Orpheus. 1998. John Woodrow Kelley. American. 1952- oil/canvas. http://hadrian6.tumblr.com

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Orpheus. 1998. John Woodrow Kelley. American. 1952- oil/canvas. http://hadrian6.tumblr.com

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US firm Michael Hsu Office of Architecture aimed to preserve the character of a gabled church in Texas while transforming it into a lively A
Aaron Franklin and Tyson Cole's latest restaurant concept melds Southeast Asian flavors...
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Museum of Underwater Sculpture Ayia Napa (MUSAN)
Location: Ayia Napa, Cyprus
Depth: 8 – 10 m
Installation Date: 2021
MUSAN is an underwater forest, the first of its kind in the world. Consisting of over 93 artworks some of which are in the form of trees, others which are figurative in nature.
Marine life in the Mediterranean Sea has been seriously depleted over the last 20 years. The area in which the museum will be sited is currently a barren stretch of sand within a marine protected area. The sculptural forest made from inert pH neutral materials will attract a wide variety of marine flora and fauna. It will be sited within 200m of the Aiya Napa coastline and be accessible to both divers and snorkellers.
The artworks, in particular those which represent trees, are designed to attract marine life on a large scale and as such will develop organically. These installations will be placed at various depths from the sea floor to its surface and will be laid out to resemble a path through a dense underwater forest. Some of the tree forms will float just beneath the surface so that the whole structure provides a complex environment for marine life at all levels.
Among the sculpted trees children can be seen playing. They remind us of our need for the natural world as a place to explore, discover and fire our imaginations. Over the last 50 years children have become more excluded from the wild places that once existed. The forest children, camera in hand as they play hide-and-seek in the woods, point their lenses at the human race. They hope for a future in which the mystery and magic of nature will return. The need to re-wild our oceans is as pressing as the need to re-establish our connection to the natural world.
All of de Caires Taylor’s works are part of an eco-art movement in which the artwork interacts with its surroundings and evolves in unpredictable ways. There is no final product, but an ever-changing seascape. Eventually the work of nature will supplant the work of the artist. The sculpted trees and the children that play amongst them will be consumed and colonised by marine biomass, providing food and shelter for a variety of creatures but importably reminding us that we are natural ourselves.

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“Cupid Chastised” - Bartolomeo Manfredi ; 1613 baroque oil painting.
A Homoerotic masterpiece depicting father Mars conquering his son Cupid who is depicted as a mature male. Making this also a gay incest painting to.
However it’s also believed that Cupid is the artists gay lover. Bartolomeo was gay and had a lover.
Note Cupid’s hands and arms are limp his legs open and his face shows him not in pain but almost ecstasy. Cupid is very submissive in this painting and is show nude not even his wings try to shield his pale body. He’s blindfolded (never be done before) and has a torn blue stash symbolizing his virginity or purity.
(Cupid) His right arm is also exploring Mars right leg in anticipation. Mars also doesn’t have a firm grip but a very light grasp. Cupid’s body forms a triangle or point leading to Mars groin.
Cupid’s ass is the focal point of the stage and Mars body alignment and concentration are on it.
His wife Venus and Cupid’s mom pushed to the side, depicted as homely and in more of a wash tone to not take away from cupid the spoil of war. Venus with expressed breast is believed to be only to satisfy or distract the straight male.