#BayardRustin (1912 - 1987) Always out Black gay man who was one of the co-organisers on the 1963 March on Washington. Refused to fight in World War II as he was a pacifist. Introduced non-violence to Martin Luther King.
KIROKAZE
YOU ARE THE REASON
Cosimo Galluzzi
trying on a metaphor
Jules of Nature
One Nice Bug Per Day

ellievsbear

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline
Monterey Bay Aquarium
ojovivo
Misplaced Lens Cap

Game of Thrones Daily

izzy's playlists!
Lint Roller? I Barely Know Her
$LAYYYTER
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@campbellx
#BayardRustin (1912 - 1987) Always out Black gay man who was one of the co-organisers on the 1963 March on Washington. Refused to fight in World War II as he was a pacifist. Introduced non-violence to Martin Luther King.

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In this country, American means white. Everybody else has to hyphenate.
Toni Morrison (via hooraychelle)
"If you can only be tall when somebody else is on their knees, then you have a serious problem. And my feeling is that white people have a very very serious problem. And THEY should start thinking about what THEY can do about it. Take me out of it!." - Toni Morrison
If this so-called Negro would channel his wealth into business enterprises and create employment or create businesses that would provide employment then our problem would be solved. But as a rule, in most Negro communities across the country the only thing you’ll find Negroes building are Negro churches. An example: In Long Island the white man bought a city block. He built a huge supermarket on it. It creates job opportunities for about three or four hundred people. Now in the next block, believe it or not, the Negroes got together and bought it and built a million dollar church. Now here this church provides a job only for the preacher; it provides clothing and shelter only for this Negro preacher. Now if this Negro preacher has the ingenuity that it takes to raise a million dollars or to finance a million dollar project, but the only thing he can finance is a church, it’s a problem. If you notice, white people in their neighborhoods build factories, they build schools, they build everything, and then they also build churches. But the Negro leadership, especially the religious leadership, has actually committed a crime almost in encouraging our people to build churches. But at the same time we never build schools; we never build factories; we never build businesses; we never build housing and things that will solve our problem. https://www.kickstarter.com/projects/1252814726/malcolm-x-collected-speeches-debates-and-interview
What they won’t show you on CNN tonight: Ferguson residents line a parade of roses down W Florissant, leading to where Mike Brown was taken from this world. #staywoke #powerful #insolidarity
#redroses for #MikeBrown #Ferguson

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aseantoo submitted to medievalpoc:
Sir Joshua Reynolds
Portrait of Lady Elizabeth Keppel adorning a Herm of Hymen
England (1761)
[x], [x]
Have you ever heard Zora Neale Hurston’s voice? In addition to being an exquisite novelist and anthropologist, she recorded some songs for a past government organization, the WPA. According to Florida Memory:
The Works Progress Administration (WPA) - after 1939, the Works Projects Administration - was a work-relief program created in 1935 by President Franklin Roosevelt’s administration that employed over 8.5 million people before its end in 1943. One of its programs was the Federal Writers Project (FWP), which included a Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation.
The song above is called “Dat Old Black Gal.” To me, the “new shoes” mentioned makes me think of a new path—a change from the pain ascribed upon Blackness. It makes me think of an old Black spiritual where the lyrics include "travelin’ shoes Lord, got on my travelin shoes." And this journey symbolized by the need for new shoes could be thought of in a physical/emotional/cultural sense (i.e. The Great Migration), in an existential sense (i.e. contemplating the meaning of the journey of life, one’s identity beyond oppression) and/or in a theistic sense (i.e. shoes for the journey on “the narrow way”; how the “next” journey in life is going to heaven). But it is a railroad work song and often work songs were about getting through the labor but thinking of a future time when that labor would no longer be a reality or again, the next great journey. I feel as if some of these early Black songs like this one are pre-cursors to Afrofuturism.
The Florida Memory site has a bunch of audio recordings of her singing. It’s so thrilling for me to connect a voice to this talented genius who had great style, wisdom, and truly respected Black humanity by crafting stories of our complexities, imperfections and beauty so well. She was so ahead of her time.
this did something to me
What a beautiful voice…
Zora Neale Hurston ' voice
leeandlow submitted to medievalpoc:
The Diversity Gap in the highest grossing science fiction and fantasy films. Sad, right? You can see the full study here.
I highly recommend reading the entire article.
from the infographic:
Among the top 100 domestic grossing films:
only 8% of films star a protagonist of color
of the 8 protagonists of color, all are men; 6 are played by Will Smith and 1 is a cartoon character (Aladdin)
0% of protagonists are women of color
0% of protagonists are LGBTQ
1% of protagonists are people with a disability
Representation of #poc and #qpoc in #scifi and #fantasy films. What kind of future is being imagined here?😒
The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people’s expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn’t care if you are a white person who likes black people; it’s still going to find a way to infect how you deal with people who don’t look like you. Yes, racism looks like hate, but hate is just one manifestation. Privilege is another. Access is another. Ignorance is another. Apathy is another. And so on. So while I agree with people who say no one is born racist, it remains a powerful system that we’re immediately born into. It’s like being born into air: you take it in as soon as you breathe. It’s not a cold that you can get over. There is no anti-racist certification class. It’s a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it. I know it’s hard work, but it’s the price you pay for owning everything.
Scott Woods (X)
The quote I used in this post.
(via medievalpoc)
Very good explanation of #racism and #privilege
Racialized chattel slaves were thecapital that made capitalism. While most theories of capitalism set slavery apart, as something utterly distinct, because under slavery, workers do not labor for a wage, new historical research reveals that for centuries, a single economic system encompassed both the plantation and the factory.
“The law of chattel applied to African and African-descended slaves to the fullest extent on eighteenth century plantations. Under racialized chattel slavery, master-enslavers possessed the right to torture and maim, the right to kill, the right to rape, the right to alienate, and the right to own offspring — specifically, the offspring of the female slave. The exploitation of enslaved women’s reproductive labor became a prerogative that masters shared with other white men. Any offspring resulting from rape increased the master’s stock of capital.”
This is why we need to meditate on antiblackness relentlessly. Even Karl Marx mentioned this when he discussed “primitive accumulation” but in sort of a glancing way without looking deeply into the abyss as we must find the strength to do.
This is a fantastic book…highly recommend it!
The capitalism of slavery

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The legacy of anti-Black racism is that Black struggle gets deemed the property of all other social justice struggles. The symbols and tactics of Black struggle are deemed the common property of all. Black people are required to show solidarity with other people of color, without other people of color owing solidarity to Black communities. Black oppression is always analogized to other forms of oppression in a manner that disappears Black oppression itself. It is presumed we already know everything about Black oppression, so we can just use it as an empty signifier to explain other oppressions.
Andrea Smith, as quoted by @prisonculture on twitter. (via so-treu)
Black struggle is not over.
When Mary “Stagecoach Mary” Fields (c. 1832 – 1914) wasn’t cracking rabid wolves in the face with the stock of her ten-gauge or single-handedly building schoolhouses for poor Native American girls, you could find her in the saloons of Cascade drinking men under the table like the chick from Raiders of the Lost Ark and chomping on homemade cigars so potent that hardly any gunslinger in town had the stomach to handle them.
Stagecoach Mary. #black #female #heroine
A basic introduction to African feminisms delivered as part of the MATI 2014 training organised by Ssonke Gender Justice and STEPS in Cape Town, South Africa by Nana Darkoa Sekiyamah
#african #feminism
“Every year white people add 100 years to how long ago slavery was. I’ve heard educated white people say, ‘slavery was 400 years ago.’ No it very wasn’t. It was 140 years ago…that’s two 70-year-old ladies living and dying back to back. That’s how recently you could buy a guy.”
Louis C.K. (via 30thcenturyboy)
Sylvester Magee, the (probable) last American born into slavery died in 1971.
The last living child of former American slaves, Mississippi Winn, died in 2010.
Slavery in the territory that is now the United States lasted more than 330 years. We will be 330 years removed from slavery in the year 2195.
(via fishingboatproceeds)
@Kendricklamar WAS robbed, BUT he was not the only one who was robbed. Personally, I was pleased he was able to perform and they KILLED! IT! One of the FEW moving moments of the night for ME.
Though it’s called “Music industries biggest night” the #Grammys are NOT about the music, it’s a...
Thanks to India Arie for asking the right questions about the #grammys2014

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Have you seen any changes in the industry in the issues of race, the issue of being a woman, and now being a woman over fifty?
Alfre Woodard, shooting fire for Hollywhite to catch.
Reblogging once again, because it’s clearly not changing.
Will Lupita's career blossom after 12 years a slave?
While Black elites were well intentioned in their efforts to uplift the Black poor, the politics of respectability undermined efforts for Blacks to challenge societal barriers that accounted for Black subjugation. As historian Kevin Gaines argues, the focus by elites on the behaviors and habits of ordinary Black folks - particularly surrounding the failings of Black families - amounted to “unconscious internalized racism.” Gaines wrote that “the racist and antiracist preoccupation with the status of the patriarchal family among Blacks and the notion of self-help among Blacks as building an promoting family stability came to displace a broader vision of uplift as group struggle for citizenship and material advancement.” The politics of respectability “misplaced equation of race progress with the status of the family” and consequently “blamed Black men and women for ‘failing’ to measure up to the dominant society’s bourgeois gender morality.” As Gaines further explained, Uplifters “seemed to forget that it was the state and the constant threat of violence, not some innate racial trait, that prevented the realization of Black homes and families.” In the early decades of the twenty-first century, the politics of respectability survives not only as an ideology promulgated by the Black middle class and directed at Black economically left behind in an era celebrated as “postracial,” it survives also as a public philosophy trumpeted by Black elites who have entered the inner sanctums of mainstream American institutions. These select few not only make up today’s Talented Tenth, they are also part of the nation’s elite. Thus as Black leaders became partners in the nation’s dominant institutions - in business, media, entertainment, politics, and academia - the politics of respectability has moved beyond the protected precincts of Black America into mainstream American politics.
Fredrick C. Harris, The Price of the Ticket (via wretchedoftheearth)