you are the star

Nazis crashing the fuck out at Elmo for no reason is one of my new favorite genres. Literally this pic:

your identity, your dignity and your worth as a woman have absolutely nothing to do with how or why abusive people lash out at you. the insidious narrative that survivors should feel special on some level for having been worthy of their abuse is battered wife rhetoric. it's the perpetrator-system of violence grooming you to accept, and even shamefully yearn for, violence it always intended to inflict. and women are so often complicit in repeating the narrative back to each other. sometimes it's very well meaning and springs up out of the solidarity of shared experience, trying to reclaim power from situations where power was wielded against you, but sometimes it's lana del rey sadgirl coquette I need a man who'll slap me around so I know he cares. sometimes it's eating disorders and self harm. the twinning of femininity and female worthiness with suffering, associating the scars of misogynistic violence with acceptance of one's femininity by somebody who hates you, is profoundly unhealthy and profoundly unfair.

bottom line: trans women have never needed to be identifiable by their abusers at a glance to be subject to misogynistic violence. they have never even needed to be out. remember the early days of the internet when online culture was so outspokenly misogynistic as a baseline that most women just never disclosed their gender, never went on mic, never posted pictures? would anyone ever seriously argue that women weren't subject to misogynistic abuse online until they broke anonymity? and that being the case, would it ever ever seem appropriate to hear someone had been doxxed or sexually harassed for disclosing her gender and respond "heh, proves you really are a woman"?

This trait of Kabru’s is probably the most important small character detail in Dunmeshi to me. It does so much.

Another parallel to Laios — they both take care of others, but struggle to take care of themselves.

Further establishes the reoccurring idea that Kabru is not nearly put together as he first appears. (Otherwise established by the fact that his party Keeps Fucking Dying, his internal monologue, etc.)