found, redeemed

or forgotten

but we thought

we were glad.

Hound us again

I grew little this season, as a marking for my absence.

She knows better of me, maybe less of the studies committed. 

A testament, not as forgotten

What becomes abstinence during the grimace?

If burial was a setting surface, 

When the Rosemary stiffened, whenever it’s potted

Deposits feathering as reminders of denial 

Bolstering from behind,

How much have we implemented change and the way we view artistry?

define_Folkloric_apprehension: a deposit of peasant creativity, of the supposed transparency with face to face communication. The profundity that its other would become lost by the ‘external’ changes of modernity. 

How do the ‘external’ changes regard the tangibility of objects and symbolism?

The objects derive from an existential characterization that entertain the masses in a continuous form. As though the outside world was reflecting inwardly towards the body and the serving device. 

I believe that as of now, digitalization has become a perplex performance in which art coexists at a different accumulation of observance. 

Imitators and absence.

Militant Adherence : Repetitive action;   }

I find the current medium in belonging with the Soviets. It’s alienation along with the unwanted resemblance of authority, a clandestine symmetry within the underworlds. A rememory of their authorization as well as its artificial existence. 

“The conversion of immediate history into speculation, the ‘textures’ of social life, the ground zero where the media converts every affirmation into a ‘show of the statement.”

“The material aspect of modernity, of which states would be the bureaucratic and perverse expression, suffocates living reality, and the myths and rituals that preserve it with rational geometries.” -Garcia Canclini 1989

Identity and mythology of fanatical self.

Who are the lonely artists and how are they distinguished openly?

Through its formation, and the expanding nature of the hysterical ordinance, crushing all things of themselves; the symbols of social fantasies and archaic superstition, diminishing the likeness of color. Every moment is another figurative dialogue, mantling the authoritative image across another hemisphere, dancing to the instrumental that has been made sincerely personal to them. The only value that can be retained under its subjective belief of an own kind. It alleviates adversity through freedom by of letting the vinyl coin itself repeatedly. Like a synchronous body tag of self epitomes, probing the rises of the skyline alkalinity. Searching its alikeness through the paramounts of diversity.

“And the spectators can resemble him if they adopt an adequate contemplative attitude and if they know how to abandon themselves… But the visitor discovered that his or her own innovation was prohibited” -Canclini 1989

Playing v. Imitating 

Contemplation of thy self