A clichΓ©, but ima just leave this right hereβ¦
Boomtown Rats - I Donβt Like MondaysΒ (Donβt worry kids, not taking a gun to work today)

blake kathryn

π©΅ avery cochrane π©΅
YOU ARE THE REASON

Origami Around
Noah Kahan
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
RMH
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Kaledo Art
"I'm Dorothy Gale from Kansas"
wallacepolsom
Sweet Seals For You, Always
DEAR READER
almost home
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titsay
Stranger Things
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@burnthecities
A clichΓ©, but ima just leave this right hereβ¦
Boomtown Rats - I Donβt Like MondaysΒ (Donβt worry kids, not taking a gun to work today)

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u start a mosh pit in my heart
CHORUS Come on, just take my hand baby, letβs go weβll run away with nothinβ but our love to show weβll dance in the street with mud on our knees and show the world weβre everything they wish to be but nothing that they want to see Remember those days we lost track of miles punk rock...

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They believe what they hear and they see No one wonders whatβs really beneath Iβm as cool and as kind as can be With a wide smile and sparkling teeth
No one wonders whatβs really beneath A cold, empty soul, like tainted glass With a wide smile and sparkling teeth Who can blame them for not...
THIS SATANIC GODDAMN THING IS REAL AND I AM UNREASONABLY ANGRY ABOUT IT
seriously look at this awful thing
No.
No no no no no no no.
Iβm sorry, if youβre too stupid to make eggs in a pan, you donβt get to have a horrible egg-dog on a wooden stick like itβs some kind of carnival food. This product is a crime against gastronomy, and I want to find and destroy each and every example of it.
THE TOP COMMENT ON THAT VIDEO OMG
Β johnnynothumbs:
the pessimist and the optimist
Actually crying here
The spectre of death hovers over much of Mortimerβs work, but with paintings such asΒ Family Plot, 2007, the allusion becomes more overt. Working on a much smaller scale, the starting point for this surreal piece was a German military graveyard in Normandy. A backdrop of trees overcast rows of graves marked by small black crosses. In front of these stand several bizarre and macabre figures. Here Mortimer has returned to depicting whole figures, albeit still somewhat blurred and indeterminate. These naked, stooping characters evoke a raw primeval presence; like neolithic cave dwellers they appear to be shuffling around the scene, engaged in some purposeful, yet arcane activity. Painted with a muddy grey palette, the work is saturated with a deathly and disquieting atmosphere. Like all of Mortimerβs recondite paintings, the responsibility of interpreting this idiosyncratic tableau is laid squarely at the foot of the viewer, who is free to project all manner of creative narratives onto the work.
Justin Mortimer: Selected Works 2002-2008Β by David Trigg
http://justinmortimer.co.uk/Justin%20Mortimer,%20Artist,%20David%20Trigg%20essay.html
Mother preparing anti-teargas solution for her daughters who go to protest at Gezi Park.
βEvery nickel I have goes to rent and student loans. You know what I eat every day? Half a dozen eggs and four cans of these beans.β

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Relevant
EVERYTHING POSITIVE

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Genie, the Feral Child. California. Mid-70s.
bring me here
Why do we even exist in this decade?
This decade is whatever we make it dammit