I can hear the guitar riffs
🩵 avery cochrane 🩵
"I'm Dorothy Gale from Kansas"
Not today Justin

izzy's playlists!
Fai_Ryy
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shark vs the universe
sheepfilms

Discoholic 🪩
The Bowery Presents
Cosmic Funnies
todays bird
Aqua Utopia|海の底で記憶を紡ぐ
The Stonewall Inn

Andulka
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NASA
EXPECTATIONS
One Nice Bug Per Day

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@carleighgnarly
I can hear the guitar riffs

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Phyllis Hyman

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the thing is that for all its supposed faults, i would take this brand of 90s utopian globalism over whatever the fuck we’ve been doing for the last 10 years in a heartbeat
Gordon Parks captured the Jim Crow South with a quiet, devastating clarity—using his camera as both witness and weapon. Through intimate portraits and everyday scenes, he exposed the cruelty of segregation not with sensationalism but with humanity, dignity, and truth. Parks showed Black life in the South as it was lived: tender, resilient, disciplined, and determined, even under oppressive laws. His photographs didn’t just document injustice—they challenged America to see what it preferred to ignore.
Photos via: @gordonparksfoundation
Rush Hour 2 (2001) dir. Brett Ratner

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No,,,,,,, we are not!
VICTORIA MONÉT via instagram

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Harlem by Edward Burra