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lie to me

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— Marjane Satrapi, Persepolis
awww the like button turns into a rainbow when you press it! that's so cute...hey staff what's with all the trans women you keep nuking?
i think we should be ridiculing them more for this. you don't get to try and go all "queer website" when your staff likes to go on nuking sprees targeting the trans fem users
Audrey Bialke (American, b. 1991, based Ithaca, NY, USA) - Under Ever-Changing Skies, 2025, Paintings: Oil on Panel

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Irving Penn - Single Oriental Poppy, New York, 1968
Saul Leiter (American, 1923-2013, b. Pittsburgh, PA, USA, d. New York, NY, USA) - White Sands, 1952, Photography, Printed 1997
Demi Moore photographed by Michel Comte, for Vogue Italia (August, 1993)
Self-Portrait in Car, Photo by Judy Dater. 1982
how do i say "horror novels these days are too woke" without sounding like a right winger. what i mean is: this one is about a woman serial killer who kills Bad Men, that one is about ~anticapitalist activists~, this one is ~queer~, that one is about *spins wheel* someone dealing with the ghosts of their immigrant roots, all of them are about intergenerational traumaaaaa. okay. cool. but is it good though. is it fucking scary
something something, losing the ability to convey horror through abstraction, through metaphor, through symbolism, through allegory, through raw unexamined un-psychiatrized feeling. if the real horror is.... dun dun dun! the patriarchy then i just feel preached to. don't use fiction as a vehicle for Saying Something About Society. write with total vulnerability and then see what it says. it will be probably be far more interesting and horrifying than what if the monster was uhh my mom's abuse or whatever. this brand of new horror writers are all so terrified of actually disclosing anything about themselves. it's like if an instagram infographic performance was a mediocre contemporary novel
YOU ARE MAKING THE TEXT DO THE WORK OF ANALYSIS!!!!!!!

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All my life I thought I’d change
Squidward's whole deal is that he was a scion of Old Money who got really into Marxism in college and decided he couldn't live with himself as a beneficiary of the Bourgeoisie. He cut ties with his parents and went to live as a proletariat for a few years to better his music.
Of course, what was supposed to be a short term service industry job before he lived for his art has bloomed into just being his life, and life as a poor artist is never as romantic as one imagines. While the cost of living of Bikini Bottom is low enough that even a frycook can be a homeowner, it's not quite so low that he can afford the luxuries he was used to growing up.
His view of the Working Class as the downtrodden masses were rather tattered by years of living between SpongeBob and Patrick, who were not so much temporarily oppressed intellectuals as they were, well, SpongeBob and Patrick.
Still, through thick and thin he's never gone back on his decision to leave the money behind. The great irony is that he is ignorant of his greatest achievement—his superiority to Squilliam isn't turning a bunch of randos into a functioning Marching Band or turning a burger joint into a fine dining establishment, it's having the strength of character to look at all the advantages Squilliam had and choose to leave it behind.
He will never be a master Clarinet player, but he will always have that
The unanimous vote came after more than a dozen people — many of them Montclair High School students who recently staged a walkout to protes

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is there any trait less attractive than a lack of curiosity