Robot Dreams (2023) | dir. Pablo Berger
One Nice Bug Per Day
dirt enthusiast
I'd rather be in outer space 🛸

Love Begins
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH

todays bird
noise dept.
Stranger Things

JVL

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
i don't do bad sauce passes

@theartofmadeline
h
ojovivo
YOU ARE THE REASON

Origami Around
seen from United States

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seen from Malaysia

seen from United States
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seen from United States
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seen from United States

seen from Türkiye
seen from China
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seen from United States
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@cinematicxs
Robot Dreams (2023) | dir. Pablo Berger

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Petite Maman | Céline Sciamma | 2021
Gabrielle Sanz, Joséphine Sanz
reach out! Try! try! try again! love. share your life with others. adopt love as a state of being- that requires no reciprocation . make mistakes, be embarrassed, burn bridges! but also create. create relationships. express your love to people. create happiness. love others. experience love. it’s okay to love I would say. It’s also our choice !
Dialog Vášnivý (passionate discourse) from Možnosti Dialogu (Dimensions of Dialogue) 1983 dir. Jan Švankmajer
Petite Maman (2021) Directed by Céline Sciamma

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Films watched in 2021.
304: Petite Maman (Céline Sciamma, 2021)
★★★★★★★★☆☆
Las Mil y Una/ One In a Thousand (2020)
dir. Clarisa Navas -disponible en Netflix-
“I do not separate the man from the work. (…) I am not going to attend Mr. Polanski’s gala screening because I represent many women in Argentina fighting for issues like this, and I would not want to get up to applaud him.”
Lucrecia Martel, Venice Film Festival Jury President.
Lucrecia Martel in “Años Luz”, directed by Manuel Abramovich, 2017.
Lucrecia Martel on why she wont shoot scenes of sexual violence against women:
“La saqué aunque a muchos compañeros les parecía buena. Pero si vivís en un país en el que cada día matan a una mujer y filmás una escena de violencia contra una mujer, aunque puedas dar muchos matices sobre las circunstancias, es intolerable. Me parecía imposible que no remitiese a una idea errada: que la violencia sobre una mujer tiene razones poéticas para ser cometida. Para una mujer, cuyo cuerpo es la escenografía de esa situación, es muy difícil tener ganas de hacer lecturas sobre eso”.
Martel se adelanta a los cuestionamientos: “Dirán que con esa posición políticamente correcta se terminaron las situaciones de violencia de género en mi cine. Hasta que esto mejore, sí. No podemos avalar con discursos públicos escenas que abonan la fantasía violatoria de los hombres. No he visto una sola película, por más que el resultado sea el desprecio por la persona que abusa de su poder, que en el fondo no esté realizando una fantasía violatoria. Es lo que sucede con Irreversible: la elaboración que hace Gaspar Noé de la violencia me parece una porquería”.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Canción sin nombre / Song without a name (2019) - dir. Melina León
Disponible en Netflix 💌
https://www.instagram.com/p/CKPoT1TDN9U/?igshid=o49vtka9x8y9