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“Down with the dark forces of colonialism!”, Belgrade, Serbia, 1961. Photographed by Tomislav Peternek

After the murder of Patrice Lumumba in 1961, demonstrations were held in Serbia as a sign of protest, which turned into riots. As many as 150,000 demonstrators gathered on the streets of Belgrade and 25,000 in Subotica.

Waled Al-Qatrawi's fundraiser is vetted at #480 on our verified fundraisers list. Him and his young children have been struggling to survive out of a tent made of scrap. They are exposed to the elements and the local fauna, and they are worried about snakes attacking them. They have no access to sanitation facilities, and Walid is looking to construct one urgently. Without regular access to clean water and soap, his children could get severely ill.

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yeah this is something i've really come around on just in the last few years. unfortunately it's just something that's incredibly easy to not think about too hard, especially when you're really in deep in those kind of artist spaces where like. the prevailing belief system underpinning the standard practices is that the deck is so far stacked against independent artists trying to make a living that anything you do to bring up your bottom line is justified, insofar as it is being done with your own artwork. and nothing about the difficulty and insecurity of being a working artist is exaggerated either! so the kneejerk response to be defensive to critiques of your business practices is one i understand even if i am no longer sympathetic towards it.

for me a big part of how i think about these sorts of things is. i know i'm never going to be any kind of political activist. i'm just not really a stable, confident, or educated enough person to functionally be in that position and don't see that changing any time in the near future. choosing where my money goes is pretty much one of the only avenues i have to actually live by the principles i claim to hold. so if i am going to genuinely believe that it's wrong to profit off of the underpaid labor of foreign workers in unsafe conditions, then i need to not use my money to have foreign workers in unsafe conditions do underpaid labor for me. that is the bare minimum.

you would hope that all of the labor concerns artists and other creative workers are currently experiencing regarding AI would result in them trying to develop solidarity with other groups' pre-existing labor concerns, but it seems for the most part that that's not the case. instead, it seems as if the most vocal and prevalent cohort of independent artists is closing rank, becoming even less receptive to scrutiny of their practices now that they feel the very essence of art itself is on the line. everything has been retroactively legitimized by the introduction of an existential threat to their way of life.

i think its not likely artist alleys themselves will improve, but i think instead we're going to see a split between the people who are okay staying the course on artist as Small Business Owner with all the baggage that entails, and those who find we can not maintain the cognitive dissonance necessary for that. It feels like the covid years signed the death warrant for Fandom as subculture and now it's just the culture. which means it's about time for the new subculture to splinter off. i think the divide between people who enjoy the legitimacy that comes from the mainstream commercialization of these previously niche transformative spaces and those who are detested by it instead is where that splintering will originate from.