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the thing that gets me about Mother's Boy every time is that Buck's storyline leading up to it is about him not being sure if people accept the changes in him and that he struggles with knowing who he actually is vs. who he thinks people want/expect him to be, and then he's faced with a woman who literally wants him to be someone else because she thinks he'd be good at it. and he says no and plays along just to escape and tries to talk her out of it...up until he hears Eddie, and then he's willing to put aside all that growth to save him. He'll do it, he's ready to be Derek.
the thing that gets me about Mother's Boy every time is that you have Eddie who has struggled for seasons with people assuming the worst possible outcome about who he is. just in season 9 he had the lawyer touting that he's some violent, angry man and Abigail's father thinks he's taking advantage of her (fuck him, by the way), and the sheriff thinks he killed Buck. And then you have him trying to find out about Buck. He apologizes for taking Hector's clothes, he pays money for that shitty car. Until he's faced with what he thinks is a situation where Buck is in danger or already dead and then he's ready to embrace that false reputation he's been trying to disprove. He's ready to shoot, kill, fight to save him.
and finally, the thing that gets me about Mother's Boy every time is that in the end...neither one of them has to give up their individual journeys because the other has their back. Buck saves Eddie from embracing that false interpretation of him. Buck is the one who does any of the actual damage by using the cattle prod on Earl. Eddie was willing to shoot. He had the gun ready. But Buck stopped him from having to. And Eddie saves Buck from falling back into being what others want him to be. He screams "Buck", Buck's preferred name, loudly and repeatedly. Buck was willing to "be Derek" but Eddie made sure he didn't have to be. Eddie stopped him from having to.
Every time someone in this fandom romanticizes Abigail's prostitution, an angel looses its wings.
I can’t believe this still needs to be said, but let’s clear something up: Abigail Roberts was not “saved” by the Van der Linde gang out of the goodness of their hearts. She was a 17-year-old working girl. Yes, a prostitute—brought into the gang by Uncle because of her profession, not because they wanted to “help an orphan girl.” Pretending otherwise is not just wrong, it’s an insult to her character and completely misrepresents the darker themes of the game.
“They wouldn’t take advantage of a 17-year-old girl!” Really? These are men who rob, kill, and lie without hesitation. They absolutely would and did take advantage of her. Dutch was not some saintly father figure; he was an opportunist who saw value in people only as long as they served his needs. The gang didn’t “rescue” Abigail, they exploited her vulnerabilities and used her just like they used everyone else.
Even within the game, there’s a camp interaction where Susan Grimshaw tells Abigail she should return to prostitution to bring in more money for the gang. If that doesn’t make it clear how the gang viewed her role, I don’t know what will.
Abigail’s story isn’t some fairy tale about a group of noble outlaws saving an orphan. It’s about survival in a brutal, unforgiving world. She didn’t have a choice in staying with the gang. This idea that the gang was Robin Hood-like and only “stole from the rich to give to the poor” doesn’t erase the fact that they were still criminals who exploited people whenever they could, including Abigail.
The game wants you to sit with the uncomfortable truths of these characters. It shows you the dark realities of their actions and the systemic issues of the time. Romanticizing Abigail’s situation or painting the gang as her saviors completely undermines that. It’s not just naïve...it’s flat-out wrong.
This kind of take isn’t just ignorant; it’s borderline insulting to anyone who’s been in a similar situation. Abigail’s story is powerful because it’s not pretty. She was used, exploited, and forced to live a life she didn’t choose—but she fought tooth and nail to survive and make a better life for Jack. That’s what makes her compelling, not some sugar-coated fantasy about her being “rescued.”
Take off the rose-colored glasses and actually think critically about what the game is showing you. Abigail’s resilience is what makes her an incredible character—not some fake narrative about Dutch and the gang being her saviors. They weren’t.
It’s fine to love the characters, but stop twisting their stories to fit some idealized version of the gang. They’re criminals. Abigail was exploited by them. That’s the truth, and nothing about it is going to be pretty.
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saw a post about being in ‘coming out purgatory’ and it very much resonated with me
I don’t mention being nonbinary that often and I only tell people my pronouns if they ask , but I want to change that
even if it’s little things like actually putting my pronouns in my bio or making a point to mention my pronouns when I meet someone, I think it’s all a step in the right direction
for the first time in a while, I’m proud to be who I am, so I want to capture this feeling and make it last
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Making a reference of Michael's time on the outskirts of Carcer City which I would like to make a story of his first score as well as Trevor's arrest on his first one as well but that is a possible future project.
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