Three Goblin Art

çĽćĽ / Permanent Vacation
PUT YOUR BEARD IN MY MOUTH
Not today Justin
will byers stan first human second

ellievsbear
YOU ARE THE REASON

JVL
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Sweet Seals For You, Always

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"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
hello vonnie
2025 on Tumblr: Trends That Defined the Year

izzy's playlists!
taylor price

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occasionally subtle
Cosmic Funnies

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@chickenpaprika

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Daniel Danger - http://tinymediaempire.tumblr.com - https://www.facebook.com/danieldanger - http://danieldanger.storenvy.com - https://twitter.com/tinymediaempire - https://www.instagram.com/tinymediaempire
Klim Novoseltsev - http://drawcrowd.com/novoseltsevklim  -  http://klimn.cgsociety.org
ermgerd
François Lesage Hand Belt 1986
i love this
Dragons look like minerals!
We Are the dragon gems

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Pokemon x DC Comics
Art: Crees Lee
VAN GOGH, Vincent Olive Grove with Picking Figures December 1889, Saint-RĂŠmy Oil on canvas, 73 x 92 cm Rijksmuseum KrĂśller-MĂźller, Otterlo
by Micaela Dawn
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Heeeeeee
âAPPRENTICEâ
by
GRZEGORZ RUTKOWSKI

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Beggar by Andrey Surnov
Ooooooo
Henry Moore, A Tilbury Shelter Scene, 1941, ink, watercolour, crayon and gouache on paper, 41.9 x 38.1 cm, Tate Britain, London. Source
Henry Moore, Grey Tube Shelter, 1940, watercolour, gouache, ink and chalk on paper, 27.9 x 38.1 cm, Tate Collection. Source
Though Moore is better known for his huge abstract sculptures of reclined figures, he also created hundreds of mixed media sketches depicting agonizing and emotive scenes of bomb shelters during the Second World War. The Tate Collection holds a significant proportion of these works, a selection of which I have included here.
Henry Moore, Shelter Scene: Bunks and Sleepers, 1941, watercolour, gouache, ink and chalk on paper, 48.3 x 43.2 cm, Tate Collection. Source
Henry Moore, Woman Seated in the Underground, 1941, gouache, ink, watercolour and crayon on paper, 48.3 x 38.1 cm, Tate Collection. Source
Henry Moore, Shelterers in the Tube, 1941, graphite, ink, watercolour and crayon on paper, 38 x 56.8 cm, Tate Britain, London. Source
Henry Moore, Tube Shelter Perspective, 1941, graphite, ink, wax and watercolour on paper, 48.3 x 43.8 cm, Tate Collection. Source
Henry Moore, Pink and Green Sleepers, 1941, graphite, ink, gouache and wax on paper, 38.1 x 55.9 cm, Tate Collection. Source
âThat was my first acquired material possession in the real world, and I loved it so much. (I love you, shiny trinket.)"Â
A Case of de Bens, Chapter 3: Shiny Trinkets, panel 9.
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This is an installment for our project, The Many Faces of Elle. To learn more about this project, who we are and what weâre up to, check out our About Uspage!
You can also keep up with us and our work on Patreon and our personal website!
Jeremy Paillotin - https://www.linkedin.com/pub/jeremy-paillotin/27/759/979  -  https://www.facebook.com/Rdmsht  -  http://loosestrokes.tumblr.com  -  http://jeremypaillotin.daportfolio.com  -  http://jeremypaillotin.deviantart.com  -  https://dribbble.com/JeremyPaillotin  -  https://www.behance.net/jeremypaillotin  -  http://rdmsht.tumblr.com
Josef Fenneker Poster Design âMarmorhausâ between 1919-1924.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I need to add more to the queue, but for now here is another drawing by our Reggie. Robbie captioned it for him (Reggie canât write.)Â
Hey, I donât look creepy in this one! Awesome!
-Sass
P.S. Hey, new followers! We think youâre pretty neat.
COLOMBE, Jean Les très riches heures du Duc de Berry: Novembre (November) 1412-16 Manuscript (Ms. 65), 294 x 210 mm MusÊe CondÊ, Chantilly
Hah hah lookit dem pygs