ca -pri -cious

“Love of mine, someday you will die But I’ll be close behind and I’ll follow you into the dark No blinding light or tunnels to gates of white Just our hands clasped so tight, waiting for the hint of a sparkIf heaven and hell decide that they both are satisfied And illuminate the no’s on their vacancy signs If there’s no one beside you when your soul embarks Then I’ll follow you into the dark”

Something continues and     I don’t know what to call it though the language is full of suggestions in the way of language                 but they are all anonymous and it’s almost your birthday     music next to my bones

these nights we hear the horses     running in the rain it stops and the moon comes out     and we are still here the leaks in the roof go on dripping     after the rain has passed smell of ginger flowers     slips through the dark house down near the sea     the slow heart of the beacon flashes

the long way to you is still tied to me     but it brought me to you I keep wanting to give you     what is already yours it is the morning     of the mornings together breath of summer     oh my found one the sleep in the same current     and each waking to you

A question mark walks into a bar?

Two quotation marks “Walk into” a bar.

A gerund and an infinitive walk into a bar, drinking to drink.

The bar was walked into by a passive voice.

A split infinitive used to often walk into a bar.

There is a bar which a preposition-ended sentence walked into.

An emphatic copula did walk into a bar.

Passive voice: Your book was loved