Doug Jones

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EXPECTATIONS
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Jules of Nature


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if you've ever noticed that indeed barely has any jobs on it lately, it's NOT just you. they started charging companies to post job listings on there and it seems to have significantly decreased the amount of posts (at least anecdotally).
other options besides linkedin and ziprecruiter:
remote rocketship (remote jobs around the world, updates daily)
hiringcafe
welcome to the jungle (fka otta)
swooped
somewhere (remote jobs)
glassdoor (also allows you to view and post on an anonymous "bowl" for your coworkers to discuss job conditions if you're at a big enough company)
you can also search company site listings with these:
site:boards.greenhouse.io "your position here"
site:*.myworkdayjobs.com "Job Title" "Location"
site:apply.workable.com "Job Title" "Location"
A Love for Ignorance
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.Ā

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on the topic of disabled characters, though, i think a LOT of artists give characters mobility aids that their character wouldn't actually benefit from using.
i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability
i also think that aids like walkers and rollators are sort of viewed as "cringe" on some level, and many people view them to be "just for old people," so many artists will opt for giving a character who has full-body pain and fatigue a cane (which, in many cases, can potentially WORSEN full-body pain) instead. and a lot of people don't realize that most wheelchair users are able to walk, so they don't consider it an option for characters with chronic pain
idk it's kind of frustrating. i've genuinely never, ever seen a character that uses a rollator before. not once. i cannot name a single one. i know of multiple ocs who are described to have full-body pain, dizziness, and fatigue that are drawn as cane users and are never shown with wheelchairs or walkers, though
it's also sort of sad? i've been diagnosed since i was twelve years old, and i only heard of rollators LAST YEAR. and that was only because i saw one irl and immediately asked what it was. i wonder how many disabled people out there don't even know it's an option solely because they're completely underrepresented online and in media
if you're a creative with a disabled oc, PLEASEEE check out this link. it's a very nice and detailed guide for telling which mobility aids suit someone's needs best. it's incredibly important to make the right choice for your character! mobility aids tell you a LOT about someone's lived experience. picking the right one will communicate to your audience #1 what your character goes through #2 that you UNDERSTAND what your character goes through!
being online is becoming.. such a drag. this used to be fun! this used to be so much easier for communities to build! to find art you like! I feel like I open my dumb little screen to write something or find inspiration and immediately enter an espionage scene with a room full of real red lasers in trying to avoid any contact with AI and ads and some horrible news headline and oh! some idiot is trying to convince me nazism had some points, though! and I scroll so quick around this shit and still get so laser-burnt up because my joints and dextrous spy flips and knee bending aren't what they used to be. every screen loves to serve me garbage. it's such a bummer! I open this dumb window to places I used to enjoy spending time on and now feel so gross!! I feel like I'm reaching back for something that is only an echo of what it was! where do we go from here!!
So can non-disabled people stop doing that thing where they act like itās morally righteous to force yourself to work while youāre sick and assume taking sick days automatically equates to laziness. Any time now. Thatād be great
The leader of the scout group I help out at approached me out of hours while I was walking to work to tell me that people have been talking behind my back because I missed more sessions than I attended this term (on account of having Covid twice) and was like āWe all show up when weāre sick because we take responsibilityā and I felt really shitty and guilty and cried the whole workday then I got home and told my mum and she was like āSo they want you to throw up on the kids? Thatās dodgy. They donāt even pay you. Stop goingā and a wave of serenity hit me like a bus
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.

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last year i started taking little walks around my neighborhood for enrichment and whatnot, see, and iāve been more or less keeping up with them barring those 3 months i couldnāt walk. and thereās some pretty big hills around, so thereās some stairs on this route i like to take. and even though i know stairs are a bit of a workout, deep down it was a little embarrassing to me at first, realizing iād let my cardio fitness slip so badly that i needed multiple breaks to catch my breath on a single staircase. it got better as i kept at it, of course, but i would still internally wince a little at the fact that iād get so winded on those stupid stairs. theyāre just some rickety old hillside stairs by my house, i thought, they shouldnāt take it out of me THIS badly
it was only within the past few months that i got to a point where i was like okay, this is reasonable. theyāre not EASY, but if i pace myself i can take the stairs all at once without gasping for air. thatās not too bad. thereās room for improvement and i still get a little winded but thatās a reasonable amount of tired to be, i reckoned, itās one staircase but itās kind of a long staircase. iād always known it was kinda long.
except i recently found out i was underselling it a bit, there. turns out itās a VERY long staircase. itās āappears in tour guides and news articlesā long, actually. itās āannual citywide step challenge eventā long. itās āi canāt tell you the number of steps without doxxing myselfā long. and for almost a year i had no idea, because itās nearby and not very fancy looking and i thought it was just Some Stairs and i was really badly out of shape. but no, iāve accidentally been doing insane superhell cardio this whole time. iām pretty sure iām currently in better shape than i was running cross country in high school. the big hill by my parentsā house feels like flat ground to me now.
i donāt even know where iām going with this. i guess the point is sometimes you are not uniquely ill-equipped for a thing, sometimes that thing is actually just really difficult. and sometimes you donāt realize this and end up holding yourself to insane standards for no reason. but also this can end up benefiting you in the end? idk. maybe i should participate in that step challenge this year or something
There's some guitar riff that is very fast and my brother thought he'd never be able to match it because the original guitarist is a virtuoso and my brother is just some guy
He was warming up for band practice one day and played it and the singer was very impressed and was like 'oh you're doing a speed challenge of that song' and my brother said no, he's trying to match the original speed but it's impossible because the original is too fast. They relistened to the song and it was slower than how my brother played it
Takeru Kobayashi, the man who revolutionized competitive food eating contests, deliberately never looked up the world record while training for his first big hot dog eating contest in 2001
In 2000 the record was 25.5 in 12 minutes. In 2001, Kobayashi ate 50 hot dogs, almost doubling the record. The judges ran out of pre-made signs to track how many he had eaten and had to start making handwritten signs on the spot
There's a lot of positives with SMART goals (Specific, Measurable, Achievable, Relevant/Realistic, Timely), (i really recommend it for things with work/school or things that have a natural deadline that isn't set by you) but the flip side of that is Godhart's law: when a measurement becomes a target, it ceases to be a good measurement. If OP or my brother or Kobayashi had specific goals and checked their progress against it, it would have inhibited their ability to achieve what they ended up achieving
When anger grabs me
I picture you as a boy
growing drowsy under the buzzing sun
splitting blades of grass between your thumb and forefinger
While I kept busy braiding them into bracelets
mixing potions in the cups of lilies
I see you stalling at your grandmotherās kitchen sink
dreading a bitter shout from the yard
I want to travel back to you as my younger self
scuffed Chucks and ant bites around my ankles
Iād like to hug you
We could climb a tree together
count our freckles to see who has more
I want to whisper a secret: āYou and I are friends in the future. And our home is made of magic.ā
When anger takes hold of me, I want to be small again. I want to come and find you.
HOW TO START (2026)
image transcriptions under the cut
How to Start by rthwrms
for the times when you really truly want to do something, but find resistance or that starting feels impossible
most helpful action to get into a task is: look at it options include: review what you've already done open the tab on screen blur your eyes at first if that helps fullscreen the image browse or skim relevant texts let your gaze move around how it will JUST...LOOK!!!
Your brain has resistance towards starting the particular project in the way that you've previously conceived of it. Instead of fighting that resistance, try to change your approach to starting your work. Ie, start with colored pencils on a piece you were doing in gouache, include a new stitch in a crochet piece, Step one: identify the process Step two: identify places where something new can be included Step three: brainstorm new options to fill these spots Step four: select one or more options and try your piece from this new angle
encourage yourself by asking questions start with: "What am I actually trying to do right now?" then try: "What would this look like if it were more fun?" "How would I do it if anything was possible?"
divide into discrete tasks make the closest or shiniest one literally as small & specific as freaking possible
image text: I BELIEVE IN YOU screenshot text: The world is full of magic things, patiently waiting for our senses to grow sharper. W.B. Yeats (via billowy)
there is a window now there is a door
// end post transcription
as you get older, you start realizing that you are not always right and thereās a lot of things you could have handled better and many situations where you could have been kinder and all you can really do is forgive yourself and let your mistakes make you a better person.

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Against Empire by Jim Moore
this is in perfect iambic meter and sounds like the first line of a weird poem
Rule #2
Donāt ever hug a lobster when you see one on the street,
For decorum is essential when a lobster you must greet.
You may comment on the weather, compliment his choice of hat,
But crustaceans like their space if one should stop them for a chat.
Donāt ever hug a lobster when youāre strolling down the coast,
Simply nod and give a greeting, or a handshake at the most,
For a lobsterās first priority is formal social graces,
And one seemes over-familiar if a lobster one embraces.
Donāt ever hug a lobster when you meet one in the sea,
For a lobsterās spines and chitin make it difficult, you see,
And he might become self-conscious if you bring that fact to light,
So donāt ever hug a lobster, simply put, itās impolite.