boringsloth

That's

That's Roy Mustang

Just the opposite.

Roy "I grew up with 10 sisters so I know how to disguise covert information reconnaissance as flirting" Mustang.

"I grew up with 10 sisters so I know how to weaponize my sexual charm to disarm others and win favor."

Roy led every higher-up to believe he was just a fuckboy and a manwhore in this for his own ego and that they shouldn't view him as any kind of violent revolutionary like "no sir I'm just a slut."

Which. is an absolutely batshit primary character backstory to mention once, late in the series, and then immediately move on from.

And actually Hiromu Arakawa did it so well that every single fan interpretation of Roy Mustang for the FMA03 anime treated him as an honest to god man-slut. Bought his whole act hook line and sinker.

Bonnie (regular): "Wait, that's such a long journey though!!! I'm not gonna go find you just so I can punch you if you're wrong!!! That's dumb!!! [...] Okay, then I'll believe you!!! Hopefully I won't have to walk forever to punch you!!!"

Bonnie (friendquest): "...I'll miss you, Frin. ... I know you'll leave soon, but, um... Y-You should come by Bambouche one day! So you can meet my sister!!! So I can say... "That's Frin! They helped me a bunch! They're really cool!!!" So come and see me sometime, yeah? Promise? [...] I'll be waiting for you, Frin!!!"

"i know you'll leave soon" "that's such a long journey" assuming that Siffrin would never want to stay close by, that wherever he goes would be arduous for them to reach. ...and, maybe in Siffrin's interpretation, not worth the annoyance and exertion it would take to reach them.

Isabeau (regular): "I can't wait to go back to my old job, you know? Make sure to say hi when you're near Jouvente, 'kay?"

Isabeau (friendquest): "...I hope...I hope you'll at least visit sometime, Sif. Our journey is over, but don't be a stranger, okay?"

Isabeau, short and restrained after his aborted confessions. maybe keeping it brief and simple to not overcomplicate the triumph of the moment, hoping he'll have the chance to express himself properly later (they're all having dinner together tonight, after all! they'll have time for feelings talks then! why wouldn't they?). not wanting to overwhelm or assume. how can he ask for anything more substantial than a visit before Siffrin knows how he feels, what he might want, what Siffrin might want?

Odile (regular): "But now I can finally get back to traveling. [...] It'll be weird to travel alone now, but I'll get used to it again. Or I could just go home to Ka Bue... Hm... [...] Ha...I'll miss you, Siffrin. You're a little strange, but you're a good kid. Maybe try letting down your walls every once in a while, huh? And come to Ka Bue anytime. Maybe we'll meet again during your travels."

Odile (friendquest): "It was fun. Traveling with everyone. I will miss it. [...] I... I suppose everyone will go back to their homes, now... Mirabelle will probably stay here, Isabeau will probably go back to Jouvente, and we'll ask someone to accompany Bonnie back to Bambouche... And what about you, Siffrin? Will you be going back home? [...] Oh... Why no-- ... No. Sorry, this isn't any of my business. But... No home at all... I never knew. I'm sorry. [...] ...I'll probably be going back to Ka Bue soon. Our paths will diverge soon... But if you ever come towards Ka Bue... Please come by, and say hello, won't you? ...Don't be a stranger, Siffrin."

Odile, reinforcing everyone's assumptions, backing away from the opening Siffrin gave her out of respect for their privacy, and sharing more of her own hand than Siffrin may even realize—resigning herself back to the quiet of her own company after the warmth and noise of being with everyone else. but even as a fellow traveler, both ~obviously intending~ to continue their journeys, there's no suggestion that their paths may intertwine deliberately, only inevitably diverge and briefly cross by happenstance or on a whim.

Mirabelle (regular): "...You can be so nice, Siffrin. [...] You know, um, um... Um!!! I know we haven't known each other for that long... B-But I hope you know I really treasure your company! I do! I really really do!!! And so... Thank you! Thank you for accompanying me on this journey! [...] ...I'm sure you're excited to go back to traveling on your own... But don't forget me, okay? Come see me at Dormont anytime! I'd love to hang out! Promise!!!"

Mirabelle (friendquest): "I have a lot ahead of me, still. But I never would have realized this without you, Siffrin! S-So, whenever you're done traveling, or you'd like to stay someplace for a little bit... Maybe think about coming to visit Dormont? Just to say hi? B-But you don't have to!!! It's just an idea!!! [...] I'm glad we're friends, Siffrin. ... D-Don't forget about me on your journey, okay!"

Mirabelle got so goddamn close to an actual, straightforward invitation for them to stay with her. "whenever you're done traveling or you'd like to stay someplace for a bit" could be a long-term thing of indefinite duration! but then she anxiously backtracks to "visit," "just say hi," "you don't have to! it was just an idea!" out of fear of coming on too strong, imposing too much. she's the one afraid of being forgotten, here, worrying that she'll fade as easily from their mind as anything else, unmissed. trying to balance emphasizing that his company is something that she genuinely wants, but leaving room for them to back out without feeling awkward if it's not something that they genuinely want.

in every case, Siffrin's plans "to keep/go back to traveling" are assumed, the distance is assumed, the separation is inevitable. it's all Siffrin can hear, couched in polite, socially mandated overtures to keep in touch. everyone will be gone and they will be alone again, outside of brief, occasional reunions (and always reunions that he would have to impose to initiate—how can they choose to visit Siffrin if they have no home to visit?—how can Siffrin know if they truly meant it when they asked, if they'll still mean it as time goes on?).

it's all the rest of the party can imagine, too—of course their mysterious rogue will quietly disappear back into the forests and crowds, impossible to find or contact after it's all over. they're left asking, begging, through the clenched teeth of social restraints, not to be left behind or forgotten, either. please visit, they say. don't you get it? don't you know how important to me you've become, how much i want to keep you in my life? they don't say.

and now all i can hear when i read back these lines is

to Bonnie (friendquest): “Yeah, I’ll come by.”

to Isabeau (regular): (You nod.)

to Isabeau (friendquest): (...) (You nod.)

to Odile (first time): (She's smiling at you gently.) (You smile back.) (…)

to Odile (friendquest): (You nod.)

to Mirabelle (first time): (You promise.)

to Mirabelle (friendquest): (. . .) “I'd like that, Mirabelle.”

everyone knows Siffrin is quiet, but that’s probably not the level of enthusiasm they would hope for!!

thinking especially in contrast to when Odile gives him the mirror picture—they don’t just smile, they beam! he doesn’t just nod, he nods furiously in excitement to have this proof of their journey together. the rest of the party is frequently reacting to and commenting on the faces he makes. we know Siffrin can be hugely expressive and obvious with affection even in their silence.

but everything here is restrained and understated as soon as the question of the future is raised.

there are some very telling (...) in several of these conversations, but i feel the shift most sharply in that first conversation with Mirabelle.

she praises them, and he blushes! she talks about how much they mean to her, how grateful she is that he joined her, and he’s smiling so hard it hurts!!

…and then she talks about them separating. about being forgotten.

that extra spacing in (You promise.) is putting in a lot of work. the moment is heavy, suddenly, instead of bursting with joy. the conversation ends.

(Don’t think about it, don’t think about it, don’t think about it.)

i wonder if the rest of the party could feel him pulling away in these moments, even before the loops start straining the smiles he gives them. thinking this is where we lose them, no matter how much they want him to stay, try to let him know that he’s welcome.

This is consistently the case. Creators tend to do their best work when they are in a healthy place and receiving proper treatment and not being self destructive in their efforts to cope. Go figure.

So, Westley has been a LOT of unpleasant shit to get back and has just found out his true love has moved on to become engaged to their local prince. He's confused. He's really pissed off. He misses whatever opportunity allowed him to follow Buttercup on her daily ride (didn't see her ride out, didn't hear about it, whatever), because he's following another opportunity into the castle to investigate Humperdink. Or else he sees Humperdink and Rugen riding off towards the Pit of Despair together and decides to follow them instead. Either way, Westley overhears the two men very casually discussing Humperdink's beautiful but forcibly gained fiancée and the kidnapping plot currently underway, and Westley realizes that Buttercup is about to DIE and he's very likely not going to be able to reach his true love in time. He still runs off, desperate and ready to die trying to save her.

And Westley is really much to late to cross the water and climb the Cliffs of Insanity and all that, because Buttercup and her kidnappers are already at the border with Guilder. It's fine though, because when Fezzik and Inigo are confronted with the murder part of the job, they object, and Fezzik ultimately decides that he's really not cool with it. Fezzik thumps Vizzini over the head while Vizzini is berating Inigo. Fezzik apologizes to Buttercup. Inigo looks at the unconscious (possibly dead, heavily concussed at least) Vizzini, shrugs, and then helps Fezzik untie Buttercup and apologizes as well.

It's more than a little awkward, because none of them really know what to do besides wander vaguely back towards Florin. Buttercup admits that she doesn't really want to marry the prince, and he'll find her if she goes back to the farm, which leads into her telling the story of her dead true love, which Inigo and Fezzik find very romantic. Which leads into Fezzik and Inigo both sharing their own tragic backstories in turn. Buttercup is personally very intrigued by Inigo's mention of being in the revenge business.

And then Buttercup goes, "Wait a moment, I know a nobleman like that. Count Rugen is Prince Humperdink's closest friend and confidant, and he has six fingers on his right hand. I once had to sit next to them at a dinner table while they spent over an hour discussing all the troubles of finding a good glovemaker and skincare for their hands." (Rugen and his wife also once visited Buttercup and Westley's farm when they were younger, but Buttercup would more recently know Rugen from just... around the castle. Rugen is presumably going to be Humperdink's best man.)

So, Westley is like, "Where the HELL is the love of my life???" presumably harrassing Vizzini about it if Vizzini is still alive. And Humperdink has his theatric rescue party together to find Buttercup's body on the border, unknowingly following behind a rushing and frantic Westley, trying to keep his lies straight while he's internally like, "What the HELL happened to my kidnapping and murder plot to invite a war??? Rugen, I thought you hired the best??? It's so hard to find good help these days!"

Meanwhile, Buttercup, Fezzik, and Inigo are on a new friendship quest back to Count Rugen's house. Buttercup is the future princess, and so is presumably already acquainted with Rugen's young and beautiful wife, who has to let her in and be a good hostess. The Countess is like, "Buttercup... Who are these unkempt and intimidating men...?"

I *know* that in the original, Buttercup and Westley had this grand romance and Inigo took over the Dread Pirate Roberts name and Fezzik...did something. Did he have a plan? Maybe he becomes Inigo's first mate.

But imagine:

Humperdink and various soldiers catch up to Westley and the extremely useless Vizzini. Westley, recognizing the murderous fiance of his beloved, talks a good line and gets himself in Humperdink's...not good graces, the man is too suspicious for that, but at least begrudged tolerance.

Vizzini, of course, is executed before he can spill the beans. Or at least is gagged and taken to Rugen's secret torture dungeon. No big loss.

So that party heads back to the castle with the prince in A Mood (TM), and he's demanding someone bring him Rugen before he's even through the castle gates.

Meanwhile, back at Rugen's ACTUAL home (mini castle), Inigo is giving Buttercup a swordfighting lesson to pass the time and Fezzik is helping out with all those little chores that pile up while the lord is away. Like rearranging the furniture single handedly. The countess is actually quite charmed - he's very careful, and he keeps offering excellent suggestions about where to place different pieces for easiest use, and he doesn't mind moving things over and over when she changes her mind!

Anyway, the Nice Old King dies, poor man, and Humperdink summons all his nobles so he can rush through a coronation. Lady Rugen is all over the place, not knowing what to do, but she escorts Princess Buttercup and her sworn knights (aka they escort Lady Rugen) back to the capitol.

Something something, Inigo and Westley nearly come to blows over "that's my girl!" but then Humperdink opens his big dumb mouth and suddenly it's Westley and Inigo (and Fezzik) vs Humperdink and Rugen, and there's really only one way this can go.

Westley is now the king by right of conquest, assuming he even wants it, and Buttercup is putting her foot down that they are NOT breaking up their fun new gang, and Inigo and Fezzik are like "idc, man, whatever you want."

Anyway, Buttercup decides that SHE will be reigning queen, in her own name, and Prince Westley will be her consort and Inigo, newly ennobled as a count, will be her chief advisor. (And their lover, shhh.) Fezzik leads the Queen's Guard, and between him and Inigo, they whip everyone into actual effectiveness. Former-Countess Rugen becomes a lady-in-waiting to the Queen, which she likes much better than marriage to a man who plans wars and assassinations and new torture methods.

I'm not sure how Miracle Max fits in, but he definitely gets invited back to the castle. Maybe he revives the previous king ("he was only MOSTLY dead!" - Humperdink is terrible at poisoning), who then supports Buttercup's claim to the throne. He likes her, she's clever AND kind. The kingdom could use more of that.