much I could complete in five days. LOL. Besides, (1) that would’ve been bordering on pedantry, and (2) I doubt if anyone wants to see me dragging this horror for longer than it already is….]

[If Courfeyrac’s Scarlett O’Hara impersonation looks a little familiar…. then you probably (1) follow me on Dreamwidth, or (2) used to lurk at Abaisse – in which case, hello!]

[Re: Shirt (Section 6) - I realise that one likely does not carry off a body in such a fashion, but I doubted that anyone would appreciate Bahorel getting hauled off like a sack of potatoes…]

[…]he might be your brother.”

“He is,” said Enjolras.

“Yes,” replied Combeferre, “he is mine too. Well, let us not kill him.”

“Let me alone. It must be done.”

And a tear trickled slowly down Enjolras’ marble cheek.

Les misérables 5.1.8 Hapgood translation.