Lemon Strawberry Icebox Cake

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JBB: An Artblog!
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Lemon Strawberry Icebox Cake

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Chocolate Chipless Cookies
On The Riviera, 1951.
"Epingle" en turquoises et diamants ayant appartenu à Doris Kleine-Brynner (1931-2025) présentée à l'exposition "From Doris with Love: The Personal World of Doris Brynner" chez Sotheby's Paris, janvier 2026.
Lomo Saltado with Aji Verde

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Steak crostini with horseradish sauce
Olivia Dean for Hourglass Cosmetics
Hieu Minh Nguyen, from “Heavy”
"nothing is original anymore"
go see I Love Boosters in theaters.
"I'm tired of CGI and AI"
go see I Love Boosters in theaters.
"everything is so sanitized and puritanical these days"
go see I Love Boosters in theaters.
"why is the color grading so bad in films?"
go see I Love Boosters in theaters.
"I miss when movies were weird and fun and had real heart"
go see I Love Boosters in theaters.
"I just feel hopeless about the world and my place in it"
I Love Boosters. in theaters. go. see.
ALEXA DEMIE FOR i-D MAGAZINE SHOT BY PETRA COLLINS (2026)

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Sandra Cisneros, from Loose Woman: Poems; "With Lorenzo at the Center of the Universe, el Zócalo, Mexico City"
pasta is so comforting. pasta is my best friend. pasta my beloved. pasta is my boyfriend pasta is a god pasta is the breeze in my hair in the weekend pasta is a relaxing thought!!!
Italian Bean Salad

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game changer rulette 2 gifs without context
ASHI STUDIO “Fashion is Art” Dress 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com “This couture dress draws its inspiration from bronze sculptures in Indian culture and depictions of deities, reinterpreting their characteristic lines and draped forms in a contemporary way. The curves and folds have been carefully studied and translated into the structure of the garment, creating a silhouette that feels both fluid and defined. The entire piece is built around a bronze tone, treated to resemble naturally oxidized metal. Shades of blue and green are hand-painted using a trompe-l’œil technique to evoke the patina seen on ancient statues, giving the surface depth and variation. From the construction of the corset to the draping of the skirt, each element required precision and coordination. Over 200 hours were dedicated to crafting the garment, with an additional 200 hours spent on hand painting to achieve the final finish. Developed over several months, this piece reflects a balance between craftsmanship, material research, and a clear visual direction.”